The Divine Weeks and Works of Guillaume de Saluste, Sieur Du Bartas: Volume I PDF Download
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Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher: Oxford University Press
ISBN: 0199696861
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher: Oxford University Press
ISBN: 0199696861
Category : Literary Criticism
Languages : en
Pages : 506
Get Book
Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Susan Snyder
Publisher:
ISBN: 9780191733925
Category : Franse digkuns
Languages : en
Pages :
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Susan Snyder
Publisher:
ISBN: 9780191733918
Category : Franse digkuns
Languages : en
Pages :
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Guillaume de Salluste Du Bartas
Publisher: Oxford University Press, USA
ISBN: 9780198127178
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Author: Peter Auger
Publisher: Oxford University Press
ISBN: 0192562835
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James' intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher:
ISBN:
Category : Franse digkuns
Languages : en
Pages : 472
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Book Description
Author: Rosamund Paice
Publisher: Taylor & Francis
ISBN: 1000865770
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book is about the multiple loves of Paradise Lost and Paradise Regained: sanctioned loves and outlawed loves, sincere loves and false loves, Christian loves, classical loves, humanist loves, and love as emotion. In showing how these loves motivate the most significant actions of the Paradise epics, it reveals Milton to have made creative use of the tensions between philosophical ideals, social conventions, and the rather messier ways in which love emerges in practice. Love, so central to Milton’s view of Edenic joy and obedience to God, unsettles earthly and heavenly communities and is the origin of Miltonic transgression. Milton’s Loves sheds new light on some of the most prominent concerns of Milton scholarship, including why Milton’s God is so difficult for readers to connect to, Satan’s apparent heroism, Milton’s radical theology, and the nature of Milton’s muse. It is a book that will appeal to students and scholars of Milton and early modern studies more broadly and is structured in a way that will aid easy reference.
Author: Chanita Goodblatt
Publisher: Routledge
ISBN: 1317111060
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
Author: Dr Chloe Wheatley
Publisher: Ashgate Publishing, Ltd.
ISBN: 140947870X
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.
Author: Josuah Sylvester
Publisher: Anaphora Literary Press
ISBN: 1681145766
Category : Bibles
Languages : en
Pages : 204
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Book Description
The first verse English translation of the Book of Job, and a fantasy epic poem about the woeful love between the Woodman and the Bear. Computational, handwriting, and other types of evidence proves that Josuah Sylvester ghostwrote famous dramas and poetry, including the first “William Shakespeare”-bylined book Venus and Adonis (1593), the “Robert Greene”-bylined Orlando Furioso (1594) and the two “Mary Sidney”-assigned translations of Antonie (1592) and Clorinda (1595). Sylvester is also the ghostwriter behind famously puzzling attribution mysteries, such as the authorship of the anonymous “Shakespeare”-apocrypha Locrine (1595), and behind controversial productions such as the “Cyril Tourneur”-bylined Atheist’s Tragedy (1611). All of the famous texts that Sylvester ghostwrote have previously been modernized and annotated. In contrast, most of Sylvester’s many volumes of self-attributed works have remained unmodernized and thus inaccessible to modern scholars. This neglect is unwarranted since under his own name, Sylvester served as the Poet Laureate between 1606-12 under James I’s eldest son, Henry Frederick, Prince of Wales. This volume addresses this scholarly gap by translating two works that capture Sylvester’s central authorial tendencies. As “John Vicars’” poetic biography argues, Sylvester was a “Christian-Israelite” or a Jew who converted to Christianity, which caused his exile from his native England and his early death abroad. Sylvester’s passion for his Jewish heritage is blatant in the percentage of texts in his group that are based on books in the Old Testament, including the “George Peele”-bylined Love of King David (1599) and the “R. V.”-bylined Odes in Imitation of the Seven Penitential Psalms (1601). This volume presents the first Modern English translation of the only verse Early Modern English translation of the Book of Job. The original Hebrew version’s dialogue is in verse, so that it can be sung or recited during services, and yet there still have not been any scholarly attempts to translate the Old Testament, from versions such as the Verstegan and Harvey-ghostwritten King James Bible, into verse to better approximate this original lyrical structure. Sylvester precisely translates all of the lines and chapters of Job, adding detailed embellishments for dramatic tension and realism. In the narrative, God is challenged by Lucifer to test if Job would remain loyal to God even if he lost his wealth and other blessings; God accepts the challenge and deprives Job of all of his possessions, his family, as well as his health. Job is devastated, but he remains humble and continues to have faith in God. Job’s faith is further challenged by extensive lectures from his friends, who accuse him of suffering because God has judged him to be sinful and in need of punishment. Sylvester also specialized in dreamlike rewriting and remixing of myths from different cultures, as he does in Orlando Furioso, where the narrative leaps between Africa and India, and warfare leads Orlando to go insane. The title-page of Sylvester’s Woodman’s Bear warns readers of a similar trajectory with the epithet: “everybody goes mad once”. In this epic, Greco-Roman-inspired, mythological rewriting, a Woodman has proven to be uniquely resistant to Cupid’s love-arrows, so Cupid disguises himself in a Bear and makes both the Bear and the Woodman fall into desperate love for each other, out of which the Woodman only escape with a magic potion. Woodman’s Bear has been broadly claimed to have been Sylvester’s autobiographical account of a failed courtship, but the analysis across this volume reaches different conclusions and raises ideas for further inquiry. Exordium Synopsis of the Book of Job Synopsis of the Woodman’s Bear “John Vicars’” Memorial Biography of Josuah Sylvester Job Triumphant in His Trial The Woodman’s Bear “Epithalamium” Terms, References, Questions, Exercises
