The Complete Operas of Richard Strauss PDF Download
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Author: Charles Osborne
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
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Book Description
Overzicht van de operaʹs van de Duitse componist (1864-1949).
Author: Charles Osborne
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
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Book Description
Overzicht van de operaʹs van de Duitse componist (1864-1949).
Author: Charles Osborne
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Charles Osborne
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 248
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Book Description
Author: Charles Osborne
Publisher: Bright Sparks
ISBN: 9781856277952
Category : Operas
Languages : en
Pages : 245
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Book Description
Author: Charles Osborne
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 472
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Book Description
Author: Paul A. Robinson
Publisher: Cornell University Press
ISBN: 9780801494284
Category : Music
Languages : en
Pages : 292
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Book Description
Opera and Ideas is a study of the connections between music and intellectual history. Through lucid analysis of six operas and two song cycles, Paul Robinson shows how operas give musical and dramatic expression to ideas about the self, society, and history.
Author: Derrick Puffett
Publisher: Cambridge University Press
ISBN: 9780521359702
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
This first full-length study of Salome in English since Lawrence Gilman's (1907) moves from historical and literary analysis to critical appraisal and includes a synopsis, bibliography and discography.
Author: Derrick Puffett
Publisher: CUP Archive
ISBN: 9780521359719
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
The contributions to this handbook bring together a full-length study of Elektra in English. The volume examines the many facets of one of Richard Strauss's most complex operas. First, P. E. Easterling surveys the mythological background, while Karen Forsyth discusses Hofmannsthal's adaptation of his sources. The second part brings the music to the fore. Derrick Puffett offers an introductory essay and synopsis; Arnold Whittall considers the tonal and dramatic structure of the composition; Tethys Carpenter explores the musical language of the work in detail, with special focus given to part of the Klytaemnestra scene. The third part of the volume offers two contrasting critical essays: Carolyn Abbate provides an interpretation informed by her recent work on narrative, and Robin Holloway analyses Strauss's orchestration of the opera. The book also contains a discography and an appendix of excerpts from the Strauss-Hofmannsthal correspondence.
Author: Bryan Randolph Gilliam
Publisher: Princeton University Press
ISBN: 9780691027623
Category : Biography & Autobiography
Languages : en
Pages : 444
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Book Description
Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold [Publisher description].
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520251601
Category : Music
Languages : en
Pages : 264
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Book Description
"Outstanding. Kramer's scholarship is as impeccable as his insights are at once original and consistently brilliant. The presentation is thorough, and the argument is well anchored in theory, history and musical detail. Kramer's discourse is crystalline and jargon free. The connections from one chapter to another are seamless. The story is, simply stated, a page-turner."—Richard Leppert, editor of Theodor W. Adorno's Essays on Music "Lawrence Kramer's Opera and Modern Culture is remarkable both for its imaginative exploration of important issues and for the rich array of the author's engagements with other thinkers. In particular, by decentering without dismissing the composer (who could dismiss Wagner?), he makes works of reception—productions of Salome on video, uses of the Lohengrin Prelude by Charlie Chaplin and W.E.B. Du Bois—central texts in the process of understanding the phenomenon of opera, rather than footnotes to an idea that he really does dismiss: 'the work itself.'"—James Parakilas, author of Piano Roles: 300 Years of Life with the Piano and Introduction to Opera (forthcoming)
