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Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306232
Category : Architecture
Languages : en
Pages : 339
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Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306232
Category : Architecture
Languages : en
Pages : 339
Get Book Here
Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306240
Category : Architecture
Languages : en
Pages : 358
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Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Clement Greenberg
Publisher:
ISBN: 9780226306179
Category :
Languages : en
Pages : 270
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Book Description
Author: Julio Trebolle Barrera
Publisher: BRILL
ISBN: 9004426019
Category : Religion
Languages : en
Pages : 476
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Book Description
This volume contains a collection of Julio Trebolle’s papers on textual and compositional history of 1-2 Kings, via Septuagint, Old Latin. His research is a key contribution to the landscape of textual plurality in the history of the Bible.
Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 9780691036571
Category : Art
Languages : en
Pages : 288
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Book Description
Part of an exhaustive series which provides English translations of a representative proportion of Johann Wolfgang von Goethe's vast body of work, this volume contains such essays as "On Gothic Architecture", "On the Laocoon" and "Shakespeare: a Tribute."
Author: Haym Soloveitchik
Publisher: Liverpool University Press
ISBN: 1789627869
Category : Social Science
Languages : en
Pages : 443
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Book Description
In this second volume of his essays on the history of halakhah, Haym Soloveitchik grapples with much-disputed topics in medieval Jewish history, including the roots and culture of Early Ashkenaz and its knowledge of the Babylonian Talmud; martyrdom as perceived and practised by Jews under Islam and Christianity; and the interpretation of Maimonides’ Mishneh torah
Author: Nicholas Chare
Publisher: Routledge
ISBN: 1351577328
Category : Art
Languages : en
Pages : 335
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Book Description
Like an analyst listening to a patient, this study attends not just to what is said in David Sylvester's interviews with Francis Bacon, but also crucially to what is left unspoken, to revealing interruptions and caesuras. Through interpreting these silences, After Francis Bacon breaks with stereotypical ideas about the artist's work and provides new readings and avenues of research. After Francis Bacon is the first book to give extended consideration to the way the reception of Bacon's art, including Gilles Deleuze's influential text on the artist, has been shaped by the Sylvester interviews - and to move beyond the limiting effects of the interviews, providing fresh interpretations. Nicholas Chare draws upon recent developments in psychoanalysis and forensic psychology to present innovative readings of Bacon's work, primarily based on the themes of sadomasochism and multi-sensory perception. Through bringing Bacon's paintings into dialogue with Joseph Conrad's Heart of Darkness and the film Alien, he also provides original insights into the ethical relevance the artist's works have for today. This study addresses the complexities of the artist's practice - particularly in relation to sexuality and synaesthesia - and additionally forms a crucial intervention within current debates about creative writing in art history.
Author: Alexander Howard
Publisher: Bloomsbury Publishing
ISBN: 1474278590
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research – including explorations of Ford's correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Parker Tyler, and many others – the book explores the full impact of Ford's contribution to 20th-century American literary culture.
Author: Simon Shaw-Miller
Publisher: Routledge
ISBN: 1351567330
Category : Art
Languages : en
Pages : 214
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Book Description
'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.
Author: Jason Gaiger
Publisher: Bloomsbury Publishing
ISBN: 1350104876
Category : Philosophy
Languages : en
Pages : 257
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Book Description
What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.
