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Author: Lucy Newlyn
Publisher: Yale University Press
ISBN: 0300256167
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
A wonderfully accessible handbook to the art of writing and reading poetry—itself written entirely in verse How does poetry work? What should readers notice and look out for? Poet Lucy Newlyn demystifies the principles of the form, effortlessly illustrating key approaches and terms—all through her own original verse. Each poem exemplifies an aspect of poetic craft—but read together they suggest how poetry can evoke a whole community and its way of life in myriad ways. In a series of beautiful meditations, Newlyn guides the reader through key aspects of poetry, from sonnets and haiku to volta and synecdoche. Avoiding glosses and notes, her poems are allowed to speak for themselves, and show that there are no limits to what poetry can communicate. Newlyn’s timeless verse will appeal to lovers of poetry as well as to practitioners, teachers, and students of all ages. Onomatopoeia You’d play here all day if you had your way— near the stepping-stones, in the clearest of rock-pools, where water slaps and slips; where minnows dart, and a baby trout flop-flips.
Author: Lucy Newlyn
Publisher: Yale University Press
ISBN: 0300256167
Category : Literary Criticism
Languages : en
Pages : 197
Get Book Here
Book Description
A wonderfully accessible handbook to the art of writing and reading poetry—itself written entirely in verse How does poetry work? What should readers notice and look out for? Poet Lucy Newlyn demystifies the principles of the form, effortlessly illustrating key approaches and terms—all through her own original verse. Each poem exemplifies an aspect of poetic craft—but read together they suggest how poetry can evoke a whole community and its way of life in myriad ways. In a series of beautiful meditations, Newlyn guides the reader through key aspects of poetry, from sonnets and haiku to volta and synecdoche. Avoiding glosses and notes, her poems are allowed to speak for themselves, and show that there are no limits to what poetry can communicate. Newlyn’s timeless verse will appeal to lovers of poetry as well as to practitioners, teachers, and students of all ages. Onomatopoeia You’d play here all day if you had your way— near the stepping-stones, in the clearest of rock-pools, where water slaps and slips; where minnows dart, and a baby trout flop-flips.
Author: Derek Attridge
Publisher: Routledge
ISBN: 1317532589
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This book presents an innovative format for poetry criticism that its authors call "dialogical poetics." This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and "minimally interpret" poems – reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a number of topics in the reading of poetry, including historical and intellectual context, modernist difficulty, the role of criticism, and translation. This highly readable book will appeal to anyone who enjoys poetry, offering an inspiring resource for students whilst also mounting a challenge to some of the approaches to poetry currently widespread in the academy.
Author: Diane Lockward
Publisher: eBookIt.com
ISBN: 1947896490
Category : Poetry
Languages : en
Pages : 352
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Book Description
The Strategic Poet: Honing the Craft focuses on the craft of poetry and is based on the belief that craft can be taught and the best teacher of craft is a good poem. This book assumes a knowledgeable reader, that is, one who already knows the language of poetry and already practices the craft. This book is organized into thirteen sections, each one devoted to a specific poetic strategy. While only thirteen strategies are used for organizational purposes, the reader will find many additional strategies referred to and discussed within the sections. There is a progression from one section to the next, but each section also stands alone, so the reader or teacher can follow the order of the Contents or move about freely among the sections. Each section begins with a Craft Talk solicited from a well-known poet with a clear mastery of craft. Each Craft Talk is followed by Model Poems and Prompts. Each Model Poem is followed by an analysis of its craft elements, especially its use of the section's strategy. One Model Poem in each section is followed by a Commentary from the poet who wrote the poem and is focused on a particular strategy used in the poem. Each of the thirty-six Prompts is followed by two Sample Poems written to the prompts. These seventy-two poems demonstrate that the prompts are not mere exercises and can produce terrific poems. Each section ends with three Bonus Prompts. There thirty-nine additional prompts were contributed by thirteen contemporary poets. These short prompts provide additional practice with the strategies, can be used multiple times, and should lead to some good poems. Contributors include 114 of our best contemporary poets. This book is suitable for use by poets working independently, by poets in writing groups, and by teachers in the classroom.
Author: Michael Bugeja
Publisher: Writers Digest Books
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 360
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Book Description
You might think poetry can't be taught, at least can't be learned from a book. You might be right or you might be wrong. You'll never know if you don't look. (RC) Annotation copyright by Book News, Inc., Portland, OR
Author: Sandford Lyne
Publisher: Sourcebooks, Inc.
ISBN: 1402254202
Category : Poetry
Languages : en
Pages : 289
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Book Description
In Writing Poetry from the Inside Out, poet and national poetry workshop leader, Sandford Lyne, offers the writing exercises, guidance, and encouragement you need to find the poet inside you. Lyne's techniques, which he developed through twenty years of teaching poetry workshops, flow from an understanding that poetry is an art form open to everyone. We all can-and should-write poetry. In this enchanting and inspiring volume, Lyne will introduce you to the pleasures and surprises of writing poetry, and his methods and insights will help you tap into your own unique voice and perspective to compose poems of your own in as little as a few minutes. Whether you are an experienced writer looking for new techniques and sources of inspiration or a novice poet who has never written a poem in your life, Writing Poetry from the Inside Out will help you to craft the poems you've always longed to write.
Author: Mary Oliver
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156724005
Category : Language Arts & Disciplines
Languages : en
Pages : 148
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Book Description
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
Author: Theodore Roethke
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 184
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Book Description
Essays and lectures which cover the full span of Roethke's craftmanship.
Author: Annie Finch
Publisher:
ISBN: 9780472116935
Category : Poetry
Languages : en
Pages : 0
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Book Description
A major new guide to writing and understanding poetry
Author: Carl Phillips
Publisher: Graywolf Press
ISBN: 1555970931
Category : Reference
Languages : en
Pages : 116
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Book Description
The award-winning poet Carl Phillips's invaluable essays on poetry, the tenth volume in the celebrated Art of series of books on the craft of writing In seven insightful essays, Carl Phillips meditates on the craft of poetry, its capacity for making a space for possibility and inquiry. What does it mean to give shapelessness a form? How can a poem explore both the natural world and the inner world? Phillips demonstrates the restless qualities of the imagination by reading and examining poems by Ashbery, Bogan, Frost, Niedecker, Shakespeare, and others, and by considering other art forms, such as photography and the blues. The Art of Daring is a lyrical, persuasive argument for the many ways that writing and living are acts of risk. "I think it's largely the conundrum of being human that makes us keep making," Phillips writes. "I think it has something to do with revision—how, not only is the world in constant revision, but each of us is, as well."
Author: torrin a. greathouse
Publisher: Milkweed Editions
ISBN: 1571317155
Category : Poetry
Languages : en
Pages : 77
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Book Description
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.
