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Author: Nathaniel Tarn
Publisher: Stanford University Press
ISBN: 9780804750547
Category : Literary Collections
Languages : en
Pages : 294
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Book Description
This book has two main subjects which are interwoven: the attitudes of selected poets (including Neruda, Rilke, Breton, Celan, and Artaud) to the "primitive" and the “archaic,” studied from an anthropologist's viewpoint; and a model of the processes whereby poetry is produced and received, built on the author’s successful careers as both poet and anthropologist. The book includes detailed biographical information about how Tarn went from being a French to an English to an American poet. It also reveals the effect of a double career and of these moves on a unique body of poetry and theoretical work. An extremely substantial interview, serving also as an introduction to, and discussion of, the essays, demonstrates that there is nothing like this work to be found elsewhere.
Author: Nathaniel Tarn
Publisher: Stanford University Press
ISBN: 9780804750547
Category : Literary Collections
Languages : en
Pages : 294
Get Book Here
Book Description
This book has two main subjects which are interwoven: the attitudes of selected poets (including Neruda, Rilke, Breton, Celan, and Artaud) to the "primitive" and the “archaic,” studied from an anthropologist's viewpoint; and a model of the processes whereby poetry is produced and received, built on the author’s successful careers as both poet and anthropologist. The book includes detailed biographical information about how Tarn went from being a French to an English to an American poet. It also reveals the effect of a double career and of these moves on a unique body of poetry and theoretical work. An extremely substantial interview, serving also as an introduction to, and discussion of, the essays, demonstrates that there is nothing like this work to be found elsewhere.
Author: Jim Cocola
Publisher: University of Iowa Press
ISBN: 1609384121
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
Author: Richard Watson Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Book Description
Author: David Vedder
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 408
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Book Description
Author: Robert Southey
Publisher:
ISBN:
Category :
Languages : en
Pages : 522
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Book Description
Author: Lucas Klein
Publisher: BRILL
ISBN: 9004375376
Category : Poetry
Languages : en
Pages : 310
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Book Description
What makes a Chinese poem “Chinese”? Some call modern Chinese poetry insufficiently Chinese, saying it is so influenced by foreign texts that it has lost the essence of Chinese culture as known in premodern poetry. Yet that argument overlooks how premodern regulated verse was itself created in imitation of foreign poetics. Looking at Bian Zhilin and Yang Lian in the twentieth century alongside medieval Chinese poets such as Wang Wei, Du Fu, and Li Shangyin, The Organization of Distance applies the notions of foreignization and nativization to Chinese poetry to argue that the impression of poetic Chineseness has long been a product of translation, from forces both abroad and in the past.
Author: Nathaniel Tarn
Publisher: Duke University Press
ISBN: 1478022523
Category : Social Science
Languages : en
Pages : 345
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Book Description
Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew André Breton, Salvador Dalí, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Lévi-Strauss, and many more of the twentieth century’s major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person.” Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.
Author: Robert Southey
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
Author: Stuart Cooke
Publisher: Rodopi
ISBN: 9401209162
Category :
Languages : en
Pages : 340
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Book Description
Speaking the Earth’s Languages brings together for the first time critical discussions of postcolonial poetics from Australia and Chile. The book crosses multiple Languages, landscapes, and disciplines, and draws on a wide range of both oral and written poetries, in order to make strong claims about the importance of ‘a nomad poetics’ – not only for understanding Aboriginal or Mapuche writing practices but, more widely, for the problems confronting contemporary literature and politics in colonized landscapes. The book begins by critiquing canonical examples of non-indigenous postcolonial poetics. Incisive re-readings of two icons of Australian and Chilean poetry, Judith Wright (1915–2000) and Pablo Neruda (1904–1973), provide rich insights into non-indigenous responses to colonization in the wake of modernity. The second half of the book establishes compositional links between Aboriginal and Mapuche poetics, and between such oral and written poetics more generally. The book’s final part develops an ‘emerging synthesis’ of contemporary Aboriginal and Mapuche poetics, with reference to the work of two of the most important avant-garde Aboriginal and Mapuche poets of recent times, Lionel Fogarty (1958–) and Paulo Huirimilla (1973–). Speaking the Earth’s Languages uses these fascinating links between Aboriginal and Mapuche poetics as the basis of a deliberately nomadic, open-ended theory for an Australian–Chilean postcolonial poetics. “The central argument of this book,” the author writes, “is that a nomadic poetics is essential for a genuinely postcolonial form of habitation, or a habitation of colonized landscapes that doesn’t continue to replicate colonialist ideologies involving indigenous dispossession and environmental exploitation.”
Author: Henry Van Dyke
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 348
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Book Description
