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Author: Thomas Gerry
Publisher: The Porcupine's Quill
ISBN: 0889843589
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
The literary emblem can trace its roots back to sixteenth-century English collections, which sought to reconcile classical philosophy with Christian doctrine. Consisting of images and verses, emblems challenged readers to use their wit and knowledge to deduce the connection between the visual and the textual. In The Emblems of James Reaney, former Reaney student and professor Thomas Gerry draws on his own considerable wit and knowledge to help readers understand the myth, mystery and meaning behind ten literary emblems, published in 1972 as ?Two Chapters from an Emblem Book? by poet, playwright and painter James Reaney. Gerry conducts an exhaustive investigation of the ?magnetic arrangement? that links each emblem with some of Reaney?s best-known fiction, poetry, drama and painting. His detailed analysis of the visual and verbal aspects of each emblem draws on alchemy, biblical mythology and Haitian voodoo. By referring to the influence and inspiration that Reaney drew from William Blake, Edmund Spenser, Northrop Frye and Carl Jung, Gerry reveals the overall cycle of meaning behind the emblems and shows how Reaney marries the opposing concepts of art and experience into a unified artistic vision. The Emblems of James Reaney presents a fascinating organizational scheme within which to study some of Reaney?s most beloved works, encouraging readers to frolic in the playbox of Reaney?s imagination and to revisit his work – and Canadian literature – with new eyes.
Author: Thomas Gerry
Publisher: The Porcupine's Quill
ISBN: 0889843589
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
The literary emblem can trace its roots back to sixteenth-century English collections, which sought to reconcile classical philosophy with Christian doctrine. Consisting of images and verses, emblems challenged readers to use their wit and knowledge to deduce the connection between the visual and the textual. In The Emblems of James Reaney, former Reaney student and professor Thomas Gerry draws on his own considerable wit and knowledge to help readers understand the myth, mystery and meaning behind ten literary emblems, published in 1972 as ?Two Chapters from an Emblem Book? by poet, playwright and painter James Reaney. Gerry conducts an exhaustive investigation of the ?magnetic arrangement? that links each emblem with some of Reaney?s best-known fiction, poetry, drama and painting. His detailed analysis of the visual and verbal aspects of each emblem draws on alchemy, biblical mythology and Haitian voodoo. By referring to the influence and inspiration that Reaney drew from William Blake, Edmund Spenser, Northrop Frye and Carl Jung, Gerry reveals the overall cycle of meaning behind the emblems and shows how Reaney marries the opposing concepts of art and experience into a unified artistic vision. The Emblems of James Reaney presents a fascinating organizational scheme within which to study some of Reaney?s most beloved works, encouraging readers to frolic in the playbox of Reaney?s imagination and to revisit his work – and Canadian literature – with new eyes.
Author: Stan Dragland
Publisher: The Porcupine's Quill
ISBN: 0889844534
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
‘Set up a trellis for flowering plants to climb all over: it’s there but unseen, supporting all that floral leaf-green beauty.’ In James Reaney on the Grid, Stan Dragland examines an artist fiercely loyal to his artistic practice, deploying the metaphor of the grid to explore the inherited literary patterns and archetypes underpinning works of London poet, playwright and educator James Reaney. With extensive references to Reaney’s considerable oeuvre (from early publications such as A Suit of Nettles and The Box Social to what is arguably his master work, The Donnellys), and to an eclectic collection of theorists, artists and contemporaries whose ideas inform and respond to Reaney’s, Dragland seeks to reveal not only what Reaney’s work is about but also what it does. In so doing, he takes readers by the hand in a surprisingly personal ramble through the processes and productions of one of Southern Ontario’s most influential writers.
Author:
Publisher: University of Toronto Press
ISBN: 1487508204
Category : History
Languages : en
Pages : 735
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Book Description
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Author: James Reaney
Publisher: Dundurn
ISBN: 9780888780638
Category : Poetry
Languages : en
Pages : 104
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Book Description
This is the first selection of Reaneys poems, an invaluable resource for Canadian literature courses or anyone interested in Canadian poetry.
Author: James Reaney
Publisher: Dundurn
ISBN: 9780888780911
Category : Poetry
Languages : en
Pages : 100
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Book Description
Selected Longer Poems completes the popular presentation of James Reaney's classic Poems and includes the well-known 'The Great Lakes Suite', 'A Message to Winnipeg', 'Twelve Letters to a Small Town, ' and 'The Dance of Death at London, Ontario'
Author: Stan Dragland
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Author: Alvin A. Lee
Publisher: New York : Twayne
ISBN:
Category : Authors, Canadian
Languages : en
Pages : 200
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Book Description
Critical analysis of the Canadian writer's works.
Author:
Publisher:
ISBN:
Category : Canadian literature
Languages : en
Pages : 540
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Book Description
Author: James Reaney
Publisher: The Porcupine's Quill
ISBN: 9780889841734
Category : Fiction
Languages : en
Pages : 164
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Book Description
The Box Social & Other Stories gathers together nine of James Reaney's short fictions written in the 40s and early 50s and never previously collected in book form. The collection takes its title from a short piece the author originally published in the University College Undergrad and which provoked a firestorm of eight hundred angry letters from subscribers when it was republished nationally in the New Liberty in the late 40s. It also thwarted the young author's designs on the editorship of the Undergrad because of his clear moral unsuitability for such an august position. (This is doubtful, because the Undergrad eventually came to be edited, thirty years later, by PQL publisher Tim Inkster.) `The Box Social' is remarkable, not only that it introduced the theme of date rape to Canadian literature some thirty years before the phrase was coined, but also that it is told from Sylvia's point of view, and yet again that it ends with one of the quietest lines of literary vitriol imaginable ... ` ``I hated you so much, '' she said softly.' If Alice Munro has put the sexually awakening female under glass in Lives of Girls and Women, then The Box Social could just as easily have been titled Lives of Boys and Men. In `The Bully', the brutality of what passes for etiquette in secondary school is contrasted with the simpler life of the farm personified in Noreen who drops grain in the shape of letters to feed her chickens -- `so that when the hens ate the grain they were forced to spell out Noreen's initials or to form a cross and circle. There were just enough hens to make this rather an interesting game. Sometimes, I know, Noreen spelled out whole sentences in this way, a letter or two each night, and I often wondered to whom she was writing up in the sky.' `The Bully' was included in The New Oxford Book of Canadian Short Stories edited by Margaret Atwood and Robert Weaver. The young Margaret Atwood first encountered `The Bully' as an undergraduate. She read the story, oddly enough, in an anthology edited by Robert Weaver, and the experience was apparently seminal to her own development as a writer of fiction ...
Author: James Reaney
Publisher: Dundurn
ISBN: 9780888781178
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
Based on a true story, these three plays explore the saga of a secret society and massacre that stunned the Canadian public in 1880.
