The Drunken Silenus PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Drunken Silenus PDF full book. Access full book title The Drunken Silenus by Morgan Meis. Download full books in PDF and EPUB format.
Author: Morgan Meis
Publisher: Slant Books
ISBN: 1639820566
Category : Art
Languages : en
Pages : 119
Get Book Here
Book Description
The Drunken Silenus is a book that is as hard to categorize as it is to put down--an enlightening and mesmerizing blend of philosophy, history, and art criticism. Morgan Meis begins simply enough, with a painting by the Baroque master Peter Paul Rubens of the figure from Greek mythology who is mentor to Dionysus, god of wine and excess of every kind. We learn who this obscure, minor god is--why he must attend on the god who dies and must be re-born and educated all over again--and why Rubens depicted him not as a character out of a farce, but as one whose plight evokes pity and compassion. The narrative spirals out from there, taking in the history of Antwerp, bloody seventeenth-century religious wars, tales of Rubens's father's near-execution for sleeping with William of Orange's wife, Nietzsche's Birth of Tragedy and the impossibility of there being any meaning to human life, and the destruction of all civilization by nefarious forces within ourselves. All of this is conveyed in language that crackles with intelligence, wit, and dark humor--a voice that at times sounds a bit tipsy and garrulous, but which ultimately asks us to confront the deepest questions of meaning, purpose, and hope in the face of death and tragedy.
Author: Morgan Meis
Publisher: Slant Books
ISBN: 1639820566
Category : Art
Languages : en
Pages : 119
Get Book Here
Book Description
The Drunken Silenus is a book that is as hard to categorize as it is to put down--an enlightening and mesmerizing blend of philosophy, history, and art criticism. Morgan Meis begins simply enough, with a painting by the Baroque master Peter Paul Rubens of the figure from Greek mythology who is mentor to Dionysus, god of wine and excess of every kind. We learn who this obscure, minor god is--why he must attend on the god who dies and must be re-born and educated all over again--and why Rubens depicted him not as a character out of a farce, but as one whose plight evokes pity and compassion. The narrative spirals out from there, taking in the history of Antwerp, bloody seventeenth-century religious wars, tales of Rubens's father's near-execution for sleeping with William of Orange's wife, Nietzsche's Birth of Tragedy and the impossibility of there being any meaning to human life, and the destruction of all civilization by nefarious forces within ourselves. All of this is conveyed in language that crackles with intelligence, wit, and dark humor--a voice that at times sounds a bit tipsy and garrulous, but which ultimately asks us to confront the deepest questions of meaning, purpose, and hope in the face of death and tragedy.
Author: Morgan Meis
Publisher:
ISBN: 9781639820542
Category : Art
Languages : en
Pages : 190
Get Book Here
Book Description
The Drunken Silenus is a book that is as hard to categorize as it is to put down--an enlightening and mesmerizing blend of philosophy, history, and art criticism. Morgan Meis begins simply enough, with a painting by the Baroque master Peter Paul Rubens of the figure from Greek mythology who is mentor to Dionysus, god of wine and excess of every kind. We learn who this obscure, minor god is--why he must attend on the god who dies and must be re-born and educated all over again--and why Rubens depicted him not as a character out of a farce, but as one whose plight evokes pity and compassion. The narrative spirals out from there, taking in the history of Antwerp, bloody seventeenth-century religious wars, tales of Rubens's father's near-execution for sleeping with William of Orange's wife, Nietzsche's Birth of Tragedy and the impossibility of there being any meaning to human life, and the destruction of all civilization by nefarious forces within ourselves. All of this is conveyed in language that crackles with intelligence, wit, and dark humor--a voice that at times sounds a bit tipsy and garrulous, but which ultimately asks us to confront the deepest questions of meaning, purpose, and hope in the face of death and tragedy.
Author: Anton van Dyck
Publisher:
ISBN:
Category :
Languages : la
Pages :
Get Book Here
Book Description
Ein trunkener Silen, der von einer Bacchantin und drei Männern gestützt wird. Zwei der Männer im Hintergrund trinken und verhalten sich lüstern. Laut Beischrift in Tinte ist die Vorlage Gonzalo Coques zugewiesen, ebenso im alten Inventar. Bei diesem handelt es sich um den Widmungsempfänger; die Vorlage bildet das gleichnamige spiegelverkehrte Gemälde von van Dyck.
Author: Anne T. Woollett
Publisher: Getty Publications
ISBN: 1606066706
Category : Art
Languages : en
Pages : 194
Get Book Here
Book Description
The first study devoted to classical art’s vital creative impact on the work of the Flemish painter Peter Paul Rubens. For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong creative stimulus and the camaraderie of humanist friends. A formidable scholar, Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized the spectacle of imperial occasions, rendered the intricacies of mythological tales, and delineated the character of gods and heroes in his drawings, paintings, and designs for tapestries. His passion for antiquity profoundly informed every aspect of his art and life. Including 170 color illustrations, this volume addresses the creative impact of Rubens’s remarkable knowledge of the art and literature of antiquity through the consideration of key themes. The book’s lively interpretive essays explore the formal and thematic relationships between ancient sources and Baroque expressions: the significance of neo-Stoic philosophy, the compositional and iconographic inspiration provided by exquisite carved gems, Rubens’s study of Roman marble sculpture, and his inventive translation of ancient sources into new subjects made vivid by his dynamic painting style. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from November 10, 2021, to January 24, 2022.
Author: Svetlana Alpers
Publisher:
ISBN: 9780300067446
Category : Art
Languages : en
Pages : 178
Get Book Here
Book Description
The second problem is that of art and its consumption. Beginning with Watteau, the making of a Rubensian art is traced in the taste for Rubens in the eighteenth century in France, where many of the pictures he had kept for his own collection had found their way. In the writings of Roger de Piles and in the work of the painters to follow, art is made out of the viewing and discussing of art. A binary system of taste emerged for Rubens as contrasted with Poussin, and critical distinctions came to be fashioned in the binary terms of gender. Finally, Alpers considers creativity itself and how, as a man and as a painter, Rubens could have viewed his own generative talent. An analysis of his Munich Silenus - fleshy, intoxicated, and, following Virgil's account, disempowered as a condition of producing his songs - reveals a sense of the creative gift as humanly indeterminate and equivocal.
Author: Roger Kimball
Publisher: Encounter Books
ISBN: 1594033021
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this witty and provocative book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin's Manao tupapau is an example of the way repression is "written on the bodies of women." Or that Jan van Eyck's masterful Arnolfini Portrait is about "middle-class deceptions ... and the treatment of women." Or that Mark Rothko's abstract White Band (Number 27) "parallels the pictorial structure of a pieta." Or that Winslow Homer's The Gulf Stream is "a visual encoding of racism." In "The Rape of the Masters: How Political Correctness Sabotages Art," Kimball, a noted art critic himself, shows how academic art history is increasingly held hostage to radical cultural politics--feminism, cultural studies, postcolonial studies, the whole armory of academic antihumanism. To make his point, he describes how eight famous works of art (reprinted here as illustrations) have been made over to fit a radical ideological fantasy. Kimball then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion.
Author: Cordula Van Wyhe
Publisher: Body in Art
ISBN: 9782503577753
Category : Art
Languages : en
Pages : 348
Get Book Here
Book Description
Did contemporary audiences recognise the sensuously painted 'Rubensian body' as a particular, if not peculiar, artistic repertoire? How can we best understand seventeenth-century practises of reading and viewing the Rubensian body? Can our criteria for eroticism be linked with that of Rubens? Was the body a 'fluid' category for Rubens and where does the boundary of the human body lie? It is hoped that these investigative questions will lead to a detailed evaluation about the paradigmatic status of the Rubensian body and whether we are justified in stressing its singularity within seventeenth-century Flemish and the broader early modern European visual culture.
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787925
Category : Art
Languages : en
Pages : 2586
Get Book Here
Book Description
First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 890
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
Get Book Here
Book Description
