Author: Sarah S.G. Frantz
Publisher: McFarland
ISBN: 0786489677
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.
New Approaches to Popular Romance Fiction
Author: Sarah S.G. Frantz
Publisher: McFarland
ISBN: 0786489677
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.
Publisher: McFarland
ISBN: 0786489677
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.
Romance
Author: Barbara Fuchs
Publisher: Psychology Press
ISBN: 041521260X
Category : Literary Collections
Languages : en
Pages : 157
Book Description
"Often derided as an inferior form of literature, "romance" as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike." "Romance is a clear and wide-ranging introduction for students of literary history, comparative literature and modern literary forms. It is also a convincing case for a literary concept too often set to one side."--BOOK JACKET.
Publisher: Psychology Press
ISBN: 041521260X
Category : Literary Collections
Languages : en
Pages : 157
Book Description
"Often derided as an inferior form of literature, "romance" as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike." "Romance is a clear and wide-ranging introduction for students of literary history, comparative literature and modern literary forms. It is also a convincing case for a literary concept too often set to one side."--BOOK JACKET.
Reading the Romance
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
The Critical Romance
Author: Jean-Pierre Mileur
Publisher: Univ of Wisconsin Press
ISBN: 9780299124144
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Jean-Pierre Mileur asserts that "the literary tradition, the great tradition of the Romantics, is now being carried on by criticism," and that modern criticism "is a late Romantic literary genre, a distinctive form of the romance." By collapsing the boundaries between the literary and the literary-critical traditions, Mileur embarks on a thought-provoking analysis of literary criticism. Criticism becomes a modern version of the age-old quest romance, and the critic becomes a romantic hero--a brooding figure fraught with self-doubt who strives, like Browning's Childe Roland, despite knowledge of certain failure. The Critical Romance is an exciting intervention in the critical study of criticism, and makes a significant contribution to the study of Romanticism as well.
Publisher: Univ of Wisconsin Press
ISBN: 9780299124144
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Jean-Pierre Mileur asserts that "the literary tradition, the great tradition of the Romantics, is now being carried on by criticism," and that modern criticism "is a late Romantic literary genre, a distinctive form of the romance." By collapsing the boundaries between the literary and the literary-critical traditions, Mileur embarks on a thought-provoking analysis of literary criticism. Criticism becomes a modern version of the age-old quest romance, and the critic becomes a romantic hero--a brooding figure fraught with self-doubt who strives, like Browning's Childe Roland, despite knowledge of certain failure. The Critical Romance is an exciting intervention in the critical study of criticism, and makes a significant contribution to the study of Romanticism as well.
Critical Thinking About Sex, Love, and Romance in the Mass Media
Author: Mary-Lou Galician
Publisher: Routledge
ISBN: 1135250480
Category : Art
Languages : en
Pages : 379
Book Description
This distinctive volume explores how romantic coupleship is represented in books, magazines, popular music, movies, television, and the Internet within entertainment, advertising, and news/information. This reader offers diverse theoretical perspectives and methodological approaches on the representation of romantic relationships across the media spectrum. Filling a void in existing media scholarship, this collection explores the media’s influence on perceptions and expectations in relationships, including the myths, stereotypes, and prescriptions manifested throughout the press. Featuring fresh voices, as well as the perspectives of seasoned veterans, contributions include quantitative and qualitative studies along with cultural/critical, feminist, and descriptive analyses. This anthology has been developed for use in courses on mass media and society, media studies, and media literacy. In addition to its use in coursework, it is highly relevant for scholars, researchers, and others interested in how the media influence the personal lives of individuals.
Publisher: Routledge
ISBN: 1135250480
Category : Art
Languages : en
Pages : 379
Book Description
This distinctive volume explores how romantic coupleship is represented in books, magazines, popular music, movies, television, and the Internet within entertainment, advertising, and news/information. This reader offers diverse theoretical perspectives and methodological approaches on the representation of romantic relationships across the media spectrum. Filling a void in existing media scholarship, this collection explores the media’s influence on perceptions and expectations in relationships, including the myths, stereotypes, and prescriptions manifested throughout the press. Featuring fresh voices, as well as the perspectives of seasoned veterans, contributions include quantitative and qualitative studies along with cultural/critical, feminist, and descriptive analyses. This anthology has been developed for use in courses on mass media and society, media studies, and media literacy. In addition to its use in coursework, it is highly relevant for scholars, researchers, and others interested in how the media influence the personal lives of individuals.
Middle English Romances
Author: S. H. A. Shepherd
Publisher: W W Norton & Company Incorporated
ISBN: 9780393966077
Category : Literary Criticism
Languages : en
Pages : 514
Book Description
This Norton Critical Edition presents significant examples of one of the most important bodies of English poetry written before the Renaissance.
Publisher: W W Norton & Company Incorporated
ISBN: 9780393966077
Category : Literary Criticism
Languages : en
Pages : 514
Book Description
This Norton Critical Edition presents significant examples of one of the most important bodies of English poetry written before the Renaissance.
The Gothic Romance Wave
Author: Lori A. Paige
Publisher: McFarland
ISBN: 1476634173
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The late 1960s and early 1970s saw the birth of modern feminism, the sexual revolution, and strong growth in the mass-market publishing industry. Women made up a large part of the book market, and Gothic fiction became a higher popular staple. Victoria Holt, Mary Stewart and Phyllis Whitney emerged as prominent authors, while the standardized paperback Gothic sold in the millions. Pitched at middle-class women of all ages, Gothics paved the way for contemporary fiction categories such as urban fantasy, paranormal romance and vampire erotica. Though not as popular today as they once were, Gothic paperbacks retain a cult following--and the books themselves have become collectors' items. They were also the first popular novels to present strong heroines as agents of liberation and transformation. This work offers the missing chapters of the Gothic story, from the imaginative creations of Ann Radcliffe and the Bronte sisters to the bestseller 50 Shades of Grey.
Publisher: McFarland
ISBN: 1476634173
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The late 1960s and early 1970s saw the birth of modern feminism, the sexual revolution, and strong growth in the mass-market publishing industry. Women made up a large part of the book market, and Gothic fiction became a higher popular staple. Victoria Holt, Mary Stewart and Phyllis Whitney emerged as prominent authors, while the standardized paperback Gothic sold in the millions. Pitched at middle-class women of all ages, Gothics paved the way for contemporary fiction categories such as urban fantasy, paranormal romance and vampire erotica. Though not as popular today as they once were, Gothic paperbacks retain a cult following--and the books themselves have become collectors' items. They were also the first popular novels to present strong heroines as agents of liberation and transformation. This work offers the missing chapters of the Gothic story, from the imaginative creations of Ann Radcliffe and the Bronte sisters to the bestseller 50 Shades of Grey.
A Critical Edition of the War of the Worlds
Author: Herbert George Wells
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 344
Book Description
What is t first believed to be falling stars or harmless meteorites turns out to be cylindrical Martian ships filled with nightmarish, tentacled invaders and their robotic war machines. When curious Englanders come to inspect the massive containers imbedded in the still-smoking countryside, metallic appendages emerge from the pits to kill every living thing in their path with strange heat rays. Then as the surrounding townships slowly devolve into chaos, the Martians begin constructing giant tripod war machines to track down and kill--or capture-- as many of the human "inferior animals" as possible. The nameless narrator, trapped in a house almost completely crushed by the impact of a starship, watches in horror as the seemingly unstoppable Martians build their mechanical armies, kill hundreds with poisonous gas-- and begin snacking on capture humans!
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 344
Book Description
What is t first believed to be falling stars or harmless meteorites turns out to be cylindrical Martian ships filled with nightmarish, tentacled invaders and their robotic war machines. When curious Englanders come to inspect the massive containers imbedded in the still-smoking countryside, metallic appendages emerge from the pits to kill every living thing in their path with strange heat rays. Then as the surrounding townships slowly devolve into chaos, the Martians begin constructing giant tripod war machines to track down and kill--or capture-- as many of the human "inferior animals" as possible. The nameless narrator, trapped in a house almost completely crushed by the impact of a starship, watches in horror as the seemingly unstoppable Martians build their mechanical armies, kill hundreds with poisonous gas-- and begin snacking on capture humans!
Becoming a Woman Through Romance
Author: Linda K. Christian-Smith
Publisher: Routledge
ISBN: 1000639126
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
A woman is incomplete without a man, motherhood is a woman’s destiny, and a woman’s place is in the home. These conservative political themes are woven throughout teen romance fiction’s sagas of hearts and flowers. Using the theory and interpretive methods of feminism and cultural studies, Christian-Smith explores the contradictory role that popular culture plays in constructing gender, class, race, age and sexual meanings. Originally published in 1990, Becoming a Woman through Romance combines close textual analyses of thirty-four teen romance novels (written in the United States from 1942-1982) with a school study in three midwestern American schools. Christian-Smith situates teen romance fiction within the rapidly changing publishing industry and the important political and economic changes in the United States surrounding the rise of the New Right. By analysing the structure of the novels in terms of the themes of romance, sexuality and beautification, and the Good/Bad and Strong/Weak dichotomies, she demonstrates how each has shaped the novels’ versions of femininity over forty years. She also shows that although romance fiction is presented as a universal model, it is actually an expression of white middle class gender ideology and tension within this class. This high readable, comprehensive and coherent work was the first to combine in one volume three vital areas of cultural studies research: the political economy of publishing, textual analysis, and a study of readers. The first full-scale study of teen romance fiction, Becoming a Woman through Romance establishes the importance of the study of popular culture forms found in school for understanding the process of school materials in identity formation.
Publisher: Routledge
ISBN: 1000639126
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
A woman is incomplete without a man, motherhood is a woman’s destiny, and a woman’s place is in the home. These conservative political themes are woven throughout teen romance fiction’s sagas of hearts and flowers. Using the theory and interpretive methods of feminism and cultural studies, Christian-Smith explores the contradictory role that popular culture plays in constructing gender, class, race, age and sexual meanings. Originally published in 1990, Becoming a Woman through Romance combines close textual analyses of thirty-four teen romance novels (written in the United States from 1942-1982) with a school study in three midwestern American schools. Christian-Smith situates teen romance fiction within the rapidly changing publishing industry and the important political and economic changes in the United States surrounding the rise of the New Right. By analysing the structure of the novels in terms of the themes of romance, sexuality and beautification, and the Good/Bad and Strong/Weak dichotomies, she demonstrates how each has shaped the novels’ versions of femininity over forty years. She also shows that although romance fiction is presented as a universal model, it is actually an expression of white middle class gender ideology and tension within this class. This high readable, comprehensive and coherent work was the first to combine in one volume three vital areas of cultural studies research: the political economy of publishing, textual analysis, and a study of readers. The first full-scale study of teen romance fiction, Becoming a Woman through Romance establishes the importance of the study of popular culture forms found in school for understanding the process of school materials in identity formation.
The Critical Partner
Author: Michelle Skeen
Publisher: New Harbinger Publications
ISBN: 1608820289
Category : Family & Relationships
Languages : en
Pages : 177
Book Description
When you are in a relationship with a critical partner—someone who constantly blames you and holds you to unrealistic standards—you may feel picked apart, unworthy, and unhappy. You may start to wonder if you’ll ever be good enough for your partner. This guide can help you repair your relationship by getting to the root of why your partner criticizes you so that you both can build a more loving and supportive partnership. Based in schema therapy, The Critical Partner can help you gradually change unhealthy relationship patterns and help your partner move beyond the need to criticize. Through a series of assessment quizzes and worksheets, you’ll learn what’s driving your partner’s behavior and what makes you vulnerable to critical attacks. You’ll also discover alternative coping strategies for deflecting criticism and break the long-standing conflicts that keep you from moving forward as a couple. This book will help you get to the root of the problem so that you can repair your relationship and get the love you want.
Publisher: New Harbinger Publications
ISBN: 1608820289
Category : Family & Relationships
Languages : en
Pages : 177
Book Description
When you are in a relationship with a critical partner—someone who constantly blames you and holds you to unrealistic standards—you may feel picked apart, unworthy, and unhappy. You may start to wonder if you’ll ever be good enough for your partner. This guide can help you repair your relationship by getting to the root of why your partner criticizes you so that you both can build a more loving and supportive partnership. Based in schema therapy, The Critical Partner can help you gradually change unhealthy relationship patterns and help your partner move beyond the need to criticize. Through a series of assessment quizzes and worksheets, you’ll learn what’s driving your partner’s behavior and what makes you vulnerable to critical attacks. You’ll also discover alternative coping strategies for deflecting criticism and break the long-standing conflicts that keep you from moving forward as a couple. This book will help you get to the root of the problem so that you can repair your relationship and get the love you want.