The Cross, the Image, and the Passion in Carolingian Thought and Art PDF Download
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Author: Celia Martin Chazelle
Publisher:
ISBN:
Category : Art, Carolingian
Languages : en
Pages : 506
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Book Description
Author: Celia Martin Chazelle
Publisher:
ISBN:
Category : Art, Carolingian
Languages : en
Pages : 506
Get Book Here
Book Description
Author: Celia Chazelle
Publisher: Cambridge University Press
ISBN: 9780521801034
Category : Art
Languages : en
Pages : 364
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Book Description
The Carolingian 'Renaissance' of the late eighth and ninth centuries, in what is now France, western Germany and northern Italy, transformed medieval European culture. At the same time it engendered a need to ensure that clergy, monks and laity embraced orthodox Christian doctrine. This book offers a fresh perspective on the period by examining transformations in a major current of thought as revealed through literature and artistic imagery: the doctrine of the Passion and the crucified Christ. The evidence of a range of literary sources is surveyed - liturgical texts, poetry, hagiography, letters, homilies, exegetical and moral tractates - but special attention is given to writings from the discussions and debates concerning artistic images, Adoptionism, predestination and the Eucharist.
Author:
Publisher: Penn State Press
ISBN: 9780271043708
Category : Christian art and symbolism
Languages : en
Pages : 346
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Book Description
Author: Barbara Baert
Publisher: BRILL
ISBN: 9047405749
Category : History
Languages : en
Pages : 596
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Book Description
This fascinating study reconstructs the tradition of the Legend of the True Cross in text and image, from its tentative beginnings in 4th-century Jerusalem to the culminating expression of its multi-layered cosmic content in 14th and 15th-century monumental cycles in Germany and Italy.
Author: Rachel Fulton
Publisher: Columbia University Press
ISBN: 9780231125505
Category : History
Languages : en
Pages : 706
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Book Description
How and why did the images of the crucified Christ and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art.
Author: Joseph Pucci
Publisher: Taylor & Francis
ISBN: 100095420X
Category : History
Languages : en
Pages : 464
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Book Description
This volume offers for the first time in any language a translation of the poetic corpus of Alcuin of York (c. 735–804), numbering some 339 individual pieces and nearly 7,000 lines. An introduction touches on Alcuin’s life, his writings (including doubtful works and pseudepigrapha), his Latinity, his place in the Latin literary tradition, and the manuscripts, textual history, and editions of his poetry. The translations follow Dümmler’s Latin text, with each poem controlled by a headnote that places the piece in its historical and literary contexts. A series of appendices offers translations of selected letters, a register of the poems by meter, a census of nearly 200 manuscripts with digital links, and a prolegomenon to a new edition. The Poetry of Alcuin of York is a stimulating resource for anyone working on later Latin poetry, and late ancient literature more broadly. The poems also offer fascinating insights into life and scholarship in Anglo-Saxon England and in the Carolingian empire in the late eighth and early ninth centuries, and so will also be of interest to students of medieval history.
Author: Erik Thunø
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882652173
Category : Art
Languages : en
Pages : 302
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Book Description
Revision of the author's thesis (Johns Hopkins University, 1999).
Author: Felice Lifshitz
Publisher: Fordham Univ Press
ISBN: 0823256898
Category : Religion
Languages : en
Pages : 358
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Book Description
Religious Women in Early Carolingian Francia, a groundbreaking study of the intellectual and monastic culture of the Main Valley during the eighth century, looks closely at a group of manuscripts associated with some of the best-known personalities of the European Middle Ages, including Boniface of Mainz and his “beloved,”abbess Leoba of Tauberbischofsheim. This is the first study of these “Anglo-Saxon missionaries to Germany” to delve into the details of their lives by studying the manuscripts that were produced in their scriptoria and used in their communities. The author explores how one group of religious women helped to shape the culture of medieval Europe through the texts they wrote and copied, as well as through their editorial interventions. Using compelling manuscript evidence, she argues that the content of the women’s books was overwhelmingly gender-egalitarian and frequently feminist (i.e., resistant to patriarchal ideas). This intriguing book provides unprecedented glimpses into the “feminist consciousness” of the women’s and mixed-sex communities that flourished in the early Middle Ages.
Author: Colum Hourihane
Publisher: Princeton University Press
ISBN: 9780691088259
Category : Art
Languages : en
Pages : 382
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Book Description
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.
Author: Genevra Kornbluth
Publisher: Penn State Press
ISBN: 9780271042886
Category : Nature
Languages : en
Pages : 282
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Book Description
Medieval Europe offers a pageant of almost incredible richness: King Arthur and his round table, demons and cathedrals, Charlemagne and his paladins. The Carolingian culture of the late eighth to late tenth centuries (in what is now France, Belgium, Germany, the Netherlands, Switzerland, and northern Italy) offers more than its fair share of achievements. This heavily illustrated study examines one revealing legacy of Charlemagne's heirs and his people--the Carolingian gems of rock crystal, jet, and agate engraved with complex figural scenes, which have never before been studied as a group. These objects have been largely ignored in the scholarship of medieval art, partly because of the difficulty of access. Genevra Kornbluth assembles for the first time all twenty surviving gems, from small seal matrices to the forty-one-figure "Susanna crystal" in London, along with information about lost works. The unique features of each gem are made visible in over 200 detailed black-and-white photographs, often highly magnified and produced using new techniques developed to record transparent engraving. Kornbluth fully analyzes the techniques of manufacture, style, chronology, iconography, and patronage of each gem and examines their social functions, the organization and status of the artisans who created them, and relations between media. The gems are presented as evidence of the rich diversity of the Carolingian culture, rather than as reflections of an artistic program dictated by the imperial courts; they are also seen to be essentially new creations, drawing on earlier visual traditions but adapting their sources to address contemporary concerns.
