The Burden of the Past and the English Poet PDF Download
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Author: Walter Jackson Bate
Publisher: Belknap Press
ISBN: 9780674085879
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
In this reissue of a classic work in modern literary criticism, W. Jackson Bate presents a thoughtful and informed investigation of the responses of English writers to the perennial dilemma of modern literature, concentrating especially on the period between 1660 and 1830.
Author: Walter Jackson Bate
Publisher: Belknap Press
ISBN: 9780674085879
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
In this reissue of a classic work in modern literary criticism, W. Jackson Bate presents a thoughtful and informed investigation of the responses of English writers to the perennial dilemma of modern literature, concentrating especially on the period between 1660 and 1830.
Author: Stephen Guy-Bray
Publisher: University of Toronto Press
ISBN: 0802092039
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante's use of Virgil and Statius in the Divine Comedy, moving on to Spenser's use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane's use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O'Hara) concludes Guy-Bray's analysis.
Author: Jay Clayton
Publisher: Univ of Wisconsin Press
ISBN: 9780299130343
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This collection explores and clarifies two of the most contested ideas in literary theory - influence and intertextuality. The study of influence tends to centre on major authors and canonical works, identifying prior documents as sources or contexts for a given author. Intertextuality, on the other hand, is a concept unconcerned with authors as individuals; it treats all texts as part of a network of discourse that includes culture, history and social practices as well as other literary works. In thirteen essays drawing on the entire spectrum of English and American literary history, this volume considers the relationship between these two terms across the whole range of their usage.
Author: Claude Julien Rawson
Publisher: Cambridge University Press
ISBN: 0521874343
Category : Literary Criticism
Languages : en
Pages : 581
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Book Description
This volume provides essays by twenty-nine leading scholars and critics on the best English poets from Chaucer to Larkin.
Author: Harold Bloom
Publisher: Oxford University Press, USA
ISBN: 9780195112214
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
The book remains a central work of criticism for all students of literature.
Author:
Publisher: BRILL
ISBN: 9004489975
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
In Black and Gold indicates that opposed styles of poetry reveal subterranean correspondences that occasionally meet and run together. Austerity or tomfoolery are two of the many valid responses to the human condition that create the contiguous traditions that cannot help touching and reacting to each other. The poetry discussed in this book deals with the relation of individuals to strange or to familiar landscapes, and what this means to their own sense of displacement or rootedness; with the use of history as an escape from or as a challenge to an apparently failing present; and with the role of nationalism either as a refuge for angry frustration, or as a weapon against the affronting world, or as an ambivalent loyalty that needs to be scoured, or as all three. Here we find poetry as a means of discovering true or false allegiances and valid or invalid public and private identities; poetry as a medium for exploring the uses of the demotic in confronting the breakdowns and injustices of modern democracy; poetry as play in the midst of private and public woe; poetry as a spiritual quest, as a spiritual scourging, as a wrestling with spiritual absences; and poetry as an intermittent and sporadic commemoration of the triumphs and delights of epiphanic encounters with the physical world.
Author: Fiona Price
Publisher: Routledge
ISBN: 1317063309
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
How and to what extent did women writers shape and inform the aesthetics of Romanticism? Were undervalued genres such as the romance, gothic fiction, the tale, and the sentimental and philosophical novel part of a revolution leading to newer, more democratic models of taste? Fiona Price takes up these important questions in her wide-ranging study of women's prose writing during an extended Romantic period. While she offers a re-evaluation of major women writers such as Mary Wollstonecraft, Maria Edgeworth, Ann Radcliffe and Charlotte Smith, Price also places emphasis on less well-known figures, including Joanna Baillie, Anna Letitia Barbauld, Elizabeth Hamilton and Priscilla Wakefield. The revolution in taste occasioned by their writing, she argues, was not only aesthetic but, following in the wake of British debates on the French Revolution, politically charged. Her book departs from previous studies of aesthetics that emphasize the differences between male and female writers or focus on higher status literary forms such as the treatise. In demonstrating that women writers' discussion of taste can be understood as an intervention at the most fundamental level of political involvement, Price advances our understanding of Romantic aesthetics.
Author: Christopher Ricks
Publisher:
ISBN: 0199250324
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Author: Richard G. Terry
Publisher: Oxford University Press, USA
ISBN: 9780198186236
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
The book concludes that the opening up and ordering of the English literary past occurs earlier than is generally supposed; and the same also applies to the process by which women writers achieve their own distinctive form of canonical recognition."--BOOK JACKET.
Author: Tom Furniss
Publisher: Routledge
ISBN: 1000548996
Category : Language Arts & Disciplines
Languages : en
Pages : 667
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Book Description
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
