Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 0520261259
Category : Architecture
Languages : en
Pages : 296
Book Description
Rudolf Arnheim has been known, since the publication of his groundbreaking Art and Visual Perception in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In The Power of the Center, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. The Dynamics of Architectural Form explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision.
The Dynamics of Architectural Form
Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 0520261259
Category : Architecture
Languages : en
Pages : 296
Book Description
Rudolf Arnheim has been known, since the publication of his groundbreaking Art and Visual Perception in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In The Power of the Center, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. The Dynamics of Architectural Form explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision.
Publisher: Univ of California Press
ISBN: 0520261259
Category : Architecture
Languages : en
Pages : 296
Book Description
Rudolf Arnheim has been known, since the publication of his groundbreaking Art and Visual Perception in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In The Power of the Center, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. The Dynamics of Architectural Form explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision.
Monumentality and the Roman Empire
Author: Edmund Thomas
Publisher: OUP Oxford
ISBN: 0191558435
Category : Architecture
Languages : en
Pages : 406
Book Description
The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.
Publisher: OUP Oxford
ISBN: 0191558435
Category : Architecture
Languages : en
Pages : 406
Book Description
The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.
A Bibliographical History of the Study and Use of Color from Aristotle to Kandinsky
Author: Kenneth E. Burchett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
The history of color harmony meaning is traced from Aristotle through Kandinsky, to Modern and Postmodern ideas. Discussed are the important contributions to color theory of Alberti, da Vinci, Rubens, Descartes, LeBlon, Hogarth, and Delacoioix, to name a few. Chapters are included on the systematic color analyses of Newton, Goethe, and Chevreul, as well as those of Schopenhauer, Young, Brewster, and Runge; the groundbreaking color-vision research of Helmholtz and the notable scientific studies of Fechner and Rood; the influence of scientific color on such artists as Seurat; and the color organization theories of Moses Harris, Munsell, and Ostwald. Coverage is given to the psychology of affective response, including, among others, Wundt, Allesch, Kirschman, Birkoff, Katz, Arnheim, and Ehrenzweig. Color education is explored through such 20th century teachers as Itten, Katz, Albers, Pope, Sargent, Henri, and many more.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
The history of color harmony meaning is traced from Aristotle through Kandinsky, to Modern and Postmodern ideas. Discussed are the important contributions to color theory of Alberti, da Vinci, Rubens, Descartes, LeBlon, Hogarth, and Delacoioix, to name a few. Chapters are included on the systematic color analyses of Newton, Goethe, and Chevreul, as well as those of Schopenhauer, Young, Brewster, and Runge; the groundbreaking color-vision research of Helmholtz and the notable scientific studies of Fechner and Rood; the influence of scientific color on such artists as Seurat; and the color organization theories of Moses Harris, Munsell, and Ostwald. Coverage is given to the psychology of affective response, including, among others, Wundt, Allesch, Kirschman, Birkoff, Katz, Arnheim, and Ehrenzweig. Color education is explored through such 20th century teachers as Itten, Katz, Albers, Pope, Sargent, Henri, and many more.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1898
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1898
Book Description
Guide to the Literature of Art History 2
Author: Max Marmor
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 928
Book Description
"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 928
Book Description
"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.
Catalog of the Avery Memorial Architectural Library of Columbia University. 2d Ed., Enl
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 754
Book Description
Art Books
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1562
Book Description
Including an international directory of museum permanent collection catalogs.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1562
Book Description
Including an international directory of museum permanent collection catalogs.
Art Books, 1950-1979
Author: R.R. Bowker Company
Publisher: New York : Bowker
ISBN:
Category : Art
Languages : en
Pages : 1572
Book Description
Publisher: New York : Bowker
ISBN:
Category : Art
Languages : en
Pages : 1572
Book Description
Choice
Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 782
Book Description
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1892
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1892
Book Description