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Author: Joseph Weidlich
Publisher: Centerstream Publications
ISBN: 9781574241334
Category : Music
Languages : en
Pages : 0
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Book Description
(Banjo). Featuring more than 65 classic songs, this interesting book teaches how to play the minstrel banjo like players who were part of various popular troupes in 1865. The book includes: a short history of the banjo in the US in the antebellum period, including the origins of the minstrel show; info on the construction of minstrel banjos, evolution of the lower-pitched minstrel banjo tunings, and idiomatic techniques peculiar to the minstrel banjo; chapters on each of the seven major banjo methods published through the end of the Civil War; songs from each method in banjo tablature, many available first time; info on how to arrange songs for the minstrel banjo; a reference list of contemporary gut and nylon string gauges approximating historical banjo string tensions in common usage during the antebellum period (for those Civil War re-enactors who wish to achieve that old-time "minstrel banjo" sound); and an extensive cross-reference list of minstrel banjo song titles found in the major antebellum banjo methods.
Author: Joseph Weidlich
Publisher: Centerstream Publications
ISBN: 9781574241334
Category : Music
Languages : en
Pages : 0
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Book Description
(Banjo). Featuring more than 65 classic songs, this interesting book teaches how to play the minstrel banjo like players who were part of various popular troupes in 1865. The book includes: a short history of the banjo in the US in the antebellum period, including the origins of the minstrel show; info on the construction of minstrel banjos, evolution of the lower-pitched minstrel banjo tunings, and idiomatic techniques peculiar to the minstrel banjo; chapters on each of the seven major banjo methods published through the end of the Civil War; songs from each method in banjo tablature, many available first time; info on how to arrange songs for the minstrel banjo; a reference list of contemporary gut and nylon string gauges approximating historical banjo string tensions in common usage during the antebellum period (for those Civil War re-enactors who wish to achieve that old-time "minstrel banjo" sound); and an extensive cross-reference list of minstrel banjo song titles found in the major antebellum banjo methods.
Author: Joseph Weidlich
Publisher:
ISBN: 9781574240757
Category : Banjo
Languages : en
Pages : 0
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Book Description
(Banjo). This is the second book in a 3-part series of intabulations of music for the minstrel (Civil War-era) banjo. This particular book of banjo music comes from Frank Converse's Banjo Instructor, Without a Master from 1865. It includes a choice collection of banjo solos, jigs, songs, reels, walk arounds, etc. in tab, progressively arranged and plainly explained, enabling the learner to become a proficient banjoist without the aid of a teacher.
Author: Bob Carlin
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
"A professional banjo player, Joel Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. An appendix contains a performance chronology"--Note de l'éditeur.
Author: Cecelia Conway
Publisher: Univ. of Tennessee Press
ISBN: 9780870498930
Category : History
Languages : en
Pages : 428
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Book Description
Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten--until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont--among the last American representatives of an African banjo-playing tradition that spans several centuries--Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre--the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands. The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
Author: Robert B Winans
Publisher: University of Illinois Press
ISBN: 0252050649
Category : Music
Languages : en
Pages : 490
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Book Description
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Author: Laurent Dubois
Publisher: Harvard University Press
ISBN: 0674968832
Category : History
Languages : en
Pages : 224
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Book Description
The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
Author: Bob Carlin
Publisher: Rowman & Littlefield
ISBN: 149308187X
Category : Music
Languages : en
Pages : 257
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Book Description
The banjo is emblematic of American country music, and it is at the core of other important musical movements, including jazz and ragtime. The instrument has been adopted by many cultures and has been ingrained into many musical traditions, from Mento music in the Caribbean and dance music in Ireland. Virtuosos such as Béla Fleck have played Bach, African music, and Christmas tunes on the five-string banjo, and the instrument has had a resurgence in pop music with such acts a Mumford and Sons and the Avett Brothers. This book offers the first comprehensive, illustrated history of the banjo in its many forms. It traces the story of the instrument from its roots in West Africa to its birth in the Americas, through its coming of age in the Industrial Revolution and beyond. The book profiles the most important players and spotlights key luthiers and manufacturers. It features 100 “milestone instruments” with in-depth coverage, including model details and beautiful photos. It offers historical context surrounding the banjo through the ages, from its place in Victorian parlors and speakeasies through its role in the folk boom of the 1950s and 1960s to its place in the hands of songwriter John Hartford and comedian Steve Martin. Folk, jazz, bluegrass, country, and rock – the banjo has played an important part in all of these genres. Lavishly illustrated, and thoughtfully written by author, broadcaster, and acclaimed banjoist Bob Carlin, this is a must-have for lovers of fretted instruments, aficionados of roots music, and music history buffs.
Author: Edward Le Roy Rice
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 430
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Book Description
Author: Karen Linn
Publisher: University of Illinois Press
ISBN: 9780252064333
Category : Music
Languages : en
Pages : 212
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Book Description
Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.
Author: Annemarie Bean
Publisher: Wesleyan University Press
ISBN: 9780819563002
Category : History
Languages : en
Pages : 332
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Book Description
A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
