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Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9781032236612
Category :
Languages : en
Pages : 474
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Book Description
Professor Henry Maguire's publications transformed the way art historians approach medieval art. In this volume, twenty-three of his colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9781032236612
Category :
Languages : en
Pages : 474
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Book Description
Professor Henry Maguire's publications transformed the way art historians approach medieval art. In this volume, twenty-three of his colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.
Author: Henry Maguire
Publisher: Princeton University Press
ISBN: 0691655219
Category : Art
Languages : en
Pages : 244
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Book Description
In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453. Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin. Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many. Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph Evans
Publisher: Judson Press
ISBN: 9780817018146
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
"During his lifetime, Rev. Dr. Gardner C. Taylor was hailed by TIME magazine as the dean of America's black preachers. Newsweek honored him as one of the 12 greatest preachers in the English-speaking world. A civil rights leader, a Presidential Medal of Honor recipient, and a longtime pastor, Taylor was called "the poet laureate of American Protestantism." In this critical volume, scholar and pastor Joseph Evans analyzes the art of Taylor's preaching according to the five classical canons of rhetoric, celebrating in particular his excellence in narrative eloquence, which was the heart of his persuasive proclamation. Through a close reading of Taylor's sermons and careful scholarship in the discipline of rhetoric, Evans provides homileticians and rhetoricians alike with an incisive and accessible understanding of the oratorical brilliance of the man whose eloquence transcended theological boundaries and sociopolitical and cultural constructs"--
Author: Catherine H. Lusheck
Publisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398
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Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
Author: Matthew Bevis
Publisher: OUP Oxford
ISBN: 0191615617
Category : Literary Criticism
Languages : en
Pages : 1506
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Book Description
'In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments. Providing a close reading of the relations between printed words and public voices as well as a broader engagement with debates about the socio-political inflections of the aesthetic realm, this is a major study of how styles of writing can explore and embody forms of responsible political conduct.
Author: Jacqueline E. Jung
Publisher: Yale University Press
ISBN: 0300214014
Category : Art
Languages : en
Pages : 341
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Book Description
A radical reassessment of the role of movement, emotion, and the viewing experience in Gothic sculpture Gothic cathedrals in northern Europe dazzle visitors with arrays of sculpted saints, angels, and noble patrons adorning their portals and interiors. In this highly original and erudite volume, Jacqueline E. Jung explores how medieval sculptors used a form of bodily poetics—involving facial expression, gesture, stance, and torsion—to create meanings beyond conventional iconography and to subtly manipulate spatial dynamics, forging connections between the sculptures and beholders. Filled with more than 500 images that capture the suppleness and dynamism of cathedral sculpture, often through multiple angles, Eloquent Bodies demonstrates how viewers confronted and, in turn, were addressed by sculptures at major cathedrals in France and Germany, from Chartres and Reims to Strasbourg, Bamberg, Magdeburg, and Naumburg. Shedding new light on the charismatic and kinetic qualities of Gothic sculpture, this book also illuminates the ways artistic ingenuity and technical skill converged to enliven sacred spaces.
Author: Jacqueline Lichtenstein
Publisher: Univ of California Press
ISBN: 9780520069077
Category : Art
Languages : en
Pages : 288
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Book Description
"An outstanding book, one of the most intelligent, penetrating, and intellectually rigorous studies of pictorial theory in the literature of art history."--Michael Fried, author of Absorption and Theatricality: Painting and the Beholder in the Age of Diderot "Jacqeline Lichtenstein's groundbreaking contribution to intellectual history reconstructs the history of the age-old debate between philosophy and rhetoric, discourse and images, drawing and color, truth and delight. She shows how, in opposition to the Platonic suspicion of eloquence and colour, 17th-century French aesthetics discovers that painting involves deception more than imitation and delight rather than logic. Impressively erudite, Lichtenstein is also a seductive writer. A book about the pleasure of seeing and the pleasure of reading."--Thomas Pavel, author of The Feud of Language: A History of Structuralist Thought
Author: Sandra M. Gustafson
Publisher: UNC Press Books
ISBN: 0807839140
Category : History
Languages : en
Pages : 316
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Book Description
Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.
Author: Paolo D'Angelo
Publisher: Columbia University Press
ISBN: 0231540345
Category : Art
Languages : en
Pages : 151
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Book Description
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disguise technique and feign ease is to heighten beauty. To express this notion, Italian has a word with no exact equivalent in other languages, sprezzatura: a kind of unaffectedness or nonchalance. In this book, the first to consider sprezzatura in its own right, philosopher of art Paolo D’Angelo reconstructs the history of concealing art, from ancient rhetoric to our own times. The word sprezzatura was coined in 1528 by Baldassarre Castiglione in The Book of the Courtier to mean a kind of grace with a special essence: the ability to conceal art. But the idea reaches back to Aristotle and Cicero and forward to avant-garde works such as Duchamp’s ready-mades, all of which share the suspicion of the overt display of skill. The precept that art must be hidden turns up in a number of fields, from cosmetics to interior design, politics to poetry, the English garden to shabby chic. Through exploring different articulations of this idea, D’Angelo shows the paradox of aesthetics: art hides that it is art, but in doing so it reveals itself to be art and becomes an assertion about art. When art is concealed, it appears as spontaneous as nature—yet, paradoxically, also reveals its indebtedness to technique. An erudite and surprising tour through aesthetics, philosophy, and art history, Sprezzatura presents a strikingly original argument with deceptive ease.
Author: Edgar Wind
Publisher:
ISBN: 9780198173410
Category :
Languages : en
Pages : 0
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Book Description
