The China Hong List 1941 PDF Download
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Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 996
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Book Description
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 996
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Book Description
Author: United States. Bureau of Foreign and Domestic Commerce
Publisher:
ISBN:
Category : Hong Kong
Languages : en
Pages : 300
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 426
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 486
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Book Description
Author: Paul Bevan
Publisher: BRILL
ISBN: 900430794X
Category : Art
Languages : en
Pages : 407
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Book Description
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Author: Paul Bevan
Publisher: BRILL
ISBN: 9004428739
Category : Art
Languages : en
Pages : 437
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Book Description
In Intoxicating Shanghai, Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in pictorial magazines. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dance hall culture, with a specific emphasis on 1934 – ‘The Year of the Magazine’.
Author:
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Category : East Asia
Languages : en
Pages : 1766
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Book Description
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 588
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Book Description
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
Author: Library of Congress. General Reference and Bibliography Division
Publisher:
ISBN:
Category : China
Languages : en
Pages : 136
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Book Description
Author: Y. Yvon Wang
Publisher: Cornell University Press
ISBN: 1501752995
Category : Social Science
Languages : en
Pages : 306
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Book Description
Reinventing Licentiousness navigates an overlooked history of representation during the transition from the Qing Empire to the Chinese Republic—a time when older, hierarchical notions of licentiousness were overlaid by a new, pornographic regime. Y. Yvon Wang draws on previously untapped archives—ranging from police archives and surveys to ephemeral texts and pictures—to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world. Reinventing Licentiousness emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed "proper" sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.
