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Author: Thomas Puttfarken
Publisher: Yale University Press
ISBN: 9780300081565
Category : Art
Languages : en
Pages : 358
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Book Description
In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and Its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.
Author: Thomas Puttfarken
Publisher: Yale University Press
ISBN: 9780300081565
Category : Art
Languages : en
Pages : 358
Get Book Here
Book Description
In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and Its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.
Author: Henry Rankin Poore
Publisher: Courier Corporation
ISBN: 9780486233581
Category : Art
Languages : en
Pages : 110
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Book Description
A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art. All the paintings that the author analyzes are illustrated in the text ? 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail ? balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest. To see how a painting by Czanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors ? the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.
Author: Michael Baxandall
Publisher: Oxford University Press
ISBN: 9780198173878
Category : Art
Languages : en
Pages : 222
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Book Description
This highly acclaimed volume examines the one firm bridge between the art of the humanists and the painters of the early Italian Renaissance: what Petrarch and other humanists wrote about painting. Baxandall surveys the main themes of their art criticism and describes how their language conditioned their insights into painting.
Author: Henry Rankin Poore
Publisher: Library of Alexandria
ISBN: 1465547886
Category : Fiction
Languages : en
Pages : 298
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Book Description
Author: Henry Rankin Poore
Publisher: Courier Corporation
ISBN: 0486135756
Category : Art
Languages : en
Pages : 110
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Book Description
Learn principles of composition, classical and modern, through analysis of works from Middle Ages to present — Goya, Cézanne, Hopper, many others. 148 illustrations, 9 in full color.
Author: Henry Rankin Poore
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 291
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Book Description
Pictorial Composition and the Critical Judgment of Pictures is a work by Henry Rankin Poore. It provides a view into scientific sense in pictures such as light and shade, contrast, distance and many other themes.
Author: Henry Rankin Poore
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 308
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Book Description
Author: Louis Wolchonok
Publisher:
ISBN:
Category : Composition (Art)
Languages : en
Pages : 173
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Book Description
Author: Edwin George Lutz
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 218
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Book Description
Author: Peter Ward
Publisher: Taylor & Francis
ISBN: 1136045058
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
Behind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work. Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as: Does the shot composition accurately reflect the idea that initiated the shot? Will the content and method of presenting the subject accurately convey the idea? Major innovations in television and film production since the previous edition have affected the styles of composition, such as wide-screen and the use of mini DV cameras. These new technologies and their implications for picture composition are addressed in this new edition. A new colour plate section is also being included to update the section on colour. If you are a practising camera operator, trainee camera operator, student or lecturer on a television or film production course, or simply a video enthusiast wishing to progress to a more professional standard you will find this book essential in enhancing the quality of your work.
