The Concept of the Autor in the Film Industry of the Federal Republic of Germany with Particular Reference to the Work of Rainer Werner Fassbinder PDF Download
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Author: Sheila Mary Lattimore
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Sheila Mary Lattimore
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Brigitte Peucker
Publisher: John Wiley & Sons
ISBN: 1405191635
Category : Performing Arts
Languages : en
Pages : 659
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A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre. Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982. Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history Contributions from internationally diverse scholars specializing in film, culture, and German studies. Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).
Author: Hans Günther Pflaum
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 168
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During the past decade, a number of English-language works on West German cinema since World War II have been published. Though they have dealt with the genre in general historical and theoretical terms, their treatment of individual films and more specific thematic concerns has been minimal. This translation of Hans Günter Pflaum's Deutschland im Film is the first work in English to provide a means to analyze and interpret the thematic complexity and apparently obscure symbolism of much of serious West German cinema. Pflaum focuses on the context and content of a large number of films, helping the reader to understand both a given work's socio-historical background as well as the aesthetic intent of its author/director. Among the topics of Pflaum treats are the rediscovery of a regional German genre, the proletarian film, crime and war films, avant-garde and experimental films, comedies, and films based on literary works. For this English-language edition, Pflaum provided additional text material to bring the information in the 1985 German edition up to date. Cinema specialists, teachers and students of contemporary German culture and society, as well as film critics and journalists will find his work invaluable in understanding the thematic multiplicity, the divergent social and political concerns, and the aesthetic-didactic intentions of West German Filmmakers.
Author: Christian Braad Thomsen
Publisher:
ISBN: 9780816643646
Category : Performing Arts
Languages : en
Pages : 358
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Rainer Werner Fassbinder was the most innovative practitioner of New German Cinema. He worked at breakneck speed and in fourteen years made forty-four films, including Ali: Fear Eats the Soul (1973) and The Marriage of Maria Braun (1978). Fassbinder ruthlessly attacked both German bourgeois society and the larger limitations of humanity, and his films detail the desperate yearning for love and freedom and the many ways in which society defeats that desire. In Fassbinder, Christian Thomsen, a close friend of the director, illuminates Fassbinder's body of work while revealing his insider views of a man who, despite a furious temper, manic working habits, and rampant drug addiction, supported an extended family- including his mother, a string of male lovers, lovelorn women, and even a pair of frustrated wives-with his intoxicating and prolific imagination. This book, like Fassbinder's often-used image of the mirror, brilliantly reflects the sexual, political, and overwhelmingly human contradictions inherent in the life of this intensely creative man and the remarkable films he directed. Christian Braad Thomsen is a Danish filmmaker and scholar.
Author: Richard Collins
Publisher: BFI Publishing
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 190
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Publisher:
ISBN:
Category :
Languages : en
Pages : 426
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Author: Thomas Elsaesser
Publisher: Amsterdam University Press
ISBN: 9053560599
Category : Political Science
Languages : en
Pages : 397
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Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
Author: Ulrike Sieglohr
Publisher: Bloomsbury Publishing
ISBN: 1838716068
Category : Biography & Autobiography
Languages : en
Pages : 177
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One of the most celebrated figures of the New German Cinema, Hanna Schygulla acquired transnational stardom through her work with a range of directors in different national cinemas and languages. This absorbing study charts Schygulla's career and star persona from her early days as a member of Rainer Werner Fassbinder's experimental anti-teater group to her work with eminent European auteurs, including Jean-Luc Godard, Andrzej Wajda and, more recently, Fatih Akin. It also discusses her reinvention as an acclaimed cabaret chanteuse. Unpicking the myth that Schygulla's star persona depended on her collaboration with Fassbinder, Ulrike Sieglohr examines how her versatile and idiosyncratic acting style developed throughout her career. With in-depth analysis of key films and their international receptions, Sieglohr foregrounds Schygulla's individual agency, resourcefulness and talent.
Author: Jessica Haunschild
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Author: Ryan Winstanley
Publisher:
ISBN:
Category :
Languages : en
Pages :
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