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Author: Vernon
Publisher: Manchester University Press
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: Vernon
Publisher: Manchester University Press
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: William Warren Vernon
Publisher:
ISBN:
Category : Dante Alighieri
Languages : en
Pages : 58
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Book Description
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
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Book Description
Author: Elisa Brilli
Publisher: Reaktion Books
ISBN: 1789148030
Category : Biography & Autobiography
Languages : en
Pages : 515
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Book Description
From two leading scholars, a thrilling and rich investigation of the life and work of Dante Alighieri. Numerous books have attempted to chronicle the life of Dante Alighieri, yet essential questions remain unanswered. How did a self-taught Florentine become the celebrated author of the Divine Comedy? Was his exile from Florence so extraordinary? How did Dante make himself the main protagonist in his works, in a literary context that advised against it? And why has his life interested so many readers? In Dante’s New Lives, eminent scholars Elisa Brilli and Giuliano Milani answer these questions and many more. Their account reappraises Dante’s life and work by assessing archival and literary evidence and examining the most recent scholarship. The book is a model of interdisciplinary biography, as fascinating as it is rigorous.
Author: William Warren Vernon
Publisher:
ISBN:
Category :
Languages : en
Pages : 722
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
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Book Description
Author: Rachel Jacoff
Publisher: Cambridge University Press
ISBN: 0521844304
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A fully updated 2007 edition of this useful and accessible coursebook on Dante's works, context and reception history.
Author: Nevnihal Erdoğan
Publisher: Bentham Science Publishers
ISBN: 9815036017
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
The art of architecture is an important aesthetic element that can leave a lasting impression in one's mind about the values of a society. Today's architectural art, education, and culture have gradually turned into engineering practices and more technical pursuits. Architecture in Fictional Literature is a book written with the aim of understanding the concept of living spaces as portrayed in works of fiction and to open the doors to a new perspective for readers on the art of architecture. It is a collection of essays written by educators and literary critics about how architecture is presented in 28 selected literary works of fiction. These selected works, which include well-known works such as Hugo’s Hunchback of Notre Dame, Kafka’s The Castle, Swift’s Gulliver’s Travels, Tolkien’s The Lord of the Rings, Carroll’s Alice in Wonderland, Fitzgerald’s The Great Gatsby, among many others, collectively attempt to illustrate facets of human life in a lucidly expressive way while also having an architectural background added in the narrative. Each essay is unique and brings a diverse range of perspectives on the main theme, while also touching on some niche topics in this area, (such as spatial analysis, urban transformation and time-period settings), all of which have exploratory potential. With this collection, the contributors aspire to initiate the transformation of architectural education by including a blend of literary criticism. By building a foundation of architectural aesthetics, they hope to bridge the gap between the artist and the architect, while also inspiring a new generation of urban planners, landscape artists, and interior designers to consider past works when designing living spaces. Architecture in Fictional Literature is also essential to any enthusiast of fictional works who wants to understand the fictional portrayal of living spaces and architecture in literature.
Author: Eugene Goodheart
Publisher: Routledge
ISBN: 1351309102
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Complaints about the decline of critical standards in literature and culture in general have been voiced for much of the twentieth century. These have extended from F.R. Leavis's laments for a "lost center of intelligence and urbane spirit," to current opposition to the predominance of radical critical theory in contemporary literature departments. Humanist criticism, which has as its object the quality of life as well as works of art, may well lack authority in the contemporary world. Even amid the disruptions of the industrial revolution, nineteenth-century humanists such as Matthew Arnold, John Ruskin, and Thomas Carlyle could assume a positive order of value and shared habits of imaginative perception and understanding between writers and readers. Eugene Goodheart argues that, by contrast, contemporary criticism is infused with the skepticism of modernist aesthetics. It has willfully rejected the very idea of moral authority.Goodheart starts from the premise that questions about the moral authority of literature and criticism often turn upon a prior question of what happens when the sacred disappears or is subjected to the profane. He focuses on contending spiritual views, in particular the dialectic between the Protestant-inspired, largely English humanist tradition of Carlyle, Ruskin, Arnold, and D.H. Lawrence and the decay of Catholicism represented by James Joyce and T.S. Eliot. Goodheart argues that literary modernism, in distancing itself from natural and social vitality, tends to render suspect all privileged positions. It thereby undermines the critical act, which assumes the priority of a particular set of values. Goodheart makes his case by analyzing the work of a variety of novelists, poets, and critics, nineteenth century and contemporary. He blends literary theory and practical criticism.
Author: Charlotte Endymion Porter
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
