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Author: Douglas Gomery
Publisher: Routledge
ISBN: 1135923957
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Sound transformed not only the Hollywood film industry, but all of world cinema. This text examines how the arrival of sound brought a boom to the industry and why its social impact deepened in complexity.
Author: Douglas Gomery
Publisher: Routledge
ISBN: 1135923957
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Sound transformed not only the Hollywood film industry, but all of world cinema. This text examines how the arrival of sound brought a boom to the industry and why its social impact deepened in complexity.
Author: Katherine Spring
Publisher: Oxford University Press
ISBN: 0199842213
Category : Music
Languages : en
Pages : 244
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Book Description
Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.
Author: Robert Spadoni
Publisher: Univ of California Press
ISBN: 0520940709
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.
Author: Douglas Gomery
Publisher: Psychology Press
ISBN: 9780415969000
Category : Electronic books
Languages : en
Pages : 216
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Douglas Gomery
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 181
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Book Description
Sound transformed not only the Hollywood film industry, but all of world cinema. This text examines how the arrival of sound brought a boom to the industry and why its social impact deepened in complexity.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
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Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Author: Douglas Gomery
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 640
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Book Description
Author: Brian Selznick
Publisher: Scholastic
ISBN: 1407166557
Category : Juvenile Fiction
Languages : en
Pages : 325
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Book Description
Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
Author: Andrew Ford
Publisher: ReadHowYouWant.com
ISBN: 1458762947
Category : Music
Languages : en
Pages : 426
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Book Description
The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of na...
Author: Hannah Lewis
Publisher: Oxford University Press
ISBN: 0190635991
Category : Music
Languages : en
Pages : 256
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Book Description
The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
