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Author: Edmund Wilson
Publisher: Farrar, Straus and Giroux
ISBN: 0374600031
Category : Literary Collections
Languages : en
Pages : 222
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Book Description
Edmund Wilson's last collection of criticism, The Devils & Canon Barham, contains ten essays on Poets, Novelists, and Monsters Previously published in the New Yorker and the New York Review of Books, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for The Ingoldsby Legends, the works of Hemingway, Eliot's The Waste Land, and ends with a piece on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
Author: Edmund Wilson
Publisher: Farrar, Straus and Giroux
ISBN: 0374600031
Category : Literary Collections
Languages : en
Pages : 222
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Book Description
Edmund Wilson's last collection of criticism, The Devils & Canon Barham, contains ten essays on Poets, Novelists, and Monsters Previously published in the New Yorker and the New York Review of Books, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for The Ingoldsby Legends, the works of Hemingway, Eliot's The Waste Land, and ends with a piece on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.
Author: Edward J. N. Wilson
Publisher:
ISBN:
Category : American literature
Languages : en
Pages :
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Book Description
Author: Edmund Wilson
Publisher: Macmillan + ORM
ISBN: 0374600112
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
The Triple Thinkers: Twelve Essays on Literary Subjects contains some of Edmund Wilson's most significant and brilliant writings on topics and authors ranging from Pushkin, A. E. Housman, Flaubert, Henry James, Marxism, poetry and more.
Author: Christopher Riches
Publisher: Oxford University Press
ISBN: 019251850X
Category : True Crime
Languages : en
Pages : 1431
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Book Description
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
Author: Audre Hanneman
Publisher: Princeton University Press
ISBN: 1400869382
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
This supplementary bibliography describes work by and about Ernest Hemingway published between 1966 and 1973. Part One lists publications by Hemingway, including six recent books, new editions of previously published volumes, and work by other authors to which Hemingway contributed. Translations and anthologies are entered, as are previously unpublished writings and material reprinted in newspapers and periodicals (including articles recently attributed to Hemingway). The first half of Part Two lists 448 books and pamphlets on or mentioning Hemingway. The second half describes work that appeared in newspapers and journals, including articles, reviews, poems, critical essays, and textual studies. Foreign publications arc noted throughout Part Two. Omissions to the first volume of the bibliography have been entered in each section. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ashby Bland Crowder
Publisher: LSU Press
ISBN: 0807132721
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Often compared to William Faulkner, renowned American writer William Humphrey (1924–1997) sought to shatter myths about the South in such acclaimed novels as Home from the Hill, The Ordways, and Proud Flesh, and in his voluminous short stories, critical essays, and memoirs. This collection of Humphrey’s best letters deserves space on the bookshelf alongside these earlier works. Beginning in the 1940s when, as a true starving artist, he wore borrowed clothes and could afford only one meal a day, the letters move to his time as a goatherd, his stint as a teacher at Bard College, and his middle years in Europe. They continue as he returns to America and teaches at Washington and Lee, MIT, Princeton, and Smith, and decrease in number as his health declines in the late 1980s and early 1990s. Humphrey corresponded with some of the central figures in the literary and intellectual life of the twentieth century, including writers such as Katherine Anne Porter and Leonard Woolf, and the publishers Alfred and Blanche Knopf. These letters present a vivid picture of Humphrey as he provides commentary on his contemporaries through personal observations combined with sharp critical judgments. Humphrey amuses readers with witty anecdotes and charming tales, including a hilarious account of Christmas dinner with Robert Lowell, a story about British intellectual Cyril Connolly’s near arrest in New York City, and a series of enchanting misunderstandings between Humphrey and his French publisher. The letters also provide remarkable insights into Humphrey’s own works, showing him to be a man happiest when he forgot about himself also prone to plunging into despondency. The correspondence unforgettably reveals his troubled soul and his life as a quintessential artist: a man with the unswerving drive to make a lasting contribution to American literature.
Author: Edmund Wilson
Publisher: Farrar, Straus and Giroux
ISBN: 0374600295
Category : Literary Collections
Languages : en
Pages : 620
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Book Description
Edmund Wilson's The Fifties, edited by Leon Edel, is the highly acclaimed fourth volume in the series that began with The Twenties. It is complimented with photographs and journal excerpts of some of the most interesting characters of the decade, including Edna St. Vincent Millay, W.H. Auden, and Vladimir Nabokov. "A giant's workroom we can wander through, marveling ..." - Richard Locke, The Wall Street Journal on The Fifties: From Notebooks and Diaries of the Period
Author: Cynthia Wachtell
Publisher: LSU Press
ISBN: 0807145645
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.
Author: Abby H. P. Werlock
Publisher: Infobase Learning
ISBN: 143814069X
Category : American fiction
Languages : en
Pages : 3854
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Book Description
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Author: Amy E. Earhart
Publisher: University of Michigan Press
ISBN: 0472121316
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
Digital Humanities remains a contested, umbrella term covering many types of work in numerous disciplines, including literature, history, linguistics, classics, theater, performance studies, film, media studies, computer science, and information science. In Traces of the Old, Uses of the New: The Emergence of Digital Literary Studies, Amy Earhart stakes a claim for discipline-specific history of digital study as a necessary prelude to true progress in defining Digital Humanities as a shared set of interdisciplinary practices and interests. Traces of the Old, Uses of the New focuses on twenty-five years of developments, including digital editions, digital archives, e-texts, text mining, and visualization, to situate emergent products and processes in relation to historical trends of disciplinary interest in literary study. By reexamining the roil of theoretical debates and applied practices from the last generation of work in juxtaposition with applied digital work of the same period, Earhart also seeks to expose limitations in need of alternative methods—methods that might begin to deliver on the early (but thus far unfulfilled) promise that digitizing texts allows literature scholars to ask and answer questions in new and compelling ways. In mapping the history of digital literary scholarship, Earhart also seeks to chart viable paths to its future, and in doing this work in one discipline, this book aims to inspire similar work in others.
