Author: Whitney Davis
Publisher: Cambridge University Press
ISBN: 9780521365901
Category : Social Science
Languages : en
Pages : 292
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Book Description
From the beginning of Egyptian dynastic history (c. 3000 BC), Egyptian artists worked within a set of specific rules for image making. The system was established in order to depict and to justify the ambitions of the ancient Egyptian elite, and was so successful that virtually no other forms of image making survive in the archaeological record. This book describes the rules for making correct canonical images at the levels of technique and subject matter, and explores the way in which these rules were expressed and transmitted from artist to artist over 3,000 years. Although it uses up-to-date visual and archaeological data, it presumes no specific knowledge of ancient Egypt and aims to introduce the fundamentals of Egyptian art to readers with general interests in Egyptian art, history and archaeology.
Author: Whitney M. Davis
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages :
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Book Description
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325087
Category : Literary Criticism
Languages : en
Pages : 636
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: William Stevenson Smith
Publisher: Yale University Press
ISBN: 9780300077476
Category : Art
Languages : en
Pages : 326
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Book Description
A survey of Egyptian art and architecture is enhanced by revised text, an updated bibliography, and over four hundred illustrations.
Author: John Baines
Publisher: Oxford University Press
ISBN: 0198152507
Category : Art
Languages : en
Pages : 439
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Book Description
A generously illustrated collection of John Baines's influential writings on the role of writing and the importance of visual culture in ancient Egypt. Investigation of these key topics in a comparative study of early civilizations is pursued through a number of case studies, and characterized by a radically interdisciplinary approach.
Author: Gay Robins
Publisher: University of Texas Press
ISBN: 029278774X
Category : Social Science
Languages : en
Pages : 526
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Book Description
This study of ancient Egyptian art reveals the evolution of aesthetic approaches to proportion and style through the ages. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the overall composition of scenes. Numerous line drawings with superimposed grids illustrate the text.
Author: John Tait
Publisher: Routledge
ISBN: 1315423472
Category : Social Science
Languages : en
Pages : 386
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Book Description
"Never Had the Like Occurred" examines Ancient Egypt's own multifaceted encounters with its past. As Egyptian culture constantly changed and evolved, this book follows a chronological arrangement, from early Egypt to the attitudes of the Coptic population in the Byzantine Period. Within this framework, it asks what access the Egyptians had to information about the past, whether deliberately or accidentally acquired; what use was made of the past; what were the Egyptians attitudes to the past; what sense of past time did the Egyptians have; and what kinds of reverence for the past did they entertain? This is the first book dedicated to the whole range of these themes. It provides an explanatory context for the numerous previous studies that have dealt with particular sets of evidence, particular periods, or particular issues. It provides a case study of how civilizations may view and utilize their past.
Author: Whitney Davis
Publisher: Univ of California Press
ISBN: 0520322614
Category : Art
Languages : en
Pages : 490
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Author: Heinrich Schäfer
Publisher: Griffith Inst
ISBN: 9780900416521
Category : Art
Languages : en
Pages : 470
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Book Description
This classic work discusses representations in Egyptian painting, sculpture and reliefs, assessing how objects and figures are represented in two dimensions, introducing the idea of "conceptual" and "perceptual" art. Translated from the German by John Baines, who has revised the text and illustrations to take account of recent research.
Author: Whitney Davis
Publisher: Princeton University Press
ISBN: 1400836433
Category : Art
Languages : en
Pages : 400
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Book Description
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
