Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
Burlington Magazine for Connoisseurs
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 546
Book Description
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668
Book Description
The Burlington Magazine
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description
Private Collecting, Exhibitions, and the Shaping of Art History in London
Author: Stacey J. Pierson
Publisher: Taylor & Francis
ISBN: 1315311925
Category : Art
Languages : en
Pages : 239
Book Description
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Publisher: Taylor & Francis
ISBN: 1315311925
Category : Art
Languages : en
Pages : 239
Book Description
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Early Modern Art Theory. Visual Culture and Ideology, 1400-1700
Author: James Hutson
Publisher: Anchor Academic Publishing
ISBN: 3954894971
Category : Art
Languages : en
Pages : 301
Book Description
The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.
Publisher: Anchor Academic Publishing
ISBN: 3954894971
Category : Art
Languages : en
Pages : 301
Book Description
The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 92
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 92
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Book-prices Current
Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 768
Book Description
Book-prices Current
Author: John Herbert Slater
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 848
Book Description
Michelangelo
Author: Miles J. Unger
Publisher: Simon and Schuster
ISBN: 1451678800
Category : Biography & Autobiography
Languages : en
Pages : 448
Book Description
This is the life of one of the most revolutionary artists in history, told through the story of six of his greatest masterpieces: “The one indispensable guide for encountering Michelangelo on his home turf” (The Dallas Morning News). Michelangelo stands alone as a master of painting, sculpture, and architecture, a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse. Michelangelo was ambitious, egotistical, and difficult, but through the towering force of genius and through sheer pugnaciousness, he transformed the way we think about art. Miles Unger narrates the life of this tormented genius through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà carved by a brash young man of twenty-four, to the apocalyptic Last Judgment, the work of an old man weighed down by the unimaginable suffering he had witnessed. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for his Medici overlords he offers perhaps history’s most sustained meditation on death and the afterlife of the soul. In the vast expanse of the Sistine Chapel ceiling he tells the epic story of Creation. During the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter’s in a final tribute to his God. “A deeply human tribute to one of the most accomplished and fascinating figures inthe history of Western culture” (The Boston Globe), Michelangelo brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after five hundred years.
Publisher: Simon and Schuster
ISBN: 1451678800
Category : Biography & Autobiography
Languages : en
Pages : 448
Book Description
This is the life of one of the most revolutionary artists in history, told through the story of six of his greatest masterpieces: “The one indispensable guide for encountering Michelangelo on his home turf” (The Dallas Morning News). Michelangelo stands alone as a master of painting, sculpture, and architecture, a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse. Michelangelo was ambitious, egotistical, and difficult, but through the towering force of genius and through sheer pugnaciousness, he transformed the way we think about art. Miles Unger narrates the life of this tormented genius through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà carved by a brash young man of twenty-four, to the apocalyptic Last Judgment, the work of an old man weighed down by the unimaginable suffering he had witnessed. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for his Medici overlords he offers perhaps history’s most sustained meditation on death and the afterlife of the soul. In the vast expanse of the Sistine Chapel ceiling he tells the epic story of Creation. During the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter’s in a final tribute to his God. “A deeply human tribute to one of the most accomplished and fascinating figures inthe history of Western culture” (The Boston Globe), Michelangelo brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after five hundred years.