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Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
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Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
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Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Author: Tom Beghin
Publisher: University of Chicago Press
ISBN: 0226818357
Category : Music
Languages : en
Pages : 441
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Book Description
"In this book, Tom Beghin examines the French piano Beethoven famously acquired from the Erard firm in Paris in 1803. The Erard piano is one of only three extant instruments belonging to Beethoven and is housed in a museum in Austria. Beghin argues that the piano sonatas Beethoven composed between 1803 and 1810-including the "Waldstein" and the "Appassionata"-show the influence of the new French style of pianism and of the Erard in particular, specifically in the uses of tremolo, legato, and the "una corda" pedal, which softens dramatically the volume. Beghin shows that Beethoven was guided by a search for new sonorities and that the specific "touch" provided by the Erard's technology helped to point him toward new compositional horizons, especially at a time when he was forced to withdraw from performance due to his increasing deafness. The book combines informed historical analysis of the musical milieus in Vienna and Paris with the author's own experiments at the keyboard in order to reconstruct the specific techniques that Beethoven was exploiting and the ways they translated into his innovative piano writing"--
Author: Chelle L. Stearns
Publisher: Wipf and Stock Publishers
ISBN: 1625645465
Category : Religion
Languages : en
Pages : 245
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Book Description
Music can answer questions that often confound more discursive modes of thought. Music takes concepts that are all too familiar, reframes these concepts, and returns them to us with incisive clarity and renewed vision. Unity is one of these “all too familiar concepts,” thrown around by politicians, journalists, and pastors as if we all know what it means. By turning to music, especially musical space, the relational structure of unity becomes less abstract and more tangible within our philosophy. Arnold Schoenberg, as an inherently musical thinker, is our guide in this study of unity. His reworking of musical structure, dissonance, and metaphysics transformed the tonal language and aesthetic landscape of twentieth–century music. His philosophy of compositional unity helps us to deconstruct and reconceive how unity can be understood and worked with both aesthetically and theologically. This project also critiques Schoenberg’s often monadic musical metaphysic by turning to Colin Gunton’s conviction that the particularity and unity at the heart of God’s triune being should guide all of our theological endeavors. Throughout, music accompanies our thinking, demonstrating not only how theology can benefit the philosophy of music but also how the philosophy of music can enrich and augment theological discourse.
Author: David Wyn Jones
Publisher: Cambridge University Press
ISBN: 9780521456845
Category : Music
Languages : en
Pages : 120
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Book Description
A clear piece of musical criticism analysing the formal aspects of Beethoven's 6th symphony. Reviewed as very readable.
Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 1611396034
Category : Fiction
Languages : en
Pages : 346
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Book Description
A black student is shot dead during a demonstration claiming “Beethoven Was Black” in Bonn’s historic Münsterplatz with its majestic monument to the Bonn-born composer. Attending a Beethoven jubilee conference in the city is retired professor turned art crimes detective Megan Crespi with her American colleague and Beethoven expert, Will Meridian. During their symposium on the composer one of the participants is also killed. Who is the assassin or assassins and why do the murders continue? The cast of characters and suspects Megan is confronted with include Bettina Brentano, ambitious conductor of the Bonn Classical Philharmonic, Oskar van der Fresser, founder of the Beethoven und Du Museum in Vienna, Dr. Seide Sammlerin, over-protective director of the Beethoven-Haus Bonn, Tobias Neidisch, Beethovenhalle night guard with a chip on his shoulder, Dr. Li Shutong, with a singular background relating to Beethoven in China, Leopold Weissknab, white supremacist student studying at Bonn University, Louis van Hoven, a self-declared direct descendant of Ludwig van Beethoven, Clemens Karl von Masuren, beloved conductor of the Beethoven Orchester Bonn, and Takuto Nisemono, conductor and composer once considered “the Beethoven of Japan,” now disgraced but defiant and scheming a come-back. Megan’s pursuit of Beethoven-related criminal activity extends to a cruise ship bound for China and additional deaths. Can justice prevail?
Author: Maynard Solomon
Publisher: Schirmer Trade Books
ISBN: 0857128132
Category : Biography & Autobiography
Languages : en
Pages : 770
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Book Description
Hailed as a masterpiece for its original interpretations of Beethoven's life and music. This edition takes into account the latest information and literature. Includes a 30-page bibliographical essay, numerous illustrations, and a full-color pictorial biography of the composer.
Author: Beethoven Forum
Publisher: U of Nebraska Press
ISBN: 9780803261952
Category : Music
Languages : en
Pages : 250
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Book Description
Collecting the best of international Beethoven studies, Beethoven Forum promotes and sustains the high level of scholarship inspired by Beethoven's extraordinary works.
Author: William E. Weber
Publisher: Indiana University Press
ISBN: 0253057760
Category : History
Languages : en
Pages : 275
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Book Description
To be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as Entrepreneur, 1700–1914, international scholars investigate cases of musical entrepreneurship between around 1700 and 1914 in Britain, France, Germany, and the United States. By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself.
Author: Mark Ferraguto
Publisher:
ISBN: 0190947187
Category : Biography & Autobiography
Languages : en
Pages : 277
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Book Description
Beethoven 1806 examines a banner year in the creative life of Ludwig van Beethoven. Drawing on theories of mediation and a wealth of primary sources, it explores the specific contexts in which the music of this year was conceived, composed, and heard.
Author: Hermione de Almeida
Publisher: Rowman & Littlefield
ISBN: 1611495415
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring’s teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring’s intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring’s unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins. Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mähler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring’s unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring—with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring’s living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.
