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Author:
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ISBN:
Category :
Languages : en
Pages : 544
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Author:
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ISBN:
Category :
Languages : en
Pages : 544
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Author:
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ISBN:
Category :
Languages : en
Pages : 612
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Author: THE EDINBURGH REVIEW OR CRITICAL JOURNAL
Publisher:
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Category :
Languages : en
Pages : 672
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Author: the edingurgh review , or critical journal: for feb. 1816-june 1816
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
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Author: the edingurgh review , or critical journal: for january, 1845-april, 1845
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Category :
Languages : en
Pages : 582
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Author:
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Category :
Languages : en
Pages : 560
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Author: Tua Korhonen
Publisher: Bloomsbury Publishing
ISBN: 1786731193
Category : History
Languages : en
Pages : 273
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Book Description
Animals were omnipresent in the everyday life and the visual arts of classical Greece. In literature, too, they had significant functions.This book discusses the role of animals - both domestic and wild - and mythological hybrid creatures in ancient Greek literature. Challenging the traditional view of the Greek anthropocentrism, the authors provide a nuanced interpretation of the classical relationship to animals. Through a close textual analysis, they highlight the emergence of the perspective of animals in Greek literature. Central to the book's enquiry is the question of empathy: investigating the ways in which ancient Greek authors invited their readers to empathise with non-human counterparts. The book presents case studies on the animal similes in the Iliad, the addresses to animals and nature in Sophocles' Philoctetes, the human-bird hybrids in The Birds by Aristophanes and the animal protagonists of Anyte's epigrams. Throughout, the authors develop an innovative methodology that combines philological and historical analysis with a philosophy of embodiment, or phenomenology of the body. Shedding new light on how animals were regarded in ancient Greek society, the book will be of interest to classicists, historians, philosophers, literary scholars and all those studying empathy and the human-animal relationship.
Author: Lydia G. Fash
Publisher: University of Virginia Press
ISBN: 081394399X
Category : Literary Criticism
Languages : en
Pages : 399
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Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"—Hawthorne’s The Scarlet Letter, Melville’s Moby-Dick and Stowe’s Uncle Tom’s Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States’ past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Author: New York Society Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 444
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Author: Anne Toner
Publisher: Cambridge University Press
ISBN: 1108424155
Category : Language Arts & Disciplines
Languages : en
Pages : 223
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Book Description
A new exploration of the innovative features of Jane Austen's style.
