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Author: Edward Dahlberg
Publisher:
ISBN: 9780448000121
Category : American literature
Languages : en
Pages : 324
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Book Description
Author: Edward Dahlberg
Publisher:
ISBN: 9780448000121
Category : American literature
Languages : en
Pages : 324
Get Book Here
Book Description
Author: Edward Dahlberg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
Author: Harold Billings
Publisher: Harry Ransom Humanities Research Center
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
Author: Edward Dahlberg
Publisher: New Directions Publishing
ISBN: 9780811200295
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Because I Was Flesh is the story of Edward Dahlberg's life as a child and young man, and a portrait in depth of the remarkable woman, his mother Lizzie, who shaped it.
Author: Edward Dahlberg
Publisher: New Directions Publishing
ISBN: 0811222888
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Because I Was Flesh is the story of Edward Dahlberg’s life as a child and young man, and a portrait in depth of the remarkable woman, his mother Lizzie, who shaped it. Because I Was Flesh is an authentic record from the inferno of modern city life, and a testament of American experience. Lizzie Dahlberg, separated from a worthless husband, works as a lady barber to keep herself and her son in shabby respectability amid the vice and brutality of Kansas City in the early 1900’s. Her constant objective: to acquire a new husband who can give her security and help educate the child. She is attractive to men, but fate never brings her a good one. One suitor makes her put the boy in an orphanage––years of torment that are brilliantly described––and then betrays her. Another does marry her––and disappears with her savings. Lizzie is in despair, but soon begins to laugh at life again and arches her bosom for the next prospect. As he grows through a sensitive, painful adolescence, Edward is both fascinated and appalled by his mother. He adores her but is ashamed of her. He tries to escape, bumming his way to Los Angeles and later going to college in Berkeley, but is always drawn back. Even her death, with which the book ends, cannot release him. Seldom has there been so ruthless, and yes so tender a dissection of the mother-son relationship. And from it Lizzie Dahlberg emerges as one of the unforgettable characters of modern literature.
Author: Glenda Abramson
Publisher: Routledge
ISBN: 1134428650
Category : Education
Languages : en
Pages : 1011
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Book Description
The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.
Author: Fred S. Moramarco
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 184
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Book Description
Author: Edd C. Applegate
Publisher: Bloomsbury Publishing USA
ISBN: 031301681X
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
Realistic writers seek to render accurate representations of the world, and their novels contain authentic details and descriptions of their characters and settings. Like Realistic authors, Naturalistic ones similarly try to portray the world accurately, but they tend to depict the darker side of life. Realism was born in Europe in the nineteenth century and soon became popular in the United States, while Naturalism became prominent at the beginning of the twentieth century. Both traditions have continued in one form or another to the present day, and Realistic and Naturalistic novelists include some of America's most significant authors, such as Sherwood Anderson, Saul Bellow, Ambrose Bierce, Willa Cather, Theodore Dreiser, Ralph Ellison, and Jack London. This reference includes biographical and critical entries for more than 120 American Naturalistic and Realistic novelists. An introductory essay discusses the history of the Realistic and Naturalistic traditions, points to the difficulty of defining them, and surveys the many authors who have been associated with the two movements. The entries that follow are arranged alphabetically to facilitate use. Each includes basic biographical information and a narrative overview of the writer's educational background, professional career, and published works. The writer's works are briefly discussed in relation to the Realistic and Naturalistic traditions. Entries include primary and secondary bibliographies, and the volume closes with a list of works for further reading.
Author: Alan M. Wald
Publisher: UNC Press Books
ISBN: 1469608677
Category : Literary Criticism
Languages : en
Pages : 435
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Book Description
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.
Author: Ann Reynolds
Publisher: MIT Press
ISBN: 9780262681551
Category : Art
Languages : en
Pages : 394
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Book Description
An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life—magazines, postcards from other artists, notebooks, and perhaps most important, his library—from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds's analysis is Smithson's fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again—alone and with fellow artists—to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
