The Cinema as a Graphic Art PDF Download
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Author: Vladimir Nilsen
Publisher: Facsimiles-Garl
ISBN:
Category : Design
Languages : en
Pages : 242
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Book Description
Author: Vladimir Nilsen
Publisher: Facsimiles-Garl
ISBN:
Category : Design
Languages : en
Pages : 242
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Book Description
Author: Annie Atkins
Publisher: Phaidon Press
ISBN: 9780714879383
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
A behind-the-scenes look at the extraordinary and meticulous design of graphic objects for film sets Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
Author: Gemma Solana
Publisher: Gingko Press
ISBN: 9781584235378
Category : Design
Languages : en
Pages : 0
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Book Description
This publication examines how opening sequences in films, classic and contemporary, act as hooks to draw the viewer into the film, showing frame by frame how graphics, type and animation are used to create atmosphere, set tone, and lend impact to movies. From Hitchcock and Godard to Tarantino, Luc Besson, and Tim Burton, this large format coffee table book finally illuminates this critical role designers play in filmmaking and gives credit to those that often go uncredited.
Author: Matteo Civaschi
Publisher: Skira Editore
ISBN: 9788857239675
Category : Graphic arts
Languages : en
Pages : 256
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Book Description
Minimal Film is a book on film narrated through the visual magic of graphic design or a graphic design book told through the evocative magic of cinema. The goal of Minimal Film lies in representing the emotion of cinema through extreme synthesis and simplicity of forms. Plus there's colour, which makes each illustration visually stunning and effective. For example: a white circle resting on a blue field is enough to portray the ball Wilson from Cast Away , while two white triangles perfectly perpendicular to a red field suffice to evoke Dracula . From Game of Thrones to Breaking Bad , even TV series, which have been elected to "prime-time" for Hollywood productions, are visually represented in the book. Shortology is a direct language that can narrate anything through pictograms. This has allowed the author to see cinema from a different perspective, reinterpreting and reviewing it up to isolating its very essence. Exactly like the philosophy of Shortology, this publication is based on this notion: eliminating the superfluous and focusing on the essential. A book on emotions, on unforgettable traces cinema has left on our imagination as spectators and lovers of the seventh art.
Author:
Publisher: Assouline
ISBN: 9781614288756
Category :
Languages : en
Pages :
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Book Description
Author: Philip Cowan
Publisher: Rowman & Littlefield
ISBN: 1793638969
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer’s authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland’s work, highlighting the historical neglect of the cinematographer’s artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.
Author: Christopher Frayling
Publisher: Reel Art Press
ISBN: 9780957261044
Category : Antiques & Collectibles
Languages : en
Pages : 288
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Book Description
The French New Wave is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape and it has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses were at the forefront of a revolution in art, graphic design and photography. This volume is a visual celebration of their explosive and ground-breaking poster art.
Author: John Kisch
Publisher:
ISBN: 9781909526068
Category : Art
Languages : en
Pages : 317
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Book Description
A complete history of first 100 years of black cast movie posters. Stunning images. From world's leading archive.
Author: Paolo Usai
Publisher: George Eastman House
ISBN: 9780935398311
Category : Art
Languages : en
Pages : 344
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Book Description
The history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.
Author: Steven Allen
Publisher: Intellect (UK)
ISBN: 9781841505077
Category : Art and motion pictures
Languages : en
Pages : 0
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Book Description
In 'Framing Film', the authors draw on a selection of historically and culturally diverse texts to explore the intricate relationships between cinema and the visual arts. Broad in scope, the volume considers a range of visual arts media, including posters, paintings, photography, comic books and production design.
