The Cambridge Companion to Eighteenth-Century Opera PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Cambridge Companion to Eighteenth-Century Opera PDF full book. Access full book title The Cambridge Companion to Eighteenth-Century Opera by Anthony R. DelDonna. Download full books in PDF and EPUB format.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Get Book Here
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Get Book Here
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1139828177
Category : Music
Languages : en
Pages : 343
Get Book Here
Book Description
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 9780521780094
Category : Music
Languages : en
Pages : 430
Get Book Here
Book Description
This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1139825895
Category : Music
Languages : en
Pages : 524
Get Book Here
Book Description
This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521001922
Category : Music
Languages : en
Pages : 324
Get Book Here
Book Description
Table of contents
Author: Nicholas Till
Publisher: Cambridge University Press
ISBN: 0521855616
Category : Music
Languages : en
Pages : 365
Get Book Here
Book Description
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
Author: Anthony DelDonna
Publisher: Ashgate Publishing, Ltd.
ISBN: 140942278X
Category : Music
Languages : en
Pages : 568
Get Book Here
Book Description
Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select, yet representative, compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples.
Author: Anastasia Belina
Publisher: Cambridge University Press
ISBN: 1107182166
Category : Music
Languages : en
Pages : 347
Get Book Here
Book Description
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Author: Glenn Stanley
Publisher: Cambridge University Press
ISBN: 1107494044
Category : Music
Languages : en
Pages : 268
Get Book Here
Book Description
This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
Author: Scott L. Balthazar
Publisher: Cambridge University Press
ISBN: 9780521635356
Category : Biography & Autobiography
Languages : en
Pages : 368
Get Book Here
Book Description
This Companion provides a biographical, theatrical, and social-cultural background for Verdi's operas, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Like others in the series this Companion is aimed primarily at students and opera lovers.
