The Development of Chinese Calligraphy in Relation to Buddhism and Politics During the Early Tang Era

The Development of Chinese Calligraphy in Relation to Buddhism and Politics During the Early Tang Era PDF Author: Ruth Sheng
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Chapter 5 introduces Dunhuang manuscripts, using these Buddhist scriptures written on silk and paper to reconstruct a dynamic relationship between celebrated masters and lesser-known copyists based on stylistic connections. These manuscripts also offer the means to reconcile the value of reproductions relative to originals in the dissemination of calligraphy. Chapter 6 discusses the motivation and high productivity of sutra copyists, whose efforts democratized Chinese calligraphy but have not yet received the full attention they deserve.

The Development of Chinese Calligraphy in Relation to Buddhism and Politics During the Early Tang Era

The Development of Chinese Calligraphy in Relation to Buddhism and Politics During the Early Tang Era PDF Author: Ruth Sheng
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Chapter 5 introduces Dunhuang manuscripts, using these Buddhist scriptures written on silk and paper to reconstruct a dynamic relationship between celebrated masters and lesser-known copyists based on stylistic connections. These manuscripts also offer the means to reconcile the value of reproductions relative to originals in the dissemination of calligraphy. Chapter 6 discusses the motivation and high productivity of sutra copyists, whose efforts democratized Chinese calligraphy but have not yet received the full attention they deserve.

Protecting the Dharma through Calligraphy in Tang China

Protecting the Dharma through Calligraphy in Tang China PDF Author: Pietro De Laurentis
Publisher: Routledge
ISBN: 1000488586
Category : Art
Languages : en
Pages : 479

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Book Description
This is a study of the earliest and finest collated inscription in the history of Chinese calligraphy, the Ji Wang shengjiao xu 集王聖教序 (Preface to the Sacred Teaching Scriptures Translated by Xuanzang in Wang Xizhi’s Collated Characters), which was erected on January 1, 673. The stele records the two texts written by the Tang emperors Taizong (599–649) and Gaozong (628–683) in honor of the monk Xuanzang (d. 664) and the Buddhist scripture Xin jing (Heart Sutra), collated in the semi-cursive characters of the great master of Chinese calligraphy, Wang Xizhi (303–361). It is thus a Buddhist inscription that combines Buddhist authority, political power, and artistic charm in one single monument. The present book reconstructs the multifaceted context in which the stele was devised, aiming at highlighting the specific role calligraphy played in the propagation and protection of Buddhism in medieval China.

The History and Cultural Heritage of Chinese Calligraphy, Printing and Library Work

The History and Cultural Heritage of Chinese Calligraphy, Printing and Library Work PDF Author: Susan Macall Allen
Publisher: Walter de Gruyter
ISBN: 3598220464
Category : Art
Languages : en
Pages : 252

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Book Description
In China the tradition of a book society is longer than anywhere else in the world. Chinese paper making, calligraphy and woodblock printing date from very early ages, but have for a very long time remained almost unknown to the Western world. At the IFLA satellite meeting "Chinese Written and Printed Cultural Heritage and Library Work" in Hangzhou in 2006 the richness of present day book historical research and library activities in China has been presented by more than sixty papers. This fine selection reflects the width and depth of this extremely important and immense Chinese heritage.

Beyond the Silk and Book Roads

Beyond the Silk and Book Roads PDF Author: Michelle C. Wang
Publisher: BRILL
ISBN: 9004687068
Category : Religion
Languages : en
Pages : 431

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Book Description
Silk Road studies has often treated material artifacts and manuscripts separately. This interdisciplinary volume expands the scope of transcultural transmission, questions what constituted a “book,” and explores networks of circulation shared by material artifacts and manuscripts. Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies. Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.

The History and Cultural Heritage of Chinese Calligraphy, Printing and Library Work

The History and Cultural Heritage of Chinese Calligraphy, Printing and Library Work PDF Author: Susan M. Allen
Publisher: Walter de Gruyter
ISBN: 3598441797
Category : Language Arts & Disciplines
Languages : en
Pages : 251

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Book Description
In China the tradition of a book society is longer than anywhere else in the world. Chinese paper making, calligraphy and woodblock printing date from very early ages, but have for a very long time remained almost unknown to the Western world. At the IFLA satellite meeting “Chinese Written and Printed Cultural Heritage and Library Work” in Hangzhou in 2006 the richness of present day book historical research and library activities in China has been presented by more than sixty papers. This fine selection reflects the width and depth of this extremely important and immense Chinese heritage.

Chinese Calligraphy and Early Buddhist Manuscripts

Chinese Calligraphy and Early Buddhist Manuscripts PDF Author: Chung-Hui Tsui
Publisher: Indica Et Buddhica
ISBN: 9780473540098
Category : Religion
Languages : en
Pages : 180

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Book Description
Abstract The earliest extant Chinese Buddhist manuscript the Buddhasaṅgīti-sūtra was excavated at Toyuq in Turfan. It is dated the 6th year of the Yuankang era (296 CE) during the Western Jin Dynasty (266-316 CE). This sūtra is a copy by Zhu Fashou, one of Dharmarakṣa's monk disciples, a distinctive scribe on the translation team. Both historical documentation and archæological findings of the period when Buddhism was initially transmitted into China demonstrate that the copying of Buddhist texts by monk scribes from Central Asia played a key role. The work of these scribes also enhanced the creation of diverse and vigorous calligraphic styles from the 3rd to 5th centuries. However, before the 20th century, early Buddhist scribes or foreign scribes were little known in the history of Chinese calligraphy, or in official records. The discovery of the Dunhuang and Turfan manuscripts in the early 20th century provided scholars with new material with which to examine early Buddhist scribal culture. This monograph considers the culture of early sacred writing, and the role of early Buddhist scribes, scribal workshops, scriptural calligraphy, and the expertise of these early scribes, for the history of Chinese calligraphers and calligraphy.

Fu Shan’s World

Fu Shan’s World PDF Author: Qianshen Bai
Publisher: BRILL
ISBN: 1684173809
Category : Art
Languages : en
Pages : 368

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Book Description
"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history."

The History of Literature in Sui, Tang and Five Dynasties

The History of Literature in Sui, Tang and Five Dynasties PDF Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages :

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Book Description
The book is the volume of “The History of Literature in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.

China's Calligraphy Art Through the Ages

China's Calligraphy Art Through the Ages PDF Author: Changsan Gao
Publisher: 五洲传播出版社
ISBN: 9787508511290
Category : Calligraphy, Chinese
Languages : en
Pages : 154

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Book Description


The Religious History in Sui, Tang and Five Dynasties

The Religious History in Sui, Tang and Five Dynasties PDF Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages :

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Book Description
The book is the volume of “The Religious History in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.