The Concept of Ingratitude in Renaissance English Moral Philosophy PDF Download
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Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
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Book Description
Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
Get Book Here
Book Description
Author: Ellen C. Dunn
Publisher:
ISBN:
Category :
Languages : en
Pages : 133
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Book Description
Author: E. Catherine Dunn
Publisher:
ISBN: 9781258928070
Category :
Languages : en
Pages : 148
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Book Description
This is a new release of the original 1946 edition.
Author: Ellen Catherine DUNN
Publisher:
ISBN:
Category :
Languages : en
Pages : 133
Get Book Here
Book Description
Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 133
Get Book Here
Book Description
Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
Get Book Here
Book Description
Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 133
Get Book Here
Book Description
Author: Ira Clark
Publisher: Bucknell University Press
ISBN: 9780838752258
Category : Drama
Languages : en
Pages : 332
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Book Description
"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Chahra Beloufa
Publisher: Taylor & Francis
ISBN: 1040016537
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
Author: Robert A. Emmons
Publisher: Oxford University Press
ISBN: 0190287713
Category : Psychology
Languages : en
Pages : 384
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Book Description
Gratitude, like other positive emotions, has inspired many theological and philosophical writings, but it has inspired very little vigorous, empirical research. In an effort to remedy this oversight, this volume brings together prominent scientists from various disciplines to examine what has become known as the most-neglected emotion. The volume begins with the historical, philosophical, and theoretical foundations of gratitude, then presents the current research perspectives from social, personality, and developmental psychology, as well as from primatology, anthropology, and biology. The volume also includes a comprehensive, annotated bibliography of research on gratitude. This work contributes a great deal to the growing positive psychology initiative and to the scientific investigation of positive human emotions. It will be an invaluable resource for researchers and students in social, personality, and developmental, clinical, and health psychology, as well as to sociologists and cultural anthropologists.
