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Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521794305
Category : Drama
Languages : en
Pages : 420
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Book Description
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521794305
Category : Drama
Languages : en
Pages : 420
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Book Description
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521651328
Category : Drama
Languages : en
Pages : 597
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Book Description
Publisher Description
Author: Jen Harvie
Publisher: Cambridge University Press
ISBN: 1108421806
Category : Drama
Languages : en
Pages : 325
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Book Description
The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
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Book Description
Publisher Description
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521002806
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
Author: Darryll Grantley
Publisher: Scarecrow Press
ISBN: 0810880288
Category : Performing Arts
Languages : en
Pages : 549
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Book Description
British theatre has a greater tradition than any other, having started all the way back in 1311 and still going strong today. But that is too much for one book to cover, so this volume deals with early theatre and has a cut-off date in 1899. Still, this is almost six centuries, centuries during which British theatre not only developed but produced some of the greatest playwrights of all time and anywhere, including obviously Shakespeare but also Marlowe and Shaw. And they wrote some of the finest plays ever, which are known around the world. So there is plenty for this book to cover, just with the playwrights, plays and actors, but it also has information on stagecraft and theatres, as well as the historical and political background. This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of Early British Theatre concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.
Author: Aleks Sierz
Publisher: Bloomsbury Publishing
ISBN: 1350429619
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
British theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the 16th century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterized fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the plays and the audiences that make British theatre what it is today. It covers all the great names - from Shakespeare to Terence Rattigan, by way of Oscar Wilde and George Bernard Shaw - and the classic plays, many of which are still revived today, visits the venues and tells their dramatic stories. It is an accessible, journalistic account of this subject which, while based firmly on extensive research and historical accuracy, describes five centuries of British creativity in an interesting and relevant way. It is celebratory in tone, journalistic in style and accurate in content.
Author: Claire Cochrane
Publisher: Taylor & Francis
ISBN: 104011461X
Category : Performing Arts
Languages : en
Pages : 588
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Book Description
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time. This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
Author: Dominic Shellard
Publisher: Yale University Press
ISBN: 0300147910
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more. This entertaining and authoritative book is the first comprehensive account of British theatre in this period. Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its premiere in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era. The book will be a valuable resource not only for students of theatre history but also for any theatre enthusiast.
Author: Claire Cochrane
Publisher: Cambridge University Press
ISBN: 1139502131
Category : Drama
Languages : en
Pages : 365
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Book Description
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
