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Author: Julie Townsend
Publisher: Routledge
ISBN: 1351194216
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
"Whether in the pages of a trashy novel, in the glow of gaslights, in a dance hall, or on the walls of art galleries, the figure of the female dancer haunts nineteenth-century French culture. Artists and writers of all kinds took on la danseuse as an emblem of their own artistic prowess. They represented her alternately as an elusive ideal, a saucy prostitute, or a dangerous seductress. Dancers, in turn, produced their own images, novels and autobiographies, thereby contributing to an ongoing cultural debate around performance, spectatorship, desire, and art. In this interdisciplinary study of la danseuse, Julie Townsend examines the rise and fall of classical ballet, the phenomenon of the music hall, and the birth of modern dance. She highlights moments of representational crisis and emergent aesthetics in her consideration of poetry, novels, painting, early film, and women's autobiography."
Author: Julie Townsend
Publisher: Routledge
ISBN: 1351194216
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
"Whether in the pages of a trashy novel, in the glow of gaslights, in a dance hall, or on the walls of art galleries, the figure of the female dancer haunts nineteenth-century French culture. Artists and writers of all kinds took on la danseuse as an emblem of their own artistic prowess. They represented her alternately as an elusive ideal, a saucy prostitute, or a dangerous seductress. Dancers, in turn, produced their own images, novels and autobiographies, thereby contributing to an ongoing cultural debate around performance, spectatorship, desire, and art. In this interdisciplinary study of la danseuse, Julie Townsend examines the rise and fall of classical ballet, the phenomenon of the music hall, and the birth of modern dance. She highlights moments of representational crisis and emergent aesthetics in her consideration of poetry, novels, painting, early film, and women's autobiography."
Author: Barbara L. Kelly
Publisher: Boydell & Brewer Ltd
ISBN: 1843838109
Category : Music
Languages : en
Pages : 272
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Book Description
Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.
Author: Carrie J. Preston
Publisher: Oxford University Press
ISBN: 0199384584
Category : Art
Languages : en
Pages : 372
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Book Description
Modernism's Mythic Pose recovers the tradition of Delsartism, a popular international movement that promoted bodily and vocal solo performances, particularly for women. This strain of classical-antimodernism shaped dance, film, and poetics. Its central figure, the mythic pose, expressed both skepticism and nostalgia and functioned as an ambivalent break from modernity.
Author: Anna Tristram
Publisher: Routledge
ISBN: 1351537849
Category : Foreign Language Study
Languages : en
Pages : 205
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Book Description
Collective nouns such asmajorite or foulehave long been of interest to linguists for their unusual semantic properties, and provide a valuable source of new data on the evolution of French grammar. This book tests the hypothesis that plural agreement with collective nouns is becoming more frequent in French. Through an analysis of data from a variety of sources, including sociolinguistic interviews, gap-fill tests and corpora, the complex linguistic and external factors which affect this type of agreement are examined, shedding new light on their interaction in this context. Broader questions concerning the methodological challenges of studying variation and change in morphosyntax, and the application of sociolinguistic generalisations to the French of France, are also addressed.
Author: Eva Sansavior
Publisher: Routledge
ISBN: 1351193252
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
"The Guadeloupean writer and critic Maryse Conde has for the last twenty-five years divided her time between her native Guadeloupe and the United States. If the author's work has attracted much critical attention in the United States, it is the fictional works that have been the focus of this attention with these predominantly read in the light of political themes such as identity and resistance. In these intelligent and sensitive readings, Eva Sansavior argues in favour of adopting a broader thematic and generic approach to the author's work. Sansavior accounts for the multiple and oblique uses of literature in the Conde's literary and critical work tracking its complex interactions with tradition, reception, politics and autobiography and also the singular possibilities that these interactions present for re-imagining the ideas of politics, literature, identity and, ultimately, the nature of critical practice itself."
Author: Celia Marshik
Publisher: Cambridge University Press
ISBN: 1107049261
Category : Art
Languages : en
Pages : 281
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Book Description
This companion provides students and scholars alike with an interdisciplinary approach to literary modernism. Through essays written on a range of cultural contexts, this collection helps readers understand the significant changes in belief systems, visual culture, and pastimes that influenced, and were influenced by, the experimental literature published around 1890-1945.
Author: Timothy Raser
Publisher: Routledge
ISBN: 1351574388
Category : Foreign Language Study
Languages : en
Pages : 218
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Book Description
While Baudelaire's 'Le Peintre de la vie moderne' is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essay's publication in 1863. Worse still, in his 'Salon de 1859', Baudelaire had also chosen to condemn photography in terms that echo to this day. Why did the excellent critic choose a mere reporter and illustrator as the painter of modern life? How could he have overlooked photography as the painting of modern life? In this study of modernity and photography in Baudelaire's writing, Timothy Raser, who has written on the art criticism of Baudelaire, Proust, Claudel and Sartre, shows how these two aberrations of critical judgment are related, and how they underlie current discussions of both photography and modernism. Timothy Raser is Professor of French at the University of Georgia (USA).
Author: Marieke Dubbelboer
Publisher: Routledge
ISBN: 1351540181
Category : Foreign Language Study
Languages : en
Pages : 297
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Book Description
Paradox and provocation were essential features of all of the work of Alfred Jarry (1873-1907). His non-conformist attitude, whether employed to subvert literary or artistic conventions or to scrutinize social and political issues, marked both his literary writing and his view of the world. Nowhere is this more apparent than in the experimental and satirical Almanachs du Pere Ubu (1898 and 1901), which to date have received little critical attention. Jarry's groundbreaking use of collage in these early works, his absurdist humour and his rethinking of literary authorship and artistic originality foreshadow many innovations of twentieth-century art and literature. In this generously illustrated study Marieke Dubbelboer examines key characteristics of Jarry's poetics through an analysis of the Almanachs and addresses their role within the European avant-garde.
Author: Corinne Saunders
Publisher: Springer
ISBN: 0230234003
Category : Art
Languages : en
Pages : 302
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Book Description
The Body and the Arts focuses on the dynamic relation between the body and the arts: the body as inspiration, subject, symbol and medium. Contributors from a variety of disciplines explore this relation across a range of periods and art forms, spanning medicine, literature from the classical period to the present, and visual and performing arts.
Author: Mairi MaLaughlin
Publisher: Routledge
ISBN: 1351547305
Category : Foreign Language Study
Languages : en
Pages : 149
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Book Description
It is widely held that the large-scale translation of international news from English will lead to changes in French syntax. For the first time this assumption is put to the test using extensive fieldwork carried out in an international news agency and a corpus of translated news agency dispatches. The linguistic analysis of three syntactic structures in the translations is complemented by an investigation of the effects of a range of factors including, most notably, the speed at which the translation is carried out. The analysis sheds new light on the ways in which news translation could lead to syntactic borrowing in French, and by extension, in other languages.
