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Author: Betty Travitsky
Publisher: Routledge
ISBN:
Category : Fiction
Languages : en
Pages : 392
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Book Description
The biography of Margaret Tyler remains speculative. It is known that she served the Howard family (Thomas Howard, Duke of Norfolk) in some capacity. Her level of education has been described as 'amazing' for a woman who was outside of the aristocracy and possibly a middle-class servant. Her translation (published 1579 or 1580) of Diego Ortðn]ez de Calahorra's romance, Espejo de principes y cavalleros, Part I, from the original Spanish, marks not only a notable moment in book history but also the beginning of the popularity and availability of continental romance in England. Tyler was the first woman to publish a romance in England and the first English translator to work from the original Spanish. Because of the negative association of women with romance (considered a masculine domain) and the general cultural restrictions on female authorship, Tyler's bold defence of her translation in the dedication and preface is remarkable, and as it is the earliest Englishwoman's defence of women's literary work, it has sometimes earned her the title of the first English feminist.
Author: Betty Travitsky
Publisher: Routledge
ISBN:
Category : Fiction
Languages : en
Pages : 392
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Book Description
The biography of Margaret Tyler remains speculative. It is known that she served the Howard family (Thomas Howard, Duke of Norfolk) in some capacity. Her level of education has been described as 'amazing' for a woman who was outside of the aristocracy and possibly a middle-class servant. Her translation (published 1579 or 1580) of Diego Ortðn]ez de Calahorra's romance, Espejo de principes y cavalleros, Part I, from the original Spanish, marks not only a notable moment in book history but also the beginning of the popularity and availability of continental romance in England. Tyler was the first woman to publish a romance in England and the first English translator to work from the original Spanish. Because of the negative association of women with romance (considered a masculine domain) and the general cultural restrictions on female authorship, Tyler's bold defence of her translation in the dedication and preface is remarkable, and as it is the earliest Englishwoman's defence of women's literary work, it has sometimes earned her the title of the first English feminist.
Author: Kathryn Coad
Publisher: Routledge
ISBN: 1351919903
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
The biography of Margaret Tyler remains speculative. It is known that she served the Howard family (Thomas Howard, Duke of Norfolk) in some capacity. Her level of education has been described as ’amazing’ for a woman who was outside of the aristocracy and possibly a middle-class servant. Her translation (published 1579 or 1580) of Diego Ortún]ez de Calahorra’s romance, Espejo de principes y cavalleros, Part I, from the original Spanish, marks not only a notable moment in book history but also the beginning of the popularity and availability of continental romance in England. Tyler was the first woman to publish a romance in England and the first English translator to work from the original Spanish. Because of the negative association of women with romance (considered a masculine domain) and the general cultural restrictions on female authorship, Tyler’s bold defence of her translation in the dedication and preface is remarkable, and as it is the earliest Englishwoman’s defence of women’s literary work, it has sometimes earned her the title of the first English feminist.
Author:
Publisher:
ISBN: 9780754631118
Category :
Languages : en
Pages : 608
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Book Description
Author: Diego Ortúñez de Calahorra
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 392
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Book Description
Author: Carole Levin
Publisher: Routledge
ISBN: 1315440709
Category : Literary Criticism
Languages : en
Pages : 903
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Book Description
From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 504
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Book Description
Author:
Publisher:
ISBN: 9781859282267
Category : English literature
Languages : en
Pages : 360
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Book Description
Author: Julie A. Eckerle
Publisher: Routledge
ISBN: 1317061748
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Juxtaposing life writing and romance, this study offers the first book-length exploration of the dynamic and complex relationship between the two genres. In so doing, it operates at the intersection of several recent trends: interest in women's contributions to autobiography; greater awareness of the diversity and flexibility of auto/biographical forms in the early modern period; and the use of manuscripts and other material evidence to trace literacy practices. Through analysis of a wide variety of life writings by early modern Englishwomen-including Elizabeth Delaval, Dorothy Calthorpe, Ann Fanshawe, and Anne Halkett-Julie A. Eckerle demonstrates that these women were not only familiar with the controversial romance genre but also deeply influenced by it. Romance, she argues, with its unending tales of unsatisfying love, spoke to something in women's experience; offered a model by which they could recount their own disappointments in a world where arranged marriage and often loveless matches ruled the day; and exerted a powerful, pervasive pressure on their textual self-formations. Romancing the Self in Early Modern Englishwomen's Life Writing documents a vibrant secular form of auto/biographical writing that coexisted alongside numerous spiritual forms, providing a much more nuanced and complete understanding of sixteenth- and seventeenth-century women's reading and writing literacies.
Author: P. Pender
Publisher: Springer
ISBN: 1137008016
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
An in-depth study of early modern women's modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty's gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.
Author: Michelle M. Dowd
Publisher: Routledge
ISBN: 1317129377
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
By taking account of the ways in which early modern women made use of formal and generic structures to constitute themselves in writing, the essays collected here interrogate the discursive contours of gendered identity in sixteenth- and seventeenth-century England. The contributors explore how generic choice, mixture, and revision influence narrative constructions of the female self in early modern England. Collectively they situate women's life writings within the broader textual culture of early modern England while maintaining a focus on the particular rhetorical devices and narrative structures that comprise individual texts. Reconsidering women's life writing in light of recent critical trends-most notably historical formalism-this volume produces both new readings of early modern texts (such as Margaret Cavendish's autobiography and the diary of Anne Clifford) and a new understanding of the complex relationships between literary forms and early modern women's 'selves'. This volume engages with new critical methods to make innovative connections between canonical and non-canonical writing; in so doing, it helps to shape the future of scholarship on early modern women.
