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Author: Richard Brome
Publisher: MIT Press
ISBN: 9781854596031
Category : Drama
Languages : en
Pages : 170
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Book Description
In the Globe Quarto series co-published with Shakespeare's Globe to mark the rediscovery of forgotten plays by Shakespeare's contemporaries.The Antipodes includes a play-within-the-play, also called 'The Antipodes', which is used as psychotherapy for Peregrine Joyless's obsession with travel books, with the aim of recalling him to his marital duties. Brome's audience is also confronted with a picture of the topsy-turviness of the 'world upside down' of London in the 1630s.The play was revived, in an adapted form by Gerald Freedman, at Shakespeare's Globe in 2000.
Author: Richard Brome
Publisher: MIT Press
ISBN: 9781854596031
Category : Drama
Languages : en
Pages : 170
Get Book Here
Book Description
In the Globe Quarto series co-published with Shakespeare's Globe to mark the rediscovery of forgotten plays by Shakespeare's contemporaries.The Antipodes includes a play-within-the-play, also called 'The Antipodes', which is used as psychotherapy for Peregrine Joyless's obsession with travel books, with the aim of recalling him to his marital duties. Brome's audience is also confronted with a picture of the topsy-turviness of the 'world upside down' of London in the 1630s.The play was revived, in an adapted form by Gerald Freedman, at Shakespeare's Globe in 2000.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Author: Richard Brome
Publisher: A&C Black
ISBN: 1408130017
Category : Drama
Languages : en
Pages : 329
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Book Description
A Jovial Crew is a seventeenth-century comedy which depicts the imbalance between the literary portrayal of beggar life and its reality. Including detailed notes and commentary, this playtext explores the stage history and considers the music and language in the play.
Author: Richard Brome
Publisher: Legare Street Press
ISBN: 9781016618021
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Matthew Steggle
Publisher: Manchester University Press
ISBN: 9780719063589
Category : Literary Collections
Languages : en
Pages : 236
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Book Description
Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642.This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals.
Author: Margaret Rose
Publisher: Cambridge Scholars Publishing
ISBN: 1527512355
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
The book investigates the issue of multilingualism in the Caroline age through the lens of Richard Brome’s theatre. It analyses Brome’s multilingual representation of early modern London between 1625 and 1642, a multilingual and cosmopolitan city, a pole of attraction, a crossroads of religious, linguistic, political, and cultural experiences in a national and European context. The interaction between English and foreign languages has always been a sort of obsession for early modern England but, in this specific period, its role becomes increasingly important: interpreting this delicate, and unjustly labelled as decadent, phase of English drama through the lens of multilingualism generates a new perspective on the social dynamics, and on contemporary political events in domestic and foreign politics, while casting new light on a relatively neglected playwright. Taking a multifaceted approach, the book discusses the recourse to three types of language found in Brome’s plays, namely modern languages other than English, classical languages, and dialects, and explores the relationship between the use of one or more languages in a play and the contemporary early modern context. The book also analyses the implications of such use, since it allowed the playwright to dramatize social dynamics, while commenting on contemporary political events in England.
Author: Richard Brome
Publisher: Theatre Arts Books
ISBN:
Category : Drama
Languages : en
Pages : 188
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Book Description
In this ribald comedy, first performed at The Globe in 1634, everything is going wrong at a wedding, and everyone in attendance is eager to believe a local coven is to blame.
Author: Julie Sanders
Publisher: Northcote House Pub Limited
ISBN: 0746308779
Category : Drama
Languages : en
Pages : 94
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Book Description
This study of Caroline Drama concentrates on the public theatre playwriting of Philip Massinger, John Ford, James Shirley and Richard Brome between 1625 and 1642. Setting their plays within a social and political context, Julie Sanders reveals their concern with issues of community and hierarchy in the decades leading up to the English Civil Wars.
Author: Alexander Leggatt
Publisher: Manchester University Press
ISBN: 9780719049651
Category : Drama
Languages : en
Pages : 204
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Book Description
This book provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasizing the eclectic, experimental nature of this comedy--its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. In his close analysis of some of the richest comedies of the period, Alexander Leggatt makes some unexpected connections between them. The reader is given a comprehensive picture of English comedy in one of its most creative periods.
Author: Matthew Steggle
Publisher: Routledge
ISBN: 1351922998
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Did Shakespeare's original audiences weep? Equally, while it seems obvious that they must have laughed at plays performed in early modern theatres, can we say anything about what their laughter sounded like, about when it occurred, and about how, culturally, it was interpreted? Related to both of these problems of audience behaviour is that of the stage representation of laughing, and weeping, both actions performed with astonishing frequency in early modern drama. Each action is associated with a complex set of non-verbal noises, gestures, and cultural overtones, and each is linked to audience behaviour through one of the axioms of Renaissance dramatic theory: that weeping and laughter on stage cause, respectively, weeping and laughter in the audience. This book is a study of laughter and weeping in English theatres, broadly defined, from around 1550 until their closure in 1642. It is concerned both with the representation of these actions on the stage, and with what can be reconstructed about the laughter and weeping of theatrical audiences themselves, arguing that both actions have a peculiar importance in defining the early modern theatrical experience.
