Author: George Frideric Handel
Publisher:
ISBN: 9780711989269
Category : Anthems
Languages : en
Pages : 0
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Book Description
(Music Sales America). "The King Shall Rejoice" is a Coronation Anthem for King George II. Scored for six-part choir, SAATBB, although with some modifications can be used for SATB. The accompaniment presents a practical keyboard representation of the orchestral accompaniment. Edited by Damian Cranmer.
Author: George Frideric Handel
Publisher:
ISBN: 9780711995895
Category : Music
Languages : en
Pages : 0
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Book Description
(Music Sales America). New edition by Donald Burrows, including the original 7-Part version of Zadok the Priest.
Author: Georg Friedrich Händel
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jane Glover
Publisher: Simon and Schuster
ISBN: 1681779471
Category : Biography & Autobiography
Languages : en
Pages : 391
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Book Description
In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.
Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
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Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Author: Jack W. Hayford
Publisher: Gospel Light Publications
ISBN: 9780830723980
Category : God
Languages : en
Pages : 0
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Book Description
-- All-new, expanded version of the classic book that set the tone for the contemporary worship movement -- The signature book from worship pioneer Jack Hayford, founding pastor of one of the best-known churches in America, The Church On The Way -- Integrity Music will be co-promoting this product along with their music CD of the same title from Jack Hayford. The Father certainly doesn't need our praise, yet He prescribes worship as a daily activity. Why? Because, as pastor Jack Hayford clearly shows us, God graces His people with worship as a gift, not a demand. Worship liberates all of God's people to discover genuine wholeness, but only as they recognize and acknowledge the holiness of God. Hayford examines the lives of more than a dozen biblical figures to illuminate the fulfilling effects of worship -- including seven truths Jesus revealed about the blessings of praise. God's grace fills everything He gives -- and everything He calls us to do. And this same grace overflows in a special and unique way on all of us who humbly and wholeheartedly worship God.
Author: Matthias Range
Publisher: Cambridge University Press
ISBN: 1107023440
Category : History
Languages : en
Pages : 343
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Book Description
Range presents an in-depth study of the music within the ceremonial at British coronations from 1603 to the present.
Author: Alan Bullard
Publisher:
ISBN: 9780193413269
Category :
Languages : en
Pages : 288
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Book Description
Designed to complement The Oxford Book of Flexible Anthems, this collection enables church choirs of all types and sizes to have at their fingertips easy music for every occasion. Flexibility of scoring is presented in a constructive and realistic way, with particular provision for unison or two-part singing and a focus on ease of learning.
Author: George Frideric Handel
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 4
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Book Description
Author: Lionel Dakers
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 270
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Book Description
This collection aims to provide a comprehensive survey of a highly significant part of the Christian Year: Ash Wednesday and Lent, Passiontide, Palm Sunday, Maundy Thursday, Good Friday, and Easter. Its contents span all musical periods of what is a marvellously rich area of church music and it contains much that is not widely available elsewhere under one cover. Ash Wednesday to Easter for Choirs includes a number of less familiar works together with new or recent arrangements of well-known tunes, such as Philip Ledger's 'This joyful Eastertide', Simon Lindley's 'Now the green blade riseth', and Bob Chilcott's setting of 'Were you there?'. Some of the anthems, for example Richard Shephard's 'Sing, my tongue' and Grayston Ives' 'Ride on', have been newly commissioned specifically for this collection, thus filling certain gaps. Wherever possible new practical performing editions of 16th-century repertoire have been prepared, reflecting current scholarship and including an English singing translation and, where, the original had none, a dynamic scheme. Such dynamics are the editors' suggestions only and may be freely ignored or adapted. Note values have in some instances been halved. Unaccompanied items include keyboard reductions for rehearsal.
