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Author: Cyrus Cassells
Publisher:
ISBN: 9781556593796
Category : POETRY
Languages : en
Pages : 0
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Book Description
"Cassells is... a poet of conscience [and] above all a lyric poet whose alchemy makes beauty of bitterness." --Alicia Ostriker
Author: Cyrus Cassells
Publisher:
ISBN: 9781556593796
Category : POETRY
Languages : en
Pages : 0
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Book Description
"Cassells is... a poet of conscience [and] above all a lyric poet whose alchemy makes beauty of bitterness." --Alicia Ostriker
Author: T. K. Nakagaki
Publisher: Stone Bridge Press, Inc.
ISBN: 1611729335
Category : Religion
Languages : en
Pages : 309
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Book Description
The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler's device is in fact a "hooked cross." Rev. Nakagaki's book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.
Author: Frederick Grossmith
Publisher:
ISBN:
Category : Chaplains, Military
Languages : en
Pages : 108
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Book Description
Author: Mitja Velikonja
Publisher: Routledge
ISBN: 1000702251
Category : Political Science
Languages : en
Pages : 329
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Book Description
This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media. Despite the increasing global digitisation, graffiti remains widespread and popular, providing with a few words or images a vivid visual indication of cultural conditions, social dynamics and power structures in a society, and provoking a variety of reactions. Using qualitative and quantitative methods, as well as detailed interdisciplinary analyses of "patriotic," extreme-right, soccer-fan, nostalgic, and chauvinist graffiti and street art, it looks at why and by whom graffiti is used as political media and to/against whom it is directed. The book theorises discussions of political graffiti and street art to show different methodological approaches from four perspectives: context, author, the work itself, and audience. It will be of interest to the growing body of literature focussing on (sub)cultural studies in the contemporary Balkans, transitology, visual cultural studies, art theory, anthropology, sociology, and studies of radical politics.
Author: Malcolm Quinn
Publisher: Routledge
ISBN: 1134854951
Category : Education
Languages : en
Pages : 209
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Book Description
Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 162153720X
Category : Design
Languages : en
Pages : 243
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Book Description
“Force[s] even the most sophisticated to rethink and rework their ideas of how images work in the world.” —School Library Journal This is a classic story, masterfully told, in a new, revised and expanded edition about how one graphic symbol can endure and influence life—for good and evil—for generations and never, even today, be redeemed. A nuanced examination of the most powerful symbol ever created, The Swastika and Symbols of Hate explores the rise and fall of the symbol, its mysteries, co-option, and misunderstandings. Readers will be fascinated by the twists and turns of the swastika’s fortunes, from its pre-Nazi spiritual-religious and benign commercial uses, to the Nazi appropriation and criminalization of the form, to its contemporary applications as both a racist, hate-filled logo and ignorantly hip identity. Once the mark of good fortune, during the twentieth century it was hijacked and perverted, twisted into the graphic embodiment of intolerance. If you want to know what the logo for hate looks like, go no further. The Nazi swastika is a visual obscenity and provokes deep emotions on all sides. The Nazis weaponized this design, first as a party emblem, then as a sign of national pride and, ultimately, as the trademark of Adolf Hitler’s unremitting malevolence in the name of national superiority. A skilled propagandist, Hitler and his accomplices understood how to stoke fear through mass media and through emblems, banners, and uniforms. Many contemporary hate marks are rooted in Nazi iconography both as serious homage and sarcastic digital bots and trolls. Given the increasing tolerance for supremacist intolerance tacitly and overtly shown by politicians the world over, this revised (and reconfigured) edition includes additional material on old and new hate logos as it examines graphic design’s role in far-right extremist ideology today.
Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 1581157894
Category : Design
Languages : en
Pages : 235
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Book Description
"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol’s fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Ian Tinny
Publisher: No Pledge Publishing
ISBN: 148121618X
Category : Education
Languages : en
Pages : 228
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Book Description
Nazi salutes and Nazi behavior originated from the USA's Pledge of Allegiance to the flag. The Nazi swastika represented crossed S-letters for "socialists" under the Nazis (the National Socialist German Workers Party). The Pledge was written in 1892 by Francis Bellamy. Francis was cousin to Edward Bellamy, author of an international bestseller in 1888 that launched the nationalism movement. Edward's book was translated into every major language, including German. Francis and Edward were both self-proclaimed socialists in the Nationalism movement and they promoted "military socialism." The Bellamys wanted government to take over all schools. When the government granted their wish, the government's schools imposed segregation by law and taught racism as official policy. Government schools also forced robotic chanting to flags. All of that behavior even outlasted German National Socialism (or "Nazism", although German National Socialists did not call themselves "Nazis", they called themselves "Socialists" and "National Socialists"). In addition to the notorious salute, American socialists also bear some blame for the notorious symbol used by the National Socialist German Workers Party on its flag. Edward Bellamy worked with the Theosophical Society, another socialist group, and during that time the Theosophical Society used the symbol adopted later by German National Socialists. The symbol is commonly called a swastika, although German socialists called it a "Hakenkreuz" (hooked cross). Despite being an ancient symbol, the swastika was altered for use as overlapping S-letters for "socialism." It was turned 45 degrees from the horizontal and was oriented in the "S"-letter's direction to highlight the overlapping "S" letters for "socialists." Similar alphabetic symbolism was used in the SS division (two "S" letters for "Schutzstaffel") and similar symbolism is still visible today, and everyday, on the streets as VW emblems (two "V" letters, or a "V" and a "W" letter conjoined, for "Volkswagen"). As part of the anti-libertarian practice, people were persecuted for refusing to perform the straight-armed salute and mechanical chanting to the national flag. That happened at the same time in the USA and in Germany. The Pledge's early right-armed salute was not an ancient Roman salute. The ancient Roman salute is a myth. Professor Rex Curry showed that the "ancient Roman salute" myth came from the Pledge. Take the Pledge not to Pledge. Stop kissing the government's butt every morning. Remove the pledge from the flag. Remove flags from schools. Remove schools from government. For more information visit the site that archives the work of the nation's leading authority on the Pledge of Allegiance: the historian Dr. Rex Curry.
Author: Bruce Walker
Publisher:
ISBN: 9781432721695
Category : Church and state
Languages : en
Pages : 0
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Book Description
An exploration of the Nazi's plans to eliminate Christianity.
Author: Erwin W. Lutzer
Publisher: Moody Publishers
ISBN: 0802493300
Category : Religion
Languages : en
Pages : 250
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Book Description
The story of Nazi Germany is one of conflict between two saviors and two crosses. “Deine Reich komme,” Hitler prayed publicly—“Thy Kingdom come.” But to whose kingdom was he referring? When Germany truly needed a savior, Adolf Hitler falsely assumed the role. He directed his countrymen to a cross, but he bent and hammered the true cross into a horrific substitute: a swastika. Where was the church through all of this? With a few exceptions, the German church looked away while Hitler inflicted his “Final Solution” upon the Jews. Hitler’s Cross is a chilling historical account of what happens when evil meets a silent, shrinking church, and an intriguing and convicting exposé of modern America’s own hidden crosses. Erwin W. Lutzer extracts a number of lessons from this dark chapter in world history, such as: The dangers of confusing church and state The role of God in human tragedy The parameters of Satan's freedom Hitler's Cross is the story of a nation whose church forgot its call and discovered its failure way too late. It is a cautionary tale for every church and Christian to remember who the true King is.
