The Effects of Practice on Judgments of Absolute Pitch PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Effects of Practice on Judgments of Absolute Pitch PDF full book. Access full book title The Effects of Practice on Judgments of Absolute Pitch by Evelyn Gough Bacon. Download full books in PDF and EPUB format.
Author: Evelyn Gough Bacon
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 512
Get Book Here
Book Description
Author: Evelyn Gough Bacon
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 512
Get Book Here
Book Description
Author: Evelyn Gough
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
Get Book Here
Book Description
Author: Diana Deutsch
Publisher: Elsevier
ISBN: 1483292738
Category : Music
Languages : en
Pages : 563
Get Book Here
Book Description
Approx.542 pages
Author:
Publisher:
ISBN:
Category : Submarine medicine
Languages : en
Pages : 404
Get Book Here
Book Description
Author: Richard Parncutt
Publisher: Springer Science & Business Media
ISBN: 3642748317
Category : Science
Languages : en
Pages : 216
Get Book Here
Book Description
My first encounter with the theory of harmony was during my last year at school (1975). This fascinating system of rules crystallized the intuitive knowledge of harmony I had acquired from years of piano playing, and facilitated memorization, transcription, arrangement and composition. For the next five years, I studied music (piano) and science (Physics) at the Univer sity of Melbourne. This "strange combination" started me wondering about the origins of those music theory "rules". To what extent were they determined or influenced by physics? mathematics? physiology? conditioning? In 1981, the supervisor of my honours project in musical acoustics, Neville Fletcher, showed me an article entitled "Pitch, consonance, and harmony", by a certain Ernst Terhardt of the Technical University of Munich. By that stage, I had devoured a considerable amount of (largely unsatisfactory) material on the nature and origins of harmony, which enabled me to recognize the significance of Terhardt's article. But it was not until I arrived in Munich the following year (on Terhardt's invitation) that I began to appreciate the conse quences of his "psychoacoustical" approach for the theory of harmony. That is what this book is about. The book presents Terhardt's work against the broad context of music perception research, past and present. Music perception is a multidisciplinary mixture of physics, psychology and music. Where different theoretical ap proaches appear contradictory, I try to show instead that they complement and enrich one another.
Author: Robert Sessions Woodworth
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 678
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 790
Get Book Here
Book Description
Vol. 49, no. 4, pt. 2 (July 1952) is the association's Publication manual.
Author: Diana Deutsch
Publisher: Academic Press
ISBN: 0123814618
Category : Psychology
Languages : en
Pages : 784
Get Book Here
Book Description
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. - Encompasses the way the brain perceives, remembers, creates, and performs music - Contributions from the top international researchers in perception and cognition of music - Designed for use as a textbook for advanced courses in psychology of music
Author: Sadie Myers Shellow
Publisher:
ISBN:
Category : Memory
Languages : en
Pages : 352
Get Book Here
Book Description
Author: Edwin G. Flemming
Publisher:
ISBN:
Category : Educational tests and measurements
Languages : en
Pages : 80
Get Book Here
Book Description
