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Author: Harry Cooper
Publisher: Prestel
ISBN: 9783791355108
Category : ART
Languages : en
Pages : 0
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Book Description
"Hailed as a precursor of both pop art and contemporary abstraction, Stuart Davis captured the energy of mass culture and modern life. Beginning in 1921, a series of breakthroughs led him to develop a more abstract approach. Fusing American urban experience with European modernism, his style evolved over the next four decades to become a dominant force in postwar art. The book features some 100 works, from his 1921 paintings of tobacco packages to his abstract Egg Beater series of the late twenties, the ambitious WPA murals of the thirties, and the bold works of his last two decades, in which jagged shapes and bright colors tangle with vigorous calligraphy. The volume pays special attention to his transformative recycling of earlier works; and a chronology-drawing on previously unpublished sources-represents the most complete biography to date, painting a vivid picture of economic hardship, political activism, personal struggle, and eventual triumph"--
Author: Harry Cooper
Publisher: Prestel
ISBN: 9783791355108
Category : ART
Languages : en
Pages : 0
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Book Description
"Hailed as a precursor of both pop art and contemporary abstraction, Stuart Davis captured the energy of mass culture and modern life. Beginning in 1921, a series of breakthroughs led him to develop a more abstract approach. Fusing American urban experience with European modernism, his style evolved over the next four decades to become a dominant force in postwar art. The book features some 100 works, from his 1921 paintings of tobacco packages to his abstract Egg Beater series of the late twenties, the ambitious WPA murals of the thirties, and the bold works of his last two decades, in which jagged shapes and bright colors tangle with vigorous calligraphy. The volume pays special attention to his transformative recycling of earlier works; and a chronology-drawing on previously unpublished sources-represents the most complete biography to date, painting a vivid picture of economic hardship, political activism, personal struggle, and eventual triumph"--
Author: Diane Kelder
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 62
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Book Description
Author: William R. Wilson
Publisher: Pomegranate
ISBN: 1566403162
Category : Painters
Languages : en
Pages : 100
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Book Description
This book examines Davis?s life and art in the context of their colorful, disturbed times. Thirty-six color plates mark his development from social realist to cosmopolitan Parisian expatriate and sophisticated distiller of the American spirit. In the 1920s and 1930s Davis welded the discoveries of the avant-garde school of Paris to the slangy realism of the Yankee Ashcan painters. The resulting style (which he called---with tongue in cheek---?Colonial Cubism?) embodied the rhythm, sass, and ebullience of that most original art form, jazz. Davis made the sound of jazz visible in compositions of hard staccato lines and crisp colors.
Author: Karen Wilkin
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
"Stuart Davis (1892-1964), once described as "the ace of America's Modernists," regarded drawing as central to his art. He believed that all his works were drawings, and developed his images as carefully adjusted black-and-white "configurations" which he translated to "color-space compositions" only at the last stage of his painting procedure. He even retranslated some of his most ambitious and best-known paintings back into large-scale black-and-white drawings on canvas, apparently as a final version of the image." "This volume examines, for the first time, the full range of Davis's activity as a draftsman, from his early naturalistic drawings in the manner of the Ashcan School to the economical near-abstractions of his maturity. A broad interpretation of the notion of drawing, in keeping with Davis's own understanding of the term, allows the inclusion of works on paper in a variety of mediums, including watercolors, gouaches, and some late black-and-white drawings on canvas." "Included as well are selections from Davis's extensive writings, which contain innumerable references to drawing: attempts to define what constitutes a good drawing, and discussions of the role of drawing in his work and in the formulation of his complex theories of composition. Just as important, Davis's notebooks contain many images, ranging from diagrams that illustrate theory to fully developed, self-sufficient drawings." "Karen Wilkin and Lewis C. Kachur, both eminent Davis scholars, draw heavily on his unpublished writings and less well-known images to deepen our understanding of Davis and of American modernism in its formative years."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stuart Davis
Publisher:
ISBN: 9780578851747
Category :
Languages : en
Pages : 96
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Book Description
Author: Stuart Davis
Publisher:
ISBN:
Category : Art, Abstract
Languages : en
Pages : 72
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Book Description
Author: Edward Hopper
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434018
Category : Art, American
Languages : en
Pages : 0
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Book Description
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Author: M. Night Shyamalan
Publisher: Newmarket Press
ISBN: 9781557044075
Category : Performing Arts
Languages : en
Pages : 156
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Book Description
The official tie-in to Columbia Pictures' hit holiday movie, from the co-director of the animated hit The Lion King—with over 200 illustrations, the script and story behind Sony Pictures Imageworks' latest state-of-the-art computer and imaging wizardry that brought E.B. White's classic mouse to life on-screen. Though only a three-inch mouse, Stuart Little represents as huge an advance in filmmaking as his long-ago predecessor, a mouse named Mickey. Now digital characters, complete with personality performance and lifelike qualities, share the screen with live actors—both human and feline. All of these elements were combined to make a seamless film. The result is nothing short of astonishing. How did they do that? Stuart Little: The Movie and the Moviemakers answers that question in stunning detail. Including the shooting script, and illustrated throughout with photos, paintings, blueprints, line drawings, computer graphics, and footnotes, this book explains how the movie incorporates groundbreaking visual effects technology in the realm of photo-realism by the artists and innovators of Sony Pictures Imageworks. The book also details the development of innovative software by Alias/Wavefront and other leading digital firms. For film buffs and fans of Stuart, Stuart Little: The Movie and the Moviemakers is a joyful celebration of the evolution of E.B. White's beloved 1940s classic mouse into an actor for the new millennium. The cast features: Geena Davis as Mrs. Little, Hugh Laurie as Mr. Little, Jonathan Lipnicki as George, Michael J. Fox as the voice of Stuart, Nathan Lane as the voice of Snowbell the Cat. Filmmakers include: Director Rob Minkoff (The Lion King), Producer Douglas Wick Wolf, Working Girl), Special Effect Supervisor Jerome Chen (Contact), Senior Visual Effects Supervisor John Dykstra (Star Wars: A New Hope), Animation Director Henry Anderson (Coca Cola's Polar Bears).
Author: Michael C. FitzGerald
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Author: William C. Agee
Publisher: Yale University Press
ISBN: 9780300121674
Category : Art, American
Languages : en
Pages : 0
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Book Description
A new examination of the art and influence of artist John Graham and his circle, whose works and ideas contributed to the advancement of American modernism in the interwar period The enigmatic and charismatic John Graham (1886-1961) was an important influence on his fellow New York artists in the 1920s through 1940s. Graham and his circle, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, helped redefine ideas of what painting and sculpture could be. They, along with others in Graham's orbit, such as Jackson Pollock and David Smith, played a critical role in developing and defining American modernism. American Vanguards showcases about eighty-seven works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle. Three essays by notable scholars investigate the complex relationships among Graham and his New York artist-colleagues during this formative period. William C. Agee positions Graham and his circle within the movement of New Classicism, which drew upon classical and Renaissance examples in an attempt to overcome the devastation of World War I. Irving Sandler focuses on the social, political, and intellectual dynamics among Davis, Gorky, Graham, and de Kooning in the mid-1930s. Karen Wilkin discusses the circumstances that brought these artists together, their common commitment to modernism, and the fascinating artistic cross-fertilization evident in their work. This critical reconsideration sheds new light on the New York School, Abstract Expressionism, and the vitality of American modernism between the two world wars. Published in association with the Addison Gallery of American Art Exhibition Schedule: Neuberger Museum of Art, Purchase, NY (01/29/12-04/28/12) Amon Carter Museum, Fort Worth, TX (06/09/12-08/19/12) Addison Gallery of American Art, Andover, MA (9/21/12-12/31/12) San Jose Museum of Art, San Jose, CA (02/01/13-06/02/13)
