The Eighteenth-century Diaspora of Italian Music and Musicians PDF Download
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Author: Reinhard Strohm
Publisher: Brepols Publishers
ISBN:
Category : Music
Languages : de
Pages : 384
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Book Description
On an eighteenth-century map of European culture, Italian musicians would be found almost everywhere. Unlike in earlier ages, they now provided an intrinsic part of the international exchange: no longer exotic birds, but not yet the representatives of a single nation, they helped other Europeans to forget traditional frontiers in music. In this fascinating book, eight specialised music historians investigate several important aspects of the Italian contribution, highlighting local musical practices, the aesthetic of genres, and the larger patterns of musical cultivation and patronage.
Author: Reinhard Strohm
Publisher: Brepols Publishers
ISBN:
Category : Music
Languages : de
Pages : 384
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Book Description
On an eighteenth-century map of European culture, Italian musicians would be found almost everywhere. Unlike in earlier ages, they now provided an intrinsic part of the international exchange: no longer exotic birds, but not yet the representatives of a single nation, they helped other Europeans to forget traditional frontiers in music. In this fascinating book, eight specialised music historians investigate several important aspects of the Italian contribution, highlighting local musical practices, the aesthetic of genres, and the larger patterns of musical cultivation and patronage.
Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
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Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Author: Don Fader
Publisher: Boydell & Brewer
ISBN: 1783276282
Category : History
Languages : en
Pages : 362
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Book Description
This study stems from discoveries in a trove of documents belonging to Charles-Henri de Lorraine, prince de Vaudâemont, who served as governor of Milan under the Spanish crown from 1698 to 1706. These documents, together with a mass of other sources - letters, diaries, treatises, libretti, scores - offer a vivid new picture of musical life in Paris and Milan as well as exchanges between France and Italy. The book is both a patronage study and an examination of the contributions by - and the difficulties facing - musicians and dancers who worked across national and cultural boundaries. Music, Dance, and Franco-Italian Cultural Exchange, c.1700 follows the careers of the prince and the French violinist and composer Michel Pignolet de Montâeclair. In the context of a renewed fascination with Italian music in the 1690s, Montâeclair made a name for himself in Paris as a pedagogue and composer who understood both national styles and blended them in a way that was successful on French terms. Vaudâemont hired Montâeclair to direct a French violin band and to compose dance music for a series of new operas that observers declared "the best in Italy" but are virtually unknown today. These productions involved collaborations among a mixed company of French and Italian musicians, dancers, composers, and librettists modeled on the practice of Turinese court operas. The book is an account of the contributions of these figures to the cultural life of Paris, Milan, and other northern Italian states, and to the creative mixing of musical styles, operatic conventions, and dance technique in France and Italy through the 1720s and beyond.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1139828177
Category : Music
Languages : en
Pages : 343
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Book Description
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
Author: Guido Olivieri
Publisher: Cambridge University Press
ISBN: 100927368X
Category : Music
Languages : en
Pages : 297
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Book Description
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.
Author: Simon McVeigh
Publisher: Boydell Press
ISBN: 9781843830924
Category : History
Languages : en
Pages : 390
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Book Description
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
Author: Warwick Lister
Publisher: Oxford University Press
ISBN: 0199707073
Category : Music
Languages : en
Pages : 540
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Book Description
This is the first full-length biography in English of Giovanni Battista Viotti (1755-1824), one of the great violinist-composers in the history of music, and arguably the most influential violinist who ever lived. This study is based on extensive documentary research, much of it here revealed for the first time.
Author: Jason Stoessel
Publisher: Routledge
ISBN: 1351563386
Category : Music
Languages : en
Pages : 272
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Book Description
This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
Author: Berthold Over
Publisher: transcript Verlag
ISBN: 3839448859
Category : Art
Languages : en
Pages : 799
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Book Description
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1009007122
Category : Music
Languages : en
Pages : 158
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Book Description
The music of Johann Sebastian Bach, George Frederic Handel and Domenico Scarlatti received more performances, publications and appreciation in Britain between 1750–1850 than in any other country during this era. The compositions of these three seminal baroque composers were heard in the numerous public and private concerts that proliferated at this time; edited, arranged and published for professionals and amateurs; written about by scholars and journalists; and used as teaching pieces and in pedagogical treatises. This Element examines the reception of their music during this dynamic period in British musical history, and places the discussion within the context of the artistic, cultural, economic, and political factors that stimulated such passionate interest in 'ancient music.' It also offers a vivid picture of the aesthetic concerns of those musicians and audiences involved with this repertoire, providing insights that help us better understand our own encounters with music of the past.
