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Author: Lluís Feliu
Publisher: BRILL
ISBN: 9004496319
Category : History
Languages : en
Pages : 368
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Book Description
Subject of this book is the god Dagan (biblical Dagon), the principal deity of the Middle Euphrates region. Lluís Feliu, carefully analysing the sources from Ebla and Mari for the third millennium, from Mari for the Old Babylonian period and from Emar and Ugarit for the Middle Babylonian period, here gives a meticulous diachronic survey of the divine subject. A final chapter summarizes the results in describing the character of Dagan, his origin and his area of influence. Of particular interest to Assyriologists, to biblical scholars and to comparative religionists.
Author: Lluís Feliu
Publisher: BRILL
ISBN: 9004496319
Category : History
Languages : en
Pages : 368
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Book Description
Subject of this book is the god Dagan (biblical Dagon), the principal deity of the Middle Euphrates region. Lluís Feliu, carefully analysing the sources from Ebla and Mari for the third millennium, from Mari for the Old Babylonian period and from Emar and Ugarit for the Middle Babylonian period, here gives a meticulous diachronic survey of the divine subject. A final chapter summarizes the results in describing the character of Dagan, his origin and his area of influence. Of particular interest to Assyriologists, to biblical scholars and to comparative religionists.
Author: Vidya Dehejia
Publisher: Princeton University Press
ISBN: 0691202591
Category : Art
Languages : en
Pages : 337
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Book Description
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Author: Vidya Dehejia
Publisher:
ISBN: 9788188204106
Category : Bronze sculpture, Indic
Languages : en
Pages : 255
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Book Description
This Sumptuous Book Is A Significant Addition To The Literature On The Exquisite Temple Bronzes Of The Chola Period, From The Ninth To The Thirteenth Centuries, A Time Of Unparalleled Creativity In The History Of The Indian Subcontinent. During The Golden
Author: Pauline Lunsingh Scheurleer
Publisher: BRILL
ISBN: 9004644547
Category : History
Languages : en
Pages : 191
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Book Description
Author: Marsha Hill
Publisher: BRILL
ISBN: 9789004123991
Category : History
Languages : en
Pages : 394
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Book Description
Egyptian bronze statuary has proven particularly intractable to chronological investigations. This study exploits clues offered by bronze royal statuettes to make identifications or stylistic assignments. A fuller understanding of the artistic milieu and role of small royal bronze statuary results.
Author: Zacharoula Petraki
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111178757
Category : Art
Languages : en
Pages : 439
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Book Description
Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimēsis in the Republic, Plato’s use of artistic language rests on a positive model of mimēsis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms.
Author: Kristian Kristiansen
Publisher: Cambridge University Press
ISBN: 9780521843638
Category : History
Languages : en
Pages : 470
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Book Description
Publisher Description
Author: Ittai Weinryb
Publisher: Cambridge University Press
ISBN: 1316539024
Category : Art
Languages : en
Pages : 319
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Book Description
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Author: Stephanie Lynn Budin
Publisher: Cambridge University Press
ISBN: 0521193044
Category : Art
Languages : en
Pages : 395
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Book Description
"This book is a study of the woman-and-child motif as it appeared in the Bronze Age eastern Mediterranean, focusing on Egypt, the Levant, Anatolia, Mesopotamia, Iran, Cyprus, and the Aegean. Rather than being a universal symbol of maternity, or a depiction of a mother goddess, the woman-and-child motif, called by the technical name kourotrophos, was relatively rare in comparison with other images of women in antiquity, and served a number of different symbolic functions, ranging from honoring the king of Egypt to giving extra oomph to magical spells"--Provided by publisher.
Author: Philip M. Peek
Publisher: Taylor & Francis
ISBN: 1000096874
Category : Art
Languages : en
Pages : 251
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Book Description
This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek’s research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.
