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Author: Geoff Stahl
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 154
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Book Description
In this critical appraisal of The Clean's landmark release, Boodle Boodle Boodle, Geoff Stahl explores how it impacted the emergence of a new DIY scene alongside a retrospective on the role The Clean played in shaping New Zealand's independent music industry. The Clean's 1981 EP catalysed independent music in Aotearoa/New Zealand and defined what became known as the “Dunedin Sound”. At the time, The Clean were seen as ambassadors for a burgeoning independent music culture in Aotearoa, drawing on the DIY spirit of punk and post-punk centred around Dunedin, on New Zealand's South Island. Geoff Stahl considers the influence and legacy of the EP and band on indie music in New Zealand and elsewhere. Examining the myth of the “Dunedin Sound” associated with The Clean, the EP, and Flying Nun Records, he details how this myth emerged, its repudiation by many of the artists it presumes to cover, and its complicated persistence in the contemporary New Zealand imaginary.
Author: Geoff Stahl
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 154
Get Book Here
Book Description
In this critical appraisal of The Clean's landmark release, Boodle Boodle Boodle, Geoff Stahl explores how it impacted the emergence of a new DIY scene alongside a retrospective on the role The Clean played in shaping New Zealand's independent music industry. The Clean's 1981 EP catalysed independent music in Aotearoa/New Zealand and defined what became known as the “Dunedin Sound”. At the time, The Clean were seen as ambassadors for a burgeoning independent music culture in Aotearoa, drawing on the DIY spirit of punk and post-punk centred around Dunedin, on New Zealand's South Island. Geoff Stahl considers the influence and legacy of the EP and band on indie music in New Zealand and elsewhere. Examining the myth of the “Dunedin Sound” associated with The Clean, the EP, and Flying Nun Records, he details how this myth emerged, its repudiation by many of the artists it presumes to cover, and its complicated persistence in the contemporary New Zealand imaginary.
Author: Dave Thompson
Publisher: Hal Leonard Corporation
ISBN: 9780879306076
Category : Music
Languages : en
Pages : 852
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Book Description
Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs.
Author: Darren Jorgensen
Publisher: Bloomsbury Publishing USA
ISBN: 1501386980
Category : Music
Languages : en
Pages : 145
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Book Description
The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other.
Author: Brigitta Davidjants
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 115
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Book Description
This book explores the album 'Külmale maale' (To The Cold Land, 1989) by J.M.K.E. – the most legendary punk rock band in Estonia – concentrating on the meaning of the album in different sociocultural contexts from its release until today. In 35 years, the album has not lost its relevance: It was selected by 102 music critics as the best Estonian album of all time in 2014 and is listened to by all generations of punks. The story of J.M.K.E. illustrates the subcultural organization not only in Estonia but in the Soviet Union in general, where pop music and the existence of subculture was more or less censored for 50 years. Broadly, it presents the influential role of pop culture in the transition from a totalitarian society to early capitalism and from subcultural to post-subcultural society.
Author: Clinton Walker
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 153
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Book Description
Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction? Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason. Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.
Author: E. Taylor Atkins
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 161
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Book Description
A study of the 1974 album Kogun by the Toshiko Akiyoshi-Lew Tabackin Big Band, this book assesses not just its importance in jazz history but also its part in public remembrance of World War II in Japan. In 1974 a Japanese soldier emerged from the Philippine jungle where he had hidden for three decades, unconvinced that World War II had ended. Later that year, the Toshiko Akiyoshi-Lew Tabackin Big Band released its first album, Kogun (“solitary soldier”), the title track of which adopted music from medieval Japanese no theater for the first time in a jazz context as aural commemoration of his experience. At a time when big band jazz was mostly a vehicle for nostalgia and no longer regarded as a vital art, the album was heralded as a revelation. Kogun elevated Akiyoshi's reputation as a brilliant composer/arranger and earned Tabackin acclaim as a compelling, versatile improviser on tenor saxophone and flute.
Author: Andrew Stafford
Publisher: Univ. of Queensland Press
ISBN: 0702263664
Category : Biography & Autobiography
Languages : en
Pages : 257
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Book Description
Set to the soundtrack of music that has shaped a generation, Something To Believe In will resonate with anyone whose life has been saved by rock 'n' roll. Born in Melbourne's outer suburbs in the 1970s, Andrew Stafford grew up in a time when music was a way out and a way up. His passion for rock 'n' roll led him to a career as a journalist and music critic, but along the way his battles with family illness, mental health and destructive relationships threatened to take him down. Andrew Stafford delves bravely and deeply into a life that has been shaped and saved by music's beat. From the author of the cult classic Pig City comes a memoir of music, madness, and love.
Author: Charles Fairchild
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 123
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Book Description
Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches. Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds.
Author: Jayson Beaster-Jones
Publisher: Bloomsbury Publishing USA
ISBN: 1501388673
Category : Music
Languages : en
Pages : 145
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Book Description
The 2001 buddy film Dil Chahta Hai (dir. Farhan Akhtar), had arguably the first rock soundtrack in Bollywood. The award-winning soundtrack is an entry point into the relationship between Bollywood film songs, Hindi language music, and the Indi-pop movement of the '80s and '90s. Beaster-Jones draws from reviews by music critics and fans, industry interviews, and his own close analysis of the music and the film to trace the role of the Dil Chahta Hai soundtrack in transforming both the sound and production practices of Bollywood cinema in the new millennium. These songs emerged from the rock band and live performance aesthetic of writing trio Shankar-Ehsaan-Loy. Their collaborative compositional approach for this soundtracks and later soundtracks reveals the changing tastes of India's urban youth audiences and how that taste fueled the rise of the rockstar narrative in Hindi films. The music for this soundtrack was the second Bollywood soundtrack composed by the superstar trio Shankar-Ehsaan-Loy (i.e. Shankar Mahadevan, Ehsaan Noorani, Loy Mendonsa), with lyrics penned by the inimitable Javed Akhtar. The songs from this soundtrack paved the way for the rock and EDM-oriented compositions of Hindi-language cinema that came to dominate the first decades of the 21st century, making Dil Chahta Hai among the most influential soundtracks in Indian cinematic history.
Author: Melle Jan Kromhout
Publisher: Bloomsbury Publishing USA
ISBN: 1501387529
Category : Music
Languages : en
Pages : 129
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Book Description
Perhaps the best musical encapsulation of the Cold War as experienced in the walled city of West-Berlin, Kollaps is a product of its time while remaining as vital, exhilarating and surprising as the day it was released. The book explores the contexts, themes and influences that shaped Kollaps. It describes the early days of Einstürzende Neubauten in West-Berlin, their infamous live performances and guerilla style recording tactics, and the scrap metal banging, piercing guitar noise and evocative lyricism that went on to inspire generations of fans. Most significantly, it explores the desire and deep sense of belonging that is expressed by what Nick Cave called the 'incredibly mournful, haunting' nature of this music. The beginning of a 40-year career, this first burst of energy remains their purest statement.
