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Author: Patrick O'Neill
Publisher: University of Toronto Press
ISBN: 1487586493
Category : Literary Criticism
Languages : en
Pages : 453
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Book Description
Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.' O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in. He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent. Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Céline, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.
Author: Patrick O'Neill
Publisher: University of Toronto Press
ISBN: 1487586493
Category : Literary Criticism
Languages : en
Pages : 453
Get Book Here
Book Description
Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.' O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in. He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent. Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Céline, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.
Author: Jan Hokenson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640968
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
"Disengaging unstated premises to show how the theoretical discourse about comedy often enacts the intellectual disputes of its time, The idea of comedy tracks the history of comic theories along two principal axes. The first is historical, showing how the Hellenistic ethical conception devolves into social superiority and then into populist assertions, enidng on the question of whether contemporary comic theory is still populist today." "The second axis is conceptual, sorting theories by types of agreement and dispute. Whether comedy improves the citizens or threatens political instability, whether it insults or enacts moral standards, whether it serves God and the integrated superego or the devil and the anarchic id, are some of the questions addressed by theroists such as Cicero, Maggi, Dryden, Kant, Schopenhauer, Baudelaire, Nietzsche, Freud, Lacan, and Genette." -book jacket.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 143813102X
Category : Black humor
Languages : en
Pages : 290
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Book Description
Provides an examination of the use of dark humor in classic literary works.
Author: Morton Gurewitch
Publisher: Wayne State University Press
ISBN: 9780814325131
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The Ironic Temper and the Comic Imagination examines and illuminates the role which the ironic temper plays in the creation of complex literary comedy. The book focuses on ironic comedy, though not of the kind that is characterized by the surprises and shocks, the incongruities and reversals, of circumstantial irony. Circumstantial—or situational—irony cannot stand alone; it serves, for example, the aggressive functions of satire, or the irrational impulses of farce, or the benevolent, whimsical, or pain-defeating energies of humor.
Author: Harriet Murphy
Publisher: SUNY Press
ISBN: 9780791431344
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
This first full-length study investigates the profound implications of the peculiarly original sense of humor found in Elias Canetti's single novel--a facetiousness, understood in a Nietzschean sense, as a revolutionary aesthetic.
Author: Christian Gutleben
Publisher: BRILL
ISBN: 9004488359
Category : Social Science
Languages : en
Pages : 250
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Book Description
Why do so many contemporary British novels revert to the Victorian tradition in order to find a new source of inspiration? What does it mean from an ideological point of view to build a modern form of art by resurrecting and recycling an art of the past? From a formal point of view what are the aesthetic priorities established by these postmodernist novels? Those are the main questions tackled by this study intended for anybody interested in the aesthetic and ideological evolution of very recent fiction. What this analysis ultimately proposes is a reevaluation and a redefinition of postmodernism such as it is illustrated by the British novels which paradoxically both praise and mock, honour and debunk, imitate and subvert their Victorian models. Unashamedly opportunistic and deliberately exploiting the spirit of the time, this late form of postmodernism cannibalizes and reshapes not only Victorianism but all the other previous aesthetic movements - including early postmodernism.
Author: Patrick O'Neill
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.' O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in. He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent. Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Céline, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.
Author: Russell Heddendorf
Publisher: Lutterworth Press
ISBN: 0718842871
Category : Religion
Languages : en
Pages : 209
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Book Description
Abraham and Sarah were presented with a paradox when God told them they would have a son in their old age. Paradox in the Old Testament plays an important part in the dialogue between God and the Jews. In the New Testament, paradox is prominent in Jesus' teaching and helps to explain the Christian understanding of salvation.
Author: Stefan Herbrechter
Publisher: Rodopi
ISBN: 9789042004818
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
This book is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory. It investigates the notions of alterity which underlie the work of Lawrence Durrell and postmodernist theory. Grass (Irmgard Elsner Hunt).
Author: Joseph Boskin
Publisher: Wayne State University Press
ISBN: 9780814325971
Category : History
Languages : en
Pages : 276
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Book Description
Why do some jokes evaporate after the telling while others are transmitted to subsequent generations? Just what property of humor allows it to touch diverse members of a culture at a given time? As a penetrating and refracting angle of history, humor illuminates the expectations and contradictions of society, its anxieties and confusions, and permits perspective into any historic moment. The Humor Prism in Twentieth-Century America explores to what extent and in what ways American humor in the twentieth century reflects history, examining the dynamics and disguised messages behind humor. The first section of this volume concentrates on patterns of humor in the twentieth century. Section two looks at the power and politics of women's humor, and at multicultural humor. The final section presents and evaluates the major joke cycles from the post-World War II period to the 1990s as responses to profound social and economic change, such as Polish jokes and JAP jokes.
