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Author: Tobias Gregory
Publisher: University of Chicago Press
ISBN: 0226307565
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
Author: Tobias Gregory
Publisher: University of Chicago Press
ISBN: 0226307565
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
Author: J Todd Ferrier
Publisher: eBook Partnership
ISBN: 1909504092
Category :
Languages : en
Pages : 581
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Book Description
Divine Renaissance Volume II opens with a call to the Soul to take flight from the world's clamour, reach the Sanctuary of Being, and stand in the Great Silence of the Presence within.It goes on to reveal riches upon riches concerning the Mystery of Prayer, the Ascent of the Soul, its path to Angelic realms and its ultimate union with the Gods. The true path of the healer is revealed, the zodiacal ministry of the celestial hierarchy of Gods, the mysterious ministry of the one known as the Master and also many aspects of Christian Church Offices and truths long veiled by its Doctrine. This is the day of the Divine Renaissance when the Truth is re-revealed that will set every Soul free. Free to take flight and stand in the Presence of the Divine within and to be led by Him, and Him alone, to a life of Peace, spirituality and Divine Love.
Author: John Todd Ferrier
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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Book Description
Author: Charles Edward Trinkaus
Publisher: BRILL
ISBN: 9789004098046
Category : History
Languages : en
Pages : 352
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Book Description
The volume contains studies by eleven distinguished scholars, concerning changes in ethical and religious consciousness during this important era of Western culture themes consonant with the scholarship of Charles Trinkaus. It begins with three general essays: the Renaissance discovery of human creativity (William Bouwsma), the Renaissance and Western pragmatism (Jerry Bentley), and the new philosophical perspective (F. Edward Cranz).The remaining contributors deal with similar issues in Petrarch (Ronald Witt), Nicholas of Cusa (Morimichi Watanabe), Lorenzo Valla (Salvatore Camporeale), Marsilio Ficino (Michael Allen and Brian Copenhaver), Savonarola (Donald Weinstein), Battista Carioni (Paul Grendler), and Calvin (Heiko Oberman).The volume opens with a tribute to Trinkaus by Paul Oskar Kristeller and concludes with bibliographies of Trinkaus's publications and of works on Valla in English (Pauline Watts and Thomas Izbicki).Publications by Charles Trinkaus: Edited by C. Trinkaus and H.A. Oberman, The pursuit of holiness in late medieval and renaissance religion, ISBN: 978 90 04 03791 5 (Out of print)
Author: Henry Bamford Parkes
Publisher: New York : Knopf, 1969 [c1968]
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 536
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Book Description
A richly documented cultural history of Europe from the decay of the Roman Empire to the death of Shakespeare.
Author: Patricia Emison
Publisher: BRILL
ISBN: 9047404890
Category : History
Languages : en
Pages : 468
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Book Description
An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Meredith J. Gill
Publisher: Cambridge University Press
ISBN: 9780521832144
Category : Art
Languages : en
Pages : 314
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Book Description
Examines facets of the relationship between Saint Augustine and the thinkers of the Italian Renaissance.
Author: Freydoon Rassouli
Publisher:
ISBN: 9781467549769
Category :
Languages : en
Pages :
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Book Description
Author: Jonathan Hughes
Publisher: Bloomsbury Publishing
ISBN: 1350146277
Category : History
Languages : en
Pages : 441
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Book Description
Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester's circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man's relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante's 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife. Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.
