Author: Maksim Hanukai
Publisher: Columbia University Press
ISBN: 0231545843
Category : Drama
Languages : en
Pages : 534
Book Description
New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.
New Russian Drama
Author: Maksim Hanukai
Publisher: Columbia University Press
ISBN: 0231545843
Category : Drama
Languages : en
Pages : 534
Book Description
New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.
Publisher: Columbia University Press
ISBN: 0231545843
Category : Drama
Languages : en
Pages : 534
Book Description
New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.
Contemporary Russian Drama
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 312
Book Description
The Drama: Russian drama
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 404
Book Description
Eight Twentieth-century Russian Plays
Author: Timothy Langen
Publisher: Northwestern University Press
ISBN: 9780810113732
Category : Drama
Languages : en
Pages : 392
Book Description
Russia produced more notable drama in the twentieth century than at any other time in its history, yet many of the plays from this period of burgeoning creativity have been only sporadically available in English, and others have never been translated before. In Eight Twentieth-Century Russian Plays, Timothy Langen and Justin Weir introduce American students and general readers to the classics of twentieth-century Russian drama.
Publisher: Northwestern University Press
ISBN: 9780810113732
Category : Drama
Languages : en
Pages : 392
Book Description
Russia produced more notable drama in the twentieth century than at any other time in its history, yet many of the plays from this period of burgeoning creativity have been only sporadically available in English, and others have never been translated before. In Eight Twentieth-Century Russian Plays, Timothy Langen and Justin Weir introduce American students and general readers to the classics of twentieth-century Russian drama.
Opera and Drama in Russia as Preached and Practiced in the 1860s
Author: Richard Taruskin
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 592
Book Description
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Music
Languages : en
Pages : 592
Book Description
The Drama
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 932
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 932
Book Description
The Drama Machine
Author:
Publisher: Marsilio
ISBN: 9788831723756
Category : Art
Languages : en
Pages : 0
Book Description
The photographs by one of the emerging artists of the vibrant Russian scene. Russian photographer Sergey Sapozhnikov takes as his topic and inspiration a landmark building of Russian Constructivism, the Drama Theatre in Rostov-on-Don. Designed by architects Vladimir Shchuko and Vladimir Gelfreikh in 1930, it's an iconic work built in the impressive shape of a tractor. Like several other buildings from the period, it underwent various transformations and only recently a poor restoration works. In this sense, it stands as the example of a heritage from Soviet times that nowadays is asking for a renewed attention. Sapozhnikov's work offers an unusual insight of the structure as his expressionist gaze moves around a constructed scene, reminiscent of a theatrical space and responding to the looming shape of this falling giant.
Publisher: Marsilio
ISBN: 9788831723756
Category : Art
Languages : en
Pages : 0
Book Description
The photographs by one of the emerging artists of the vibrant Russian scene. Russian photographer Sergey Sapozhnikov takes as his topic and inspiration a landmark building of Russian Constructivism, the Drama Theatre in Rostov-on-Don. Designed by architects Vladimir Shchuko and Vladimir Gelfreikh in 1930, it's an iconic work built in the impressive shape of a tractor. Like several other buildings from the period, it underwent various transformations and only recently a poor restoration works. In this sense, it stands as the example of a heritage from Soviet times that nowadays is asking for a renewed attention. Sapozhnikov's work offers an unusual insight of the structure as his expressionist gaze moves around a constructed scene, reminiscent of a theatrical space and responding to the looming shape of this falling giant.
Understanding Chekhov
Author: Donald Rayfield
Publisher: Univ of Wisconsin Press
ISBN: 9780299163143
Category : Drama
Languages : en
Pages : 324
Book Description
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
Publisher: Univ of Wisconsin Press
ISBN: 9780299163143
Category : Drama
Languages : en
Pages : 324
Book Description
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
The Drama Magazine ...
Author: Charles Hubbard Sergei
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 316
Book Description
The Masquerade
Author: Mikhail Lermontov: Trans. by Karpovich
Publisher: iUniverse
ISBN: 1475976178
Category : Drama
Languages : en
Pages : 181
Book Description
The Masquerade, a treasured four-act play by Mikhail Yurievich Lermontov, is a classic work of Russian romanticism. In 1830s St. Petersburg, aristocrat Arbenin and Nina, his wife, attend a masked ball. In a tragic case of mistaken identity, Arbenin convinces himself that his wife is romantically involved with Prince Zvezdich. Arbenin is tragically blinded by jealousy and pride, and then a disaster happens... A celebration and examination of a classic work from the Golden Age of Russian culture, the first poetic translation by Russian American professor Alfred E. Karpovich brings The Masquerade to a new, English-speaking audience. A work of great importance, this drama examines the collision between true love and the societal prejudice of honor and dignity. In translation, it casts an inquisitive eye at the state of human dignity in the twenty-first century. Praise for The Masquerade translation The following is in reference to Dr. Alfred E. Karpovich's translation of the great Russian writer and poet Mikhail Lermontov's play : Masquerade . Thoroughly versed in classical Russian, I am a great admirer of Lermontov's works. I approached the translation with a feeling of skepticism, but was literally knocked over by the translation. Mr. Karpovich's understanding of Lermontov and fine-tuning of the English version are truly amazing. It is my pleasure to give this work the highest possible recommendation (and I hope to see it on stage). Sincerely yours, Nicholas Bobrinskoy GDOOSJ (formerly of Marymount Manhattan College Faculty, NYS; St Peter's College, author of The Golden Age of Russian Literature; Pronounce Russian Correctly and of many articles & Interviews in USA & Russia)
Publisher: iUniverse
ISBN: 1475976178
Category : Drama
Languages : en
Pages : 181
Book Description
The Masquerade, a treasured four-act play by Mikhail Yurievich Lermontov, is a classic work of Russian romanticism. In 1830s St. Petersburg, aristocrat Arbenin and Nina, his wife, attend a masked ball. In a tragic case of mistaken identity, Arbenin convinces himself that his wife is romantically involved with Prince Zvezdich. Arbenin is tragically blinded by jealousy and pride, and then a disaster happens... A celebration and examination of a classic work from the Golden Age of Russian culture, the first poetic translation by Russian American professor Alfred E. Karpovich brings The Masquerade to a new, English-speaking audience. A work of great importance, this drama examines the collision between true love and the societal prejudice of honor and dignity. In translation, it casts an inquisitive eye at the state of human dignity in the twenty-first century. Praise for The Masquerade translation The following is in reference to Dr. Alfred E. Karpovich's translation of the great Russian writer and poet Mikhail Lermontov's play : Masquerade . Thoroughly versed in classical Russian, I am a great admirer of Lermontov's works. I approached the translation with a feeling of skepticism, but was literally knocked over by the translation. Mr. Karpovich's understanding of Lermontov and fine-tuning of the English version are truly amazing. It is my pleasure to give this work the highest possible recommendation (and I hope to see it on stage). Sincerely yours, Nicholas Bobrinskoy GDOOSJ (formerly of Marymount Manhattan College Faculty, NYS; St Peter's College, author of The Golden Age of Russian Literature; Pronounce Russian Correctly and of many articles & Interviews in USA & Russia)