Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640211049
Category : Language Arts & Disciplines
Languages : en
Pages : 62
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Freiburg, course: Country Houses, 14 entries in the bibliography, language: English, abstract: K.W. Gransden has noted the significance of Ruth Wilcox's answer to Margaret's comment that a house "cannot stand by bricks and mortar alone". The first Mrs. Wilcox replies, "It cannot stand without them." According to Gransden, there is a persistent note of misgiving on Forster's part about this. It is more than nostalgia. The opening description of the house at Howards End begins the statement of a large and complex architectural metaphor, which is extended throughout the novel. Hardy states that buildings, and the design of them, the architectural character of a civilization, would seem to be in Foster's mind fundamentally related to its character of manners and morals. From my point of view, it is important to look at the houses in Forster's Howards End more closely. In this term paper I will show in what way Forster associates certain housing conditions with special types of characters, and to what extent he thinks housing conditions influence the way people behave and what inference he draws as to where to live. I will focus on the three main parties namely the Wilcoxes, the Schlegels and the Basts and I will show where the characters live and in which way their economic status is reflected in their housing conditions. Furthermore, I will try to emphasize Forster's position towards housing at the beginning of the 20th century. It can be said that there are portrayed three different types of houses in Howards End. Firstly the country houses, secondly the houses of the urban lower middle class and finally the London town houses. My aim is to show that there are fundamental differences between these types of houses. Furthermore, I want to prove that the narrator distinguishes the houses' quality(ies?) among themselves. After that, I will talk
The City and the Country in Howards End
Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640211049
Category : Language Arts & Disciplines
Languages : en
Pages : 62
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Freiburg, course: Country Houses, 14 entries in the bibliography, language: English, abstract: K.W. Gransden has noted the significance of Ruth Wilcox's answer to Margaret's comment that a house "cannot stand by bricks and mortar alone". The first Mrs. Wilcox replies, "It cannot stand without them." According to Gransden, there is a persistent note of misgiving on Forster's part about this. It is more than nostalgia. The opening description of the house at Howards End begins the statement of a large and complex architectural metaphor, which is extended throughout the novel. Hardy states that buildings, and the design of them, the architectural character of a civilization, would seem to be in Foster's mind fundamentally related to its character of manners and morals. From my point of view, it is important to look at the houses in Forster's Howards End more closely. In this term paper I will show in what way Forster associates certain housing conditions with special types of characters, and to what extent he thinks housing conditions influence the way people behave and what inference he draws as to where to live. I will focus on the three main parties namely the Wilcoxes, the Schlegels and the Basts and I will show where the characters live and in which way their economic status is reflected in their housing conditions. Furthermore, I will try to emphasize Forster's position towards housing at the beginning of the 20th century. It can be said that there are portrayed three different types of houses in Howards End. Firstly the country houses, secondly the houses of the urban lower middle class and finally the London town houses. My aim is to show that there are fundamental differences between these types of houses. Furthermore, I want to prove that the narrator distinguishes the houses' quality(ies?) among themselves. After that, I will talk
Publisher: GRIN Verlag
ISBN: 3640211049
Category : Language Arts & Disciplines
Languages : en
Pages : 62
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Freiburg, course: Country Houses, 14 entries in the bibliography, language: English, abstract: K.W. Gransden has noted the significance of Ruth Wilcox's answer to Margaret's comment that a house "cannot stand by bricks and mortar alone". The first Mrs. Wilcox replies, "It cannot stand without them." According to Gransden, there is a persistent note of misgiving on Forster's part about this. It is more than nostalgia. The opening description of the house at Howards End begins the statement of a large and complex architectural metaphor, which is extended throughout the novel. Hardy states that buildings, and the design of them, the architectural character of a civilization, would seem to be in Foster's mind fundamentally related to its character of manners and morals. From my point of view, it is important to look at the houses in Forster's Howards End more closely. In this term paper I will show in what way Forster associates certain housing conditions with special types of characters, and to what extent he thinks housing conditions influence the way people behave and what inference he draws as to where to live. I will focus on the three main parties namely the Wilcoxes, the Schlegels and the Basts and I will show where the characters live and in which way their economic status is reflected in their housing conditions. Furthermore, I will try to emphasize Forster's position towards housing at the beginning of the 20th century. It can be said that there are portrayed three different types of houses in Howards End. Firstly the country houses, secondly the houses of the urban lower middle class and finally the London town houses. My aim is to show that there are fundamental differences between these types of houses. Furthermore, I want to prove that the narrator distinguishes the houses' quality(ies?) among themselves. After that, I will talk
Howards End Illustrated
Author: E M Forster
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by some to be Forster's masterpiece.[1] The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910.[2] In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by some to be Forster's masterpiece.[1] The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910.[2] In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.
A ROOM WITH A VIEW & HOWARDS END
Author: E. M. Forster
Publisher: e-artnow
ISBN: 8027243580
Category : Fiction
Languages : en
Pages : 518
Book Description
A Room with a View – When Lucy Honeychurch embarks on a journey of a lifetime to Italy, little does she know that she would fall for the reckless man George, with whom she and co-traveller had exchanged the room with in Florence. In spite of her self-denial about her growing attraction to George Lucy knows in her heart that she cannot marry another man, let alone Cecil Vyse, who is not only downright obnoxious but also overbearing. This book is a classic romance which has also been adapted into a highly successful movie featuring Helena Bonham Carter, Julian Sands, Maggie Smith and Daniel Day-Lewis. Howards End - The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. As fate would have it, their lives are going to be intertwined in such a manner that the secret passions and flying tempers would bring each of the family to the verge of ruin. Can they survive this vortex or will they be ruined forever?
Publisher: e-artnow
ISBN: 8027243580
Category : Fiction
Languages : en
Pages : 518
Book Description
A Room with a View – When Lucy Honeychurch embarks on a journey of a lifetime to Italy, little does she know that she would fall for the reckless man George, with whom she and co-traveller had exchanged the room with in Florence. In spite of her self-denial about her growing attraction to George Lucy knows in her heart that she cannot marry another man, let alone Cecil Vyse, who is not only downright obnoxious but also overbearing. This book is a classic romance which has also been adapted into a highly successful movie featuring Helena Bonham Carter, Julian Sands, Maggie Smith and Daniel Day-Lewis. Howards End - The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. As fate would have it, their lives are going to be intertwined in such a manner that the secret passions and flying tempers would bring each of the family to the verge of ruin. Can they survive this vortex or will they be ruined forever?
Where to live? - The Houses in "Howards End"
Author: Claudia Müller
Publisher: GRIN Verlag
ISBN: 3638382524
Category : Literary Criticism
Languages : en
Pages : 26
Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, Humboldt-University of Berlin, course: Masculinity in the Late Victorian and Early Edwardian Novel, language: English, abstract: The paper ‘Where to live – The Houses in Howards End’ shows in which way E. M. Forster associates certain housing conditions with special types of character, in how far he thinks that housing conditions influence the way people are and behave and what conclusion he draws as to where to live. Basically, there are three different types of houses portrayed in the novel: the dwelling place of the urban lower middle class, London town houses, and country houses. It can be argued that there are differences between these types of houses and also that the narrator differs the houses’ quality among themselves. Taking the city – country dichotomy as a starting point, the paper discusses the standpoint Forster takes towards the quality of these houses when he shows that they are ‘alive’ or not (whether they possess life, spirit or souls).It is explained in which way the economic status of the main characters of the novel (the Schlegels, the Wilcoxes and the Basts) is reflected in their respective housing-conditions and what position Forster takes towards housing at the beginning of the twentieth century in general. The paper also relates to some of the current views and popular concepts of Forster’s time on the different housing conditions of people. Taking a look at some general statements about living in the city versus living in the country and living in flats versus living in houses, it is explained what the narrator’s preferences are as to where one should live. The paper discusses in how far this attitude is reflected in the narrator’s decision about the ideal place to live for his heroine Margaret Schlegel and in how far this solution is a realistic one.
Publisher: GRIN Verlag
ISBN: 3638382524
Category : Literary Criticism
Languages : en
Pages : 26
Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, Humboldt-University of Berlin, course: Masculinity in the Late Victorian and Early Edwardian Novel, language: English, abstract: The paper ‘Where to live – The Houses in Howards End’ shows in which way E. M. Forster associates certain housing conditions with special types of character, in how far he thinks that housing conditions influence the way people are and behave and what conclusion he draws as to where to live. Basically, there are three different types of houses portrayed in the novel: the dwelling place of the urban lower middle class, London town houses, and country houses. It can be argued that there are differences between these types of houses and also that the narrator differs the houses’ quality among themselves. Taking the city – country dichotomy as a starting point, the paper discusses the standpoint Forster takes towards the quality of these houses when he shows that they are ‘alive’ or not (whether they possess life, spirit or souls).It is explained in which way the economic status of the main characters of the novel (the Schlegels, the Wilcoxes and the Basts) is reflected in their respective housing-conditions and what position Forster takes towards housing at the beginning of the twentieth century in general. The paper also relates to some of the current views and popular concepts of Forster’s time on the different housing conditions of people. Taking a look at some general statements about living in the city versus living in the country and living in flats versus living in houses, it is explained what the narrator’s preferences are as to where one should live. The paper discusses in how far this attitude is reflected in the narrator’s decision about the ideal place to live for his heroine Margaret Schlegel and in how far this solution is a realistic one.
Geography Of Nowhere
Author: James Howard Kunstler
Publisher: Simon and Schuster
ISBN: 0671888250
Category : Architecture
Languages : en
Pages : 308
Book Description
Argues that much of what surrounds Americans is depressing, ugly, and unhealthy; and traces America's evolution from a land of village commons to a man-made landscape that ignores nature and human needs.
Publisher: Simon and Schuster
ISBN: 0671888250
Category : Architecture
Languages : en
Pages : 308
Book Description
Argues that much of what surrounds Americans is depressing, ugly, and unhealthy; and traces America's evolution from a land of village commons to a man-made landscape that ignores nature and human needs.
Tono-Bungay
Author: Herbert George Wells
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
House of Trelawney
Author: Hannah Rothschild
Publisher: Vintage
ISBN: 0525654925
Category : Fiction
Languages : en
Pages : 384
Book Description
From the author of The Improbability of Love: a dazzling novel both satirical and moving, about an eccentric, dysfunctional family of English aristocrats, and their crumbling stately home that reminds us how the lives and hopes of women can still be shaped by the ties of family and love. For more than seven hundred years, the vast, rambling Trelawney Castle in Cornwall--turrets, follies, a room for every day of the year, four miles of corridors and 500,000 acres--was the magnificent and grand "three dimensional calling card" of the earls of Trelawney. By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife, Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Four women dominate the story: Jane; Kitto's sister, Blaze, who left Trelawney and made a killing in finance in London, the wildly beautiful, seductive, and long-ago banished Anastasia and her daughter, Ayesha. When Anastasia sends a letter announcing that her nineteen-year-old daughter, Ayesha, will be coming to stay, the long-estranged Blaze and Jane must band together to take charge of their new visitor--and save the house of Trelawney. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together.
Publisher: Vintage
ISBN: 0525654925
Category : Fiction
Languages : en
Pages : 384
Book Description
From the author of The Improbability of Love: a dazzling novel both satirical and moving, about an eccentric, dysfunctional family of English aristocrats, and their crumbling stately home that reminds us how the lives and hopes of women can still be shaped by the ties of family and love. For more than seven hundred years, the vast, rambling Trelawney Castle in Cornwall--turrets, follies, a room for every day of the year, four miles of corridors and 500,000 acres--was the magnificent and grand "three dimensional calling card" of the earls of Trelawney. By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife, Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Four women dominate the story: Jane; Kitto's sister, Blaze, who left Trelawney and made a killing in finance in London, the wildly beautiful, seductive, and long-ago banished Anastasia and her daughter, Ayesha. When Anastasia sends a letter announcing that her nineteen-year-old daughter, Ayesha, will be coming to stay, the long-estranged Blaze and Jane must band together to take charge of their new visitor--and save the house of Trelawney. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together.
On Beauty
Author: Zadie Smith
Publisher: Penguin
ISBN: 1101218118
Category : Fiction
Languages : en
Pages : 464
Book Description
Winner of the 2006 Orange Prize for fiction, another bestselling masterwork from the celebrated author of Swing Time and White Teeth "In this sharp, engaging satire, beauty's only skin-deep, but funny cuts to the bone." —Kirkus Reviews Having hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.
Publisher: Penguin
ISBN: 1101218118
Category : Fiction
Languages : en
Pages : 464
Book Description
Winner of the 2006 Orange Prize for fiction, another bestselling masterwork from the celebrated author of Swing Time and White Teeth "In this sharp, engaging satire, beauty's only skin-deep, but funny cuts to the bone." —Kirkus Reviews Having hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.
You Feel It Just Below the Ribs
Author: Jeffrey Cranor
Publisher: HarperCollins
ISBN: 0063066637
Category : Fiction
Languages : en
Pages : 427
Book Description
A haunting, provocative novel, You Feel It Just Below the Ribs is a fictional autobiography in an alternate twentieth century that chronicles one woman’s unusual life, including the price she pays to survive and the cost her choices hold for the society she is trying to save. Born at the end of the old world, Miriam grows up during The Great Reckoning, a sprawling, decades-long war that nearly decimates humanity and strips her of friends and family. Devastated by grief and loneliness, she emotionally exiles herself, avoiding relationships or allegiances, and throws herself into her work—disengagement that serves her when the war finally ends, and The New Society arises. To ensure a lasting peace, The New Society forbids anything that may cause tribal loyalties, including traditional families. Suddenly, everyone must live as Miriam has chosen to—disconnected and unattached. A researcher at heart, Miriam becomes involved in implementing this detachment process. She does not know it is the beginning of a darkly sinister program that will transform this new world and the lives of everyone in it. Eventually, the harmful effects of her research become too much for Miriam, and she devises a secret plan to destroy the system from within, endangering her own life. But is her “confession” honest—or is it a fabrication riddled with lies meant to conceal the truth? A jarring and uncanny tale of loss, trauma, and the power of human connection and deception, You Feel It Just Below the Ribs is a portrait of a disturbing alternate world eerily within reach, and an examination of the difficult choices we must make to survive in it.
Publisher: HarperCollins
ISBN: 0063066637
Category : Fiction
Languages : en
Pages : 427
Book Description
A haunting, provocative novel, You Feel It Just Below the Ribs is a fictional autobiography in an alternate twentieth century that chronicles one woman’s unusual life, including the price she pays to survive and the cost her choices hold for the society she is trying to save. Born at the end of the old world, Miriam grows up during The Great Reckoning, a sprawling, decades-long war that nearly decimates humanity and strips her of friends and family. Devastated by grief and loneliness, she emotionally exiles herself, avoiding relationships or allegiances, and throws herself into her work—disengagement that serves her when the war finally ends, and The New Society arises. To ensure a lasting peace, The New Society forbids anything that may cause tribal loyalties, including traditional families. Suddenly, everyone must live as Miriam has chosen to—disconnected and unattached. A researcher at heart, Miriam becomes involved in implementing this detachment process. She does not know it is the beginning of a darkly sinister program that will transform this new world and the lives of everyone in it. Eventually, the harmful effects of her research become too much for Miriam, and she devises a secret plan to destroy the system from within, endangering her own life. But is her “confession” honest—or is it a fabrication riddled with lies meant to conceal the truth? A jarring and uncanny tale of loss, trauma, and the power of human connection and deception, You Feel It Just Below the Ribs is a portrait of a disturbing alternate world eerily within reach, and an examination of the difficult choices we must make to survive in it.
The Image of the City
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.