Author: Ignace Jan Paderewski
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 138
Book Description
The Century Library of Music
Author: Ignace Jan Paderewski
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 138
Book Description
Music Librarianship at the Turn of the Century
Author: Richard Griscom
Publisher: Music Library Association Technical Reports
ISBN: 9780810838666
Category : Music librarianship
Languages : en
Pages : 0
Book Description
Thirteen essays explore the recent past, present, and future of music librarianship. Topics examined include preservation, cataloging, user education, music publishing, the antiquarian music market, archives, and education for music librarianship. Griscom is music librarian at the University of Illinois-Urbana-Champaign. Maple is head of Arts and Humanities Libraries at Pennsylvania State University. Annotation copyrighted by Book News Inc., Portland, OR.
Publisher: Music Library Association Technical Reports
ISBN: 9780810838666
Category : Music librarianship
Languages : en
Pages : 0
Book Description
Thirteen essays explore the recent past, present, and future of music librarianship. Topics examined include preservation, cataloging, user education, music publishing, the antiquarian music market, archives, and education for music librarianship. Griscom is music librarian at the University of Illinois-Urbana-Champaign. Maple is head of Arts and Humanities Libraries at Pennsylvania State University. Annotation copyrighted by Book News Inc., Portland, OR.
The Century Library of Music
Author: Ignace Jan Paderewski
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 148
Book Description
Nineteenth-Century Music
Author: Carl Dahlhaus
Publisher: Univ of California Press
ISBN: 9780520076440
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Publisher: Univ of California Press
ISBN: 9780520076440
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Music, Authorship, and the Book in the First Century of Print
Author: Kate van Orden
Publisher: Univ of California Press
ISBN: 0520957113
Category : Music
Languages : en
Pages : 257
Book Description
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Publisher: Univ of California Press
ISBN: 0520957113
Category : Music
Languages : en
Pages : 257
Book Description
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Music and International History in the Twentieth Century
Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 1782385010
Category : History
Languages : en
Pages : 278
Book Description
Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
Publisher: Berghahn Books
ISBN: 1782385010
Category : History
Languages : en
Pages : 278
Book Description
Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
A Century of Music-making
Author: Robert K. Wallace
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
The Etude
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 398
Book Description
A monthly journal for the musician, the music student, and all music lovers.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 398
Book Description
A monthly journal for the musician, the music student, and all music lovers.
Bulletin
Author: Seattle Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Monthly Bulletin
Author: Seattle Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description