The Divine Weeks and Works of Guillaume de Saluste, Sieur Du Bartas: Volume I PDF Download
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Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher: Oxford University Press
ISBN: 0199696861
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher: Oxford University Press
ISBN: 0199696861
Category : Literary Criticism
Languages : en
Pages : 506
Get Book Here
Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Susan Snyder
Publisher:
ISBN: 9780191733925
Category : Franse digkuns
Languages : en
Pages :
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Susan Snyder
Publisher:
ISBN: 9780191733918
Category : Franse digkuns
Languages : en
Pages :
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Book Description
A scholarly edition of works by Guillaume de Saluste, Sieur du Bartas. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Guillaume de Salluste Du Bartas
Publisher: Oxford University Press, USA
ISBN: 9780198127178
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Author: Guillaume de Salluste Du Bartas (seigneur)
Publisher:
ISBN:
Category : Franse digkuns
Languages : en
Pages : 472
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Book Description
Author: Peter Auger
Publisher: Oxford University Press
ISBN: 0192562835
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James' intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Laura L. Knoppers
Publisher: Oxford University Press
ISBN: 0198852800
Category : Literary Criticism
Languages : en
Pages : 577
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Book Description
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
Author:
Publisher: Oxford University Press
ISBN: 0198930232
Category : Literary Criticism
Languages : en
Pages : 577
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Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Author: Edward Mangin
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 194
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Book Description
Author: Paul Hammond
Publisher: Oxford University Press
ISBN: 0192538187
Category : Literary Criticism
Languages : en
Pages : 541
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Book Description
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
