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Author: Patrick Reilly
Publisher: Routledge
ISBN: 1351770551
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
This title was first published in 2003. This text explores the "dark, pessimistic truth that pervades the pages of modern texts", setting a theme of Dante's "Inferno" against the work of modern authors including Dostoyevsky, Hardy, Conrad, Wharton, Kafka, Camus, Waugh and Flannery O'Connor. The author's thesis is that these writers exhibit a hostility towards the reader, an anger that the reader should continue to be so deludedly happy when the writer has become so mortifyingly enlightened. At its most characteristic, Reilly demonstrates, modern fiction seems to achieve a savage satisfaction in inflicting this pain, to an extent that could be described as sadistic. Reilly traces what he calls this "punitive spirit" to a character in the "Inferno", Vanni Fucci, who suffering himself does his best to make Dante suffer too. Through the study he uses the "Inferno" as a guide to the prevailing attitudes in modern fiction, revealing a parallel between the prohibition of pity within the medieval poem and in the pages of modern texts.
Author: Patrick Reilly
Publisher: Routledge
ISBN: 1351770551
Category : Literary Criticism
Languages : en
Pages : 426
Get Book Here
Book Description
This title was first published in 2003. This text explores the "dark, pessimistic truth that pervades the pages of modern texts", setting a theme of Dante's "Inferno" against the work of modern authors including Dostoyevsky, Hardy, Conrad, Wharton, Kafka, Camus, Waugh and Flannery O'Connor. The author's thesis is that these writers exhibit a hostility towards the reader, an anger that the reader should continue to be so deludedly happy when the writer has become so mortifyingly enlightened. At its most characteristic, Reilly demonstrates, modern fiction seems to achieve a savage satisfaction in inflicting this pain, to an extent that could be described as sadistic. Reilly traces what he calls this "punitive spirit" to a character in the "Inferno", Vanni Fucci, who suffering himself does his best to make Dante suffer too. Through the study he uses the "Inferno" as a guide to the prevailing attitudes in modern fiction, revealing a parallel between the prohibition of pity within the medieval poem and in the pages of modern texts.
Author: Patrick Reilly
Publisher: Routledge
ISBN: 9781138715301
Category :
Languages : en
Pages : 0
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Book Description
This title was first published in 2003. This text explores the "dark, pessimistic truth that pervades the pages of modern texts", setting a theme of Dante's "Inferno" against the work of modern authors including Dostoyevsky, Hardy, Conrad, Wharton, Kafka, Camus, Waugh and Flannery O'Connor. The author's thesis is that these writers exhibit a hostility towards the reader, an anger that the reader should continue to be so deludedly happy when the writer has become so mortifyingly enlightened. At its most characteristic, Reilly demonstrates, modern fiction seems to achieve a savage satisfaction in inflicting this pain, to an extent that could be described as sadistic. Reilly traces what he calls this "punitive spirit" to a character in the "Inferno", Vanni Fucci, who suffering himself does his best to make Dante suffer too. Through the study he uses the "Inferno" as a guide to the prevailing attitudes in modern fiction, revealing a parallel between the prohibition of pity within the medieval poem and in the pages of modern texts.
Author: Patrick Reilly
Publisher: Routledge
ISBN: 135177056X
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This title was first published in 2003. This text explores the "dark, pessimistic truth that pervades the pages of modern texts", setting a theme of Dante's "Inferno" against the work of modern authors including Dostoyevsky, Hardy, Conrad, Wharton, Kafka, Camus, Waugh and Flannery O'Connor. The author's thesis is that these writers exhibit a hostility towards the reader, an anger that the reader should continue to be so deludedly happy when the writer has become so mortifyingly enlightened. At its most characteristic, Reilly demonstrates, modern fiction seems to achieve a savage satisfaction in inflicting this pain, to an extent that could be described as sadistic. Reilly traces what he calls this "punitive spirit" to a character in the "Inferno", Vanni Fucci, who suffering himself does his best to make Dante suffer too. Through the study he uses the "Inferno" as a guide to the prevailing attitudes in modern fiction, revealing a parallel between the prohibition of pity within the medieval poem and in the pages of modern texts.
Author: Walter Hood
Publisher: University of Virginia Press
ISBN: 0813944872
Category : Architecture
Languages : en
Pages : 302
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Book Description
The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape. Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.
Author: Randall Stevenson
Publisher: University Press of Kentucky
ISBN: 9780813108148
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
To many writers of the early twentieth century, modernism meant not only the reshaping or abandonment of tradition but also an interest in psychology and in new concepts of space, time, art, and language. Randall Stevenson's important new analysis of the genre presents a lucid, comprehensive introduction to modernist fiction, covering a wide range of writers and works. Drawing on narrative theory and cultural history, Stevenson offers fresh insights into the work of such important modernists as Henry James, Joseph Conrad, Ford Madox Ford, D.H. Lawrence, Wyndham Lewis, Dorothy Richardson, May Sinclair, Virginia Woolf, and James Joyce. In addition he discusses the work of Marcel Proust, an important figure in the development of modernism in Europe. This illuminating book places the new imagination of the modernist age in its historical context and looks at how and why the pressures of early twentieth century life led to the development of this distinctive and influential literary form. This accessible account of modernism, modernity, and the novel will be welcomed by students, scholars, and general readers alike.
Author: Sami Pihlström
Publisher: Springer
ISBN: 3319408836
Category : Philosophy
Languages : en
Pages : 324
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Book Description
This book defends antitheodicism, arguing that theodicies, seeking to excuse God for evil and suffering in the world, fail to ethically acknowledge the victims of suffering. The authors argue for this view using literary and philosophical resources, commencing with Immanuel Kant’s 1791 “Theodicy Essay” and its reading of the Book of Job. Three important twentieth century antitheodicist positions are explored, including “Jewish” post-Holocaust ethical antitheodicism, Wittgensteinian antitheodicism exemplified by D.Z. Phillips and pragmatist antitheodicism defended by William James. The authors argue that these approaches to evil and suffering are fundamentally Kantian. Literary works such as Franz Kafka’s The Trial, Samuel Beckett’s Waiting for Godot, and George Orwell’s Nineteen Eighty-Four, are examined in order to crucially advance the philosophical case for antitheodicism.
Author: Tony Magistrale
Publisher: Popular Press
ISBN: 9780879724054
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King's horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King's fiction transcends the escapism typical of its genre to tap into our deepest cultural fears: "that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions-school, marriage, workplace, and the church-have, beneath their veneers of respectability, evolved into perverse manifestations of narcissism, greed, and violence." Tracing King's moralist vision to the likes of Twain, Hawthorne, and Melville, Landscape of Fear establishes the place of this popular writer within the grand tradition of American literature. Like his literary forbears, King gives us characters that have the capacity to make ethical choices in an imperfect, often evil world. Yet he inscribes that conflict within unmistakably modern settings. From the industrial nightmare of "Graveyard Shift" to the breakdown of the domestic sphere in The Shining, from the techno-horrors of The Stand to the religious fanaticism and adolescent cruelty depicted in Carrie, Magistrale charts the contours of King's fictional landscape in its first decade.
Author: R.W. Stevenson
Publisher: Routledge
ISBN: 1317903382
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In the revised edition of this popular text, Randall Stevenson has expanded, re-emphasised and amended his work to make it even more relevant to today's student studying the Modernist period in literature. The book covers a wide range of modernist novelists and novels, and also provides an invaluable guide to key developments in the genre. Stevenson has developed his text by adding a discussion of Conrad's Heart of Darkness, which is now taught more regularly than Lord Jim. In addition he takes a fresh look at the politics of the Modernists, in conjunction with the politics of their texts, pointing out the drawbacks of politically-progressive readings of many modernist novels. Finally, in the section on gender, Stevenson includes discussions of such significant figures as Djuna Barnes, HD, Katherine Mansfield and Rebecca West, as well as expanding the reference to Gertrude Stein throughout. The revisions in this updated text serve to make the authors' arguments sharper and allow the text to remain central to the discussion of modernism, modernity and the novel.
Author: Jonathan Lethem
Publisher: Vintage
ISBN: 0307791777
Category : Fiction
Languages : en
Pages : 289
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Book Description
Girl in Landscape is a daring exploration of the violent nature of sexual awakening, a meditation on language and perception, and an homage to the great American tradition of the Western. • "Jonathan Lethem's imagination [is]...marvelously fertile." --Newsday The heroine is young Pella Marsh, whose mother dies just before her family flees a post-apocalyptic Brooklyn for the frontier of a recently discovered planet. Hating her ineffectual father, and troubled by a powerful attraction to a virile but dangerous loner who holds sway over the little colony, Pella sets out on a course of discovery that will have tragic and irrevocable consequences for the humans in the community and the ancient inhabitants, known only as archbuilders. Girl in Landscape finds Jonathan Lethem twisting forms and literary conventions to create a dazzling, completely unconventional tale.
Author: Debbie Felton
Publisher: Routledge
ISBN: 135159057X
Category : History
Languages : en
Pages : 328
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Book Description
Over the last two decades, research in cultural geography and landscape studies has influenced many humanities fields, including Classics, and has increasingly drawn our attention to the importance of spaces and their contexts, both geographical and social: how spaces are described by language, what spaces are used for by individuals and communities, and how language, use, and the passage of time invest spaces with meaning. In addition to this ‘spatial’ turn in scholarship, recent years have also seen an ‘emotive’ turn – an increased interest in the study of emotion in literature. Many works on landscape in classical antiquity focus on themes such as the sacred and the pastoral and the emotions such spaces evoke, such as (respectively) feelings of awe or tranquillity in settings both urban and rural. Far less scholarship has been generated by the locus terribilis, the space associated with negative emotions because of the bad things that happen there. In short, the recent ‘emotive’ turn in humanities studies has so far largely neglected several of the more negative emotions, including anxiety, fear, terror, and dread. The papers in this volume focus on those neglected negative emotions, especially dread – and they do so while treating many types of space, including domestic, suburban, rural and virtual, and while covering many genres and authors, including the epic poems of Homer, Greek tragedy, Roman poetry and historiography, medical writing, paradoxography and the short story.
