The Early Music Yearbook PDF Download
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Author:
Publisher:
ISBN:
Category : Early-music specialists
Languages : en
Pages : 674
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Book Description
Author: Barry Turner
Publisher: Springer
ISBN: 0230271316
Category : Political Science
Languages : en
Pages : 2096
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Book Description
For nearly one hundred and forty years, The Statesman's Yearbook has been relied upon to provide accurate and comprehensive information on the current political, economic and social status of every country in the world. The appointment of the new editor - only the seventh in the book's history - brought enhancements to the 1998-99 edition and these have been continued since then. The 2003 edition is fully updated and contains more information than ever before, including for the first time websites for national governments and international organizations. A foldout colour section provides a political world map and flags for the one hundred and ninety two countries of the world. In an endlessly changing world, the annual publication of The Statesman's Yearbook gives all the information you need in one easily digestible single volume. It will save hours of research and cross-referencing between different sources, and it is an essential annual purchase.
Author:
Publisher:
ISBN:
Category : Early-music specialists
Languages : en
Pages : 674
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Book Description
Author: Bruce Haynes
Publisher: Oxford University Press
ISBN: 0199885125
Category : Music
Languages : en
Pages : 305
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Book Description
Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
Author: David Walter Leinweber
Publisher: Rowman & Littlefield
ISBN: 1793625204
Category : Music
Languages : en
Pages : 195
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Book Description
From the very beginning, music has helped us create our world – everything from language, to technology, to philosophy and religion. The Art of Ancient Music discusses the important role music has played in shaping human development. While emphasizing shared human themes, the text has a special focus on the rise of Western music in the ancient Near East, the Bible, and the Classical worlds. A final chapter provides a discussion of the way music helped bridge the gap between the ancient world and the Middle Ages, especially in the guise of Church music.
Author: Ian Burton
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226183
Category :
Languages : en
Pages : 62
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
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Book Description
Author: David J. Smith
Publisher: Routledge
ISBN: 1317088816
Category : Music
Languages : en
Pages : 327
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Book Description
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.
Author: Ann Bond
Publisher: Hal Leonard Corporation
ISBN: 9781574670639
Category : Music
Languages : en
Pages : 272
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Book Description
This practical guide treats the mechanics and evolution of the instrument, and offers a survey of its literature. The author provides valuable advice on touch and technique, including articulation and fingering, with a lucid exposition of the issues involved in historical performance practice and a clear explanation of ornamentation. The repertoire of each of the great national schools is presented and discussed, with four representative pieces singled out for detailed analysis. More advanced players will welcome the author's suggestions on continuo playing and the helpful discussion of tuning and temperaments. From advice on acquiring a harpsichord, to wise counsel on how to play it and what music to choose, to suggestions on maintenance and tuning, A Guide to the Harpsichord is an indispensable companion for both beginning and advanced harpsichordists.
Author: Nick Wilson
Publisher: Oxford University Press, USA
ISBN: 0199939934
Category : Music
Languages : en
Pages : 314
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Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Author: Maureen Epp
Publisher: Routledge
ISBN: 1351540467
Category : Music
Languages : en
Pages : 310
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Book Description
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
