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Author: Greg Smith
Publisher: Routledge
ISBN: 135173010X
Category : Art
Languages : en
Pages : 294
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Book Description
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
Author: Greg Smith
Publisher: Routledge
ISBN: 135173010X
Category : Art
Languages : en
Pages : 294
Get Book Here
Book Description
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
Author: Emma Block
Publisher: Running Press Adult
ISBN: 0762465859
Category : Crafts & Hobbies
Languages : en
Pages : 500
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Book Description
Enjoy the meditative art of watercolor with simple supplies, forty colorful illustrated lessons, and easy step-by-step instructions! For a soothing boost of creativity and whimsy, try your hand at watercolor. With a few simple steps, anyone can discover their artistic side and achieve moments of peace and tranquility. Forty straightforward lessons promise fun and colorful results -- no pressure and no skill required. This simple painting medium produces colorful, modern paintings to adorn invitations, gifts, and walls. The forty lessons cover useful topics like: Painting on vacation Painting your pets Layering colors Mixing colors Painting flowers and plants The supplies are simple: a basic palette of watercolors, a selection of brushes, and nice thick paper will do the job. Your bright, whimsical art is guaranteed to bring color to any gray day. It's never too late to pick up a new hobby -- start painting your own beautiful cards and artwork today!
Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Author: Simon Shaw-Miller
Publisher: Routledge
ISBN: 1351550152
Category : Art
Languages : en
Pages : 184
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Book Description
Varied and deliberately diverse, this group of essays provides a reassessment of the life and work of the popular nineteenth-century artist Samuel Palmer. While scholarly publications have been published recently which reassess Palmer's achievement, those works primarily consider the artist in isolation. This volume examines his work in relation to a wider art world and analyses areas of his life and output that have until now received little attention, reinstating the study of Palmer's work within broader debates about landscape and cultural history. In Samuel Palmer Revisited, the contributors provide a fresh perspective on Palmer's work, its context and its influence.
Author: Dana Fox
Publisher: PAGE STREET PUB
ISBN: 1624145566
Category : Art
Languages : en
Pages : 123
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Book Description
"In Watercolor With Me in the Forest, Dana provides light outlines of each project, and every page is printed on premium art paper, so you can focus on the watercolor techniques--wet-on-dry, wet-on-wet, painting fur and ink and wash. Even if you've never picked up a paintbrush before, Dana's creative tricks will ensure that every piece of art is frame-worthy"--Back cover.
Author: David Clarke
Publisher: Reaktion Books
ISBN: 1861897413
Category : Art
Languages : en
Pages : 298
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Book Description
Restless, protean, fluid, evanescent—despite being a challenge to represent visually, water has gained a striking significance in the art of the twentieth century. This may be due to the fact that it allows for a range of metaphorical meanings, many of which are particularly appropriate to the modern age. Water is not merely a subject of contemporary art, but also a material increasingly used in art-making, giving it a distinct dual presence. Water and Art probes the ways in which water has gained an unprecedented prominence in modern Western art and seeks to draw connections to its depiction in earlier art forms. David Clarke looks across cultures, finding parallels within contemporary Chinese art, which draws on a cultural tradition in which water has an essential presence and is used as both a subject and a medium. The book features a wealth of images by artists from East and West, including Fu Baoshi, Shi Tao, Wei Zixi, Fang Rending, Leonardo da Vinci, Bernini, Turner, Gericault, Klee, Matisse, Monet, Picasso, Mondrian, and Kandinsky. Fast-paced, accessible, and comprehensive, Water and Art will appeal to the specialist and the general reader alike, offering fresh perspectives on familiar artists as well as an introduction to others who are less well-known.
Author: Greg Smith
Publisher:
ISBN: 9781854373946
Category : Landscape painting
Languages : en
Pages : 276
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Book Description
Published to accompany the first comprehensive overview of Girtin's career for 25 years, marking the bicentenary of his death, the catalogue brings together the most outstanding examples of his work.
Author: Sandra Hagan
Publisher: Routledge
ISBN: 1351893505
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontës' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.
Author: Marie-Pierre Salé
Publisher: National Geographic Books
ISBN: 0789213737
Category : Art
Languages : en
Pages : 0
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Book Description
A comprehensive and beautifully illustrated history of watercolor, printed on a special paper stock As an artistic medium, watercolor is so widely practiced, and so widely beloved, that it can be startling to reflect on its humble origins. For hundreds of years, nevertheless, watercolor labored in the shadow of oil painting; it was dismissed as a mere tool for creating preparatory studies, or as a “feminine” pastime. But, from the Renaissance, there have been artists who recognized the unique potential of watercolor: its luminosity, its immediacy, its ability to create atmosphere—qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In this landmark volume, Louvre curator Marie-Pierre Salé tells the story of how these pioneering practitioners unlocked the aesthetic power of watercolor and established it as a medium in its own right. Salé’s incisive text takes us from medieval scriptoria to the studios of the early twentieth-century modernists, encompassing every type of work—from plein-air sketches to finished studio pieces—and a wide variety of artists. Here are Dürer’s exquisitely detailed animal studies, Turner’s atmospheric landscapes, Cézanne’s tireless explorations of the visible, Sargent’s light-dappled sketches, O’Keeffe’s trailblazing abstractions. Throughout Salé draws on the personal and professional writings of artists and critics, revealing the rich dialogues that have propelled the development of watercolor, as well as the social institutions that have supported it, such as the nineteenth-century watercolor societies. A valuable appendix, also based in primary sources, traces the technical development of the medium. Watercolor: A History features more than three hundred full-color illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by artists, scholars, and art lovers alike.
Author: Peter de Bolla
Publisher: Springer
ISBN: 0230502040
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Over the last twenty years, critics and historians of the late Eighteenth-century have developed a multidisciplinary approach to the history of culture. This dialogue between literary critics and theorists, art historians and social historians is remapping the relations between culture and society, politics and aesthetics, law and representation. These essays by twelve internationally known scholars return 'Taste' to a central position in the discussion of nation, culture and aesthetics in the period.
