Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :
Book Description
The Drama and Opera: Italy, Spain and Portugal
Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :
Book Description
Drama and Opera: Italy, Spain and Portugal
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 0
Book Description
The progress of music on the continent of Europe, with an intr. giving an account of music in the East, in Africa, in Greece, and Rome
Author: Europe
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Opera in Portugal in the Eighteenth Century
Author: Manuel Carlos de Brito
Publisher: Cambridge University Press
ISBN: 9780521036436
Category : Music
Languages : en
Pages : 276
Book Description
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.
Publisher: Cambridge University Press
ISBN: 9780521036436
Category : Music
Languages : en
Pages : 276
Book Description
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.
The Oxford Handbook of the Operatic Canon
Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 456
Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 456
Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Books from the Libraries of James F. Thompson, Esq., and an English Gentleman and the Late Alexander Bryant and William Churchill Oastler, Esqs. To be Sold at Unrestricted Public Sale ... May 14th, 1915 ... at the American Art Galleries
Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
The Harmonicon
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Book Description
A Short History of Opera
Author: Donald J. Grout
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Belle Assemblée
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 638
Book Description
The Classical Tradition : Greek and Roman Influences on Western Literature
Author: Gilbert Highet
Publisher: Oxford University Press, USA
ISBN: 0198020066
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
A reissue in paperback of a title first published in 1949.
Publisher: Oxford University Press, USA
ISBN: 0198020066
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
A reissue in paperback of a title first published in 1949.