Author: Nikolai Gogol
Publisher: Signet Classics
ISBN: 9780451520142
Category : Fiction
Languages : en
Pages : 244
Book Description
This 19th-century author created some of the most colorful and haunting fiction of his century (Kirkus Reviews). This sampling by the comic genius includes The Nose and the celebrated novella Taras Bulba. Includes a new Afterword. Reissue.
Fantastic Tales
Author: Italo Calvino
Publisher: Houghton Mifflin Harcourt
ISBN: 0544152093
Category : Fiction
Languages : en
Pages : 609
Book Description
Twenty-six fantasy tales from the 19th century, tracing the genre from its roots in German romanticism to the ghost stories of Henry James. The editor, who prefaces each story, analyzes the resurgence of the fantastic in our day.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544152093
Category : Fiction
Languages : en
Pages : 609
Book Description
Twenty-six fantasy tales from the 19th century, tracing the genre from its roots in German romanticism to the ghost stories of Henry James. The editor, who prefaces each story, analyzes the resurgence of the fantastic in our day.
Diary of a Madman and Other Stories
Author: Nikolai Gogol
Publisher: Signet Classics
ISBN: 9780451520142
Category : Fiction
Languages : en
Pages : 244
Book Description
This 19th-century author created some of the most colorful and haunting fiction of his century (Kirkus Reviews). This sampling by the comic genius includes The Nose and the celebrated novella Taras Bulba. Includes a new Afterword. Reissue.
Publisher: Signet Classics
ISBN: 9780451520142
Category : Fiction
Languages : en
Pages : 244
Book Description
This 19th-century author created some of the most colorful and haunting fiction of his century (Kirkus Reviews). This sampling by the comic genius includes The Nose and the celebrated novella Taras Bulba. Includes a new Afterword. Reissue.
Gateway to the Great Books
Author: Encyclopaedia Britannica, Inc
Publisher: Encyclopaedia Britannica, Inc.
ISBN: 1593392214
Category : Juvenile Nonfiction
Languages : en
Pages : 5323
Book Description
Gateway to the Great Books are great writings which selections include short stories, plays, essays, scientific papers, speeches, and letters. Each selection represents a primary, original, and fundamental contribution to ones understanding of the universe and themselves. There are over 135 Authors, 225 Selections and 95 original illustrations. Selections include works from Ernest Hemingway, F. Scott Fitzgerald, T. S Eliot, Mark Twain and more. This set will help introduce oneself to good literature and the Great Books of the Western World.
Publisher: Encyclopaedia Britannica, Inc.
ISBN: 1593392214
Category : Juvenile Nonfiction
Languages : en
Pages : 5323
Book Description
Gateway to the Great Books are great writings which selections include short stories, plays, essays, scientific papers, speeches, and letters. Each selection represents a primary, original, and fundamental contribution to ones understanding of the universe and themselves. There are over 135 Authors, 225 Selections and 95 original illustrations. Selections include works from Ernest Hemingway, F. Scott Fitzgerald, T. S Eliot, Mark Twain and more. This set will help introduce oneself to good literature and the Great Books of the Western World.
The Dimensions of the Short Story
Author: James E. Miller Jr., Bernice Slote
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Encyclopedia of Literary Translation Into English: A-L
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
Book Description
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
Book Description
Fantasy and Mimesis (Routledge Revivals)
Author: Kathryn Hume
Publisher: Routledge
ISBN: 1317638530
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Publisher: Routledge
ISBN: 1317638530
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
The Diary of a Madman and Other Stories
Author: Nikolai Gogol
Publisher: Digireads.com Publishing
ISBN: 9781420934427
Category : Fiction
Languages : en
Pages : 120
Book Description
Nikolai Gogol, an early 19th century Ukrainian-born Russian novelist, humorist, and dramatist, created some of the most important works of world literature and is considered the father of modern Russian realism. Gogol satirized the corrupt bureaucracy of the Russian Empire through the scrupulous and scathing realism of his writing, which would ultimately lead to his exile. Among some of his finest works are his short stories. Together in this collection are collected some of the best of these stories, they include the following: The Diary of a Madman, The Viy, The Mysterious Portrait, The Fair of Sorotchinetz, An Evening in May, Mid-Summer Evening, and The Carriage (The Calash).
Publisher: Digireads.com Publishing
ISBN: 9781420934427
Category : Fiction
Languages : en
Pages : 120
Book Description
Nikolai Gogol, an early 19th century Ukrainian-born Russian novelist, humorist, and dramatist, created some of the most important works of world literature and is considered the father of modern Russian realism. Gogol satirized the corrupt bureaucracy of the Russian Empire through the scrupulous and scathing realism of his writing, which would ultimately lead to his exile. Among some of his finest works are his short stories. Together in this collection are collected some of the best of these stories, they include the following: The Diary of a Madman, The Viy, The Mysterious Portrait, The Fair of Sorotchinetz, An Evening in May, Mid-Summer Evening, and The Carriage (The Calash).
The Golovlovs
Author: Михаил Евграфович Салтыков
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 326
Book Description
[This book] is one of the last-translated, but highest-ranking, realistic novels of nineteenth-century Russia. The vicious circle of greed, self-pity and hypocritical repentance perpetuated by Arina Petrovna, her children, and her children's children in pursuit of money brings disaster to bear on Golovlovo, the gray, half-ruined estate where family and servants conspire against their mistress. -Back cover.
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 326
Book Description
[This book] is one of the last-translated, but highest-ranking, realistic novels of nineteenth-century Russia. The vicious circle of greed, self-pity and hypocritical repentance perpetuated by Arina Petrovna, her children, and her children's children in pursuit of money brings disaster to bear on Golovlovo, the gray, half-ruined estate where family and servants conspire against their mistress. -Back cover.
How the Russians Read the French
Author: Priscilla Meyer
Publisher: Univ of Wisconsin Press
ISBN: 0299229335
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time, Crime and Punishment, and Anna Karenina, Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies
Publisher: Univ of Wisconsin Press
ISBN: 0299229335
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time, Crime and Punishment, and Anna Karenina, Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies
Mapping St. Petersburg
Author: Julie A. Buckler
Publisher: Princeton University Press
ISBN: 0691187614
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Pushkin's palaces or Dostoevsky's slums? Many a modern-day visitor to St. Petersburg has one or, more likely, both of these images in mind when setting foot in this stage set-like setting for some of the world's most treasured literary masterpieces. What they overlook is the vast uncharted territory in between. In Mapping St. Petersburg, Julie Buckler traces the evolution of Russia's onetime capital from a "conceptual hierarchy" to a living cultural system--a topography expressed not only by the city's physical structures but also by the literary texts that have helped create it. By favoring noncanonical works and "underdescribed spaces," Buckler seeks to revise the literary monumentalization of St. Petersburg--with Pushkin and Dostoevsky representing two traditional albeit opposing perspectives--to offer an off-center view of a richer, less familiar urban landscape. She views this grand city, the product of Peter the Great's ambitious vision, not only as a geographical entity but also as a network of genres that carries historical and cultural meaning. We discover the busy, messy "middle ground" of this hybrid city through an intricate web of descriptions in literary works; nonfiction writings such as sketches, feuilletons, memoirs, letters, essays, criticism; and urban legends, lore, songs, and social practices--all of which add character and depth to this refurbished imperial city.
Publisher: Princeton University Press
ISBN: 0691187614
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Pushkin's palaces or Dostoevsky's slums? Many a modern-day visitor to St. Petersburg has one or, more likely, both of these images in mind when setting foot in this stage set-like setting for some of the world's most treasured literary masterpieces. What they overlook is the vast uncharted territory in between. In Mapping St. Petersburg, Julie Buckler traces the evolution of Russia's onetime capital from a "conceptual hierarchy" to a living cultural system--a topography expressed not only by the city's physical structures but also by the literary texts that have helped create it. By favoring noncanonical works and "underdescribed spaces," Buckler seeks to revise the literary monumentalization of St. Petersburg--with Pushkin and Dostoevsky representing two traditional albeit opposing perspectives--to offer an off-center view of a richer, less familiar urban landscape. She views this grand city, the product of Peter the Great's ambitious vision, not only as a geographical entity but also as a network of genres that carries historical and cultural meaning. We discover the busy, messy "middle ground" of this hybrid city through an intricate web of descriptions in literary works; nonfiction writings such as sketches, feuilletons, memoirs, letters, essays, criticism; and urban legends, lore, songs, and social practices--all of which add character and depth to this refurbished imperial city.