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Author: Claude Mitchell Simpson
Publisher: New Brunswick, N.J., Rutgers U. P
ISBN:
Category : Music
Languages : en
Pages : 972
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Book Description
Author: Claude Mitchell Simpson
Publisher: New Brunswick, N.J., Rutgers U. P
ISBN:
Category : Music
Languages : en
Pages : 972
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Book Description
Author: Patricia Fumerton
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
Author: Jenni Hyde
Publisher: Routledge
ISBN: 1351372998
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.
Author: Christopher Marsh
Publisher: Cambridge University Press
ISBN: 1107610249
Category : History
Languages : en
Pages : 625
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Book Description
Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.
Author: William Chappell
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 724
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Book Description
Author: Patricia Fumerton
Publisher: University of Pennsylvania Press
ISBN: 081229727X
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.
Author: John Holloway
Publisher: Taylor & Francis
ISBN: 9780415372237
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Lively, exciting, amusing - this collection of ballads reveal the bawdy, anarchic sub-culture of England before the Industrial Revolution. Drawn from the eighteenth and early nineteenth centuries, it demonstrates the great wealth and variety of the English broadside ballads during these periods. At this time political balladry was rife and Irish ballads began to be composed in English - their distinctive background giving them a unique range of poetry. Indeed, these ballads represent an extensive, varied and important area of English literature. Written, as the editors observe, 'to provide a moment in which listeners could enjoy verse, wit and song', they very much reflect the lively observation, love of detail and social awareness of the age of the novel. This volume includes 127 ballads, ranging from 'Admiral Benbow' and 'The Jolly Bacchanal' to 'The Bottle the Best Companion' and 'The Young Man's Fortune'. Reprinted from contemporary or near-contemporary broadsides in the Madden Collection at the University Library, Cambridge, the head and tail blocks, a distinguished feature of the original texts, are also reproduced for this edition. The introduction is designed to enable individuals to read the texts in perspective and with pleasure. The book further includes a select bibliography and an index of ballad titles. This book was first published in 1975.
Author: George Malcolm Laws
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
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Book Description
Author: F. W. Bussell
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 456
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Book Description
This is a collection of folk songs from the West of England, specifically Devon and Cornwall. The songs were collected from the mouths of the people by various authors, including F. W. Bussell, S. Baring-Gould, and H. Fleetwood Sheppard, and edited by Cecil J. Sharp. The book includes a wide range of songs on various themes, including love, work, and local legends and traditions of the West of England. Some of the songs are well-known, such as "John Barleycorn" and "Widdicombe Fair," while others are more obscure.
Author: Sarah F. Williams
Publisher: Routledge
ISBN: 1317154908
Category : Music
Languages : en
Pages : 240
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Book Description
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
